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Standout main themes in otherwise uninteresting scores


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#1 Quint

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Posted 04 December 2009 - 06:30 PM

Suggestions?

I hear the new Twilight movie has quite a stunning main theme, for example.

I happen to really like Carter Burwell's whimsical theme to Being John Malkovich. I'm always on the lookout for quirky themes like that.

#2 Charlie Brigden

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Posted 04 December 2009 - 06:34 PM

Does 'Across the Stars' count? It's not necessarily a main theme, but it's the major theme of the film, and a lovely piece in an otherwise okay but not fantastic score.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#3 E.T. & Elliott

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Posted 04 December 2009 - 06:38 PM

JFK
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#4 Quint

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Posted 04 December 2009 - 06:39 PM

@Charlie

Well yes it does count, of course. But not all movies are afforded the pleasure of having the Lord of Themes himself, do their music. Most movies are lucky to have even one good theme, let alone two or three, as JW has been known to provide.

#5 Mark Olivarez

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Posted 04 December 2009 - 06:41 PM

Now for those who will start complaining, this in no way means the following scores suck.


The Last Starfighter
The Terminal
Ice Station Zebra
Spacecamp
Star Trek Insurrection (Ba'ku theme)
Signs

#6 Charlie Brigden

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Posted 04 December 2009 - 06:43 PM

Star Trek Insurrection (Ba'ku theme)


Great example. I'd possibly even go so far as to mention the First Contact theme, since I don't think that's a particularly great score either (but a lovely, lovely theme).
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#7 Quint

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Posted 04 December 2009 - 06:45 PM

First Contact's main theme is absolutely beautiful, I adore it. I'm gonna check out Ba'ku theme on iTunes, along with one or two of the others Mark just mentioned.

#8 Mark Olivarez

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Posted 04 December 2009 - 06:47 PM

I was tempted to include Nemesis because of the lovely rendition of the main theme Goldsmith uses in the end credits.

#9 Stefancos

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Posted 04 December 2009 - 06:48 PM

Congo.
Executive Descision.
Star Trek: First Contact

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#10 Mark Olivarez

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Posted 04 December 2009 - 06:53 PM

Seven Years In Tibet
Powder
Forever Young

#11 Wojo

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Posted 04 December 2009 - 07:05 PM

The Emperor's Death

*ducks*

@Wojo: stop being facetious.


#12 Charlie Brigden

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Posted 04 December 2009 - 07:11 PM

I was tempted to include Nemesis because of the lovely rendition of the main theme Goldsmith uses in the end credits.


That is a stunning theme, although I think NEMESIS is a generally underrated score.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#13 Quint

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Posted 04 December 2009 - 07:14 PM

Some good suggestions here, I'll check 'em out.

#14 king mark

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Posted 04 December 2009 - 07:28 PM

Back to the Future
Airport

Almost every Ennio Morricone score has a great main theme and incredibly boring underscore

#15 Quint

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Posted 04 December 2009 - 07:37 PM

TGTBATU's underscore is heavenly to this ear, at least.

#16 Maxxie

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Posted 04 December 2009 - 07:45 PM

Back to the Future


I wondered when this was coming. ;)

No surprises it came from you KM. ;)
Music From The Motion Picture

#17 Koray Savas

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Posted 04 December 2009 - 07:47 PM

The Good, The Bad And The Ugly is a masterpiece from beginning to end. Navajo Joe and The Five Man Army are better examples of superb themes with boring underscore.

In 50 years Herrmann will be forgotten.


#18 Nemesis

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Posted 04 December 2009 - 08:13 PM

I don't think The Terminal is avarage or booring.
I like the diffrent "colors" of the score. I think it's a very lovely score!
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#19 Wojo

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Posted 04 December 2009 - 08:31 PM

Star Trek IV. I like the main title a lot, but don't find the rest of the score to be that great.

@Wojo: stop being facetious.


#20 Luke Skywalker

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Posted 04 December 2009 - 08:39 PM

Back to the Future


same here.

the rest of the score is not bad average, but compared to its main theme, it pales.
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#21 Red Rabbit

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Posted 04 December 2009 - 09:43 PM

Does 'Across the Stars' count? It's not necessarily a main theme, but it's the major theme of the film, and a lovely piece in an otherwise okay but not fantastic score.

I would go with this. There are a few other highlights though, like "Love Pledge/The Arena".
Do you like John Williams? His early work was a little too jazzy for my taste, but when Jaws came out in '75 I really think he came into his own, commercially and artistically. The whole album has a clear, crisp sound, and an air of consummate professionalism that really gives the pieces a big boost. He's been compared to Jerry Goldsmith but I think John has a far more leitmotif-driven style of composing. In '82 John composed this, E.T., his most accomplished album to date. I think his undisputed masterpiece is "The Magic of Halloween", a theme so catchy most people don't listen to what it means. But they should, because it's not just about the pleasures of childhood and the importance of friendship, it's also a personal statement about the man himself. Hey Paul!
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#22 Musica42

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Posted 04 December 2009 - 09:52 PM

Alamo: Price of Freedom, Merrill Jenson
Cliffhanger, Trevor Jones
Drag Me To Hell, Christopher Young
Last of the Dogmen, David Arnold

#23 king mark

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Posted 04 December 2009 - 09:54 PM

AotC is really above average most other composer's scores

It's only below average compared to the other SW scores but still has it's importance

#24 Stefancos

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Posted 04 December 2009 - 10:19 PM

AotC is really above average most other composer's scores


No, not really, there are hundreds of scores better then it.

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#25 Quint

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Posted 04 December 2009 - 10:21 PM

Musically, AotC is a superior piece of work, but as a film score it is predictable and in places - really dull.

Forget average-ness - AotC is a lacklustre JW score. But I still don't blame him for it.

Lee - realising that KM is truly JWFAN's biggest fanboy and NOT Luke Skywalker.

#26 Luke Skywalker

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Posted 04 December 2009 - 10:24 PM


AotC is really above average most other composer's scores


No, not really, there are hundreds of scores better then it.


and thousands worse.
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#27 Stefancos

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Posted 04 December 2009 - 10:28 PM

Unlike you and KM, i prefer to judge a score at how good it is, not on how bad others are.

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#28 Datameister

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Posted 04 December 2009 - 10:50 PM

Me, too. That's why I enjoy AOTC.

#29 Stefancos

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Posted 04 December 2009 - 10:53 PM

Oh I enjoy it, but it´s not a great score.

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#30 MissPadmé

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Posted 04 December 2009 - 10:53 PM

Presumed Innocent..

The Main Theme is hauntingly beautiful... but that's it for that score
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#31 Datameister

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Posted 04 December 2009 - 11:03 PM

Oh I enjoy it, but it´s not a great score.


As a whole, probably not. It doesn't have that indisputable quality of world-class-ness the way some scores do. But it's got a lot of moments I consider great, both on the album and otherwise.

#32 Quint

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Posted 04 December 2009 - 11:08 PM

That is not in dispute. This thread was designed to hopefully highlight the less obvious works out there, in movie music land.

#33 Mr. Breathmask

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Posted 04 December 2009 - 11:16 PM

Robin Hood: Prince of Thieves

Vrrrroooooommmmm!


#34 Quint

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Posted 04 December 2009 - 11:23 PM

^Perfect example.

Speaking of Kamen, The Iron Giant is another score which has a good, solid theme, but unfortunately there does not a exist a decent presentation of it, outside of the movie - often the case, with lesser known soundtracks. 'Tis a shame.

#35 Datameister

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Posted 04 December 2009 - 11:28 PM

That is not in dispute. This thread was designed to hopefully highlight the less obvious works out there, in movie music land.


Fair enough. Now I just gotta think of one... :lol:

#36 John Crichton

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Posted 04 December 2009 - 11:50 PM

The Last Starfighter
Star Trek Insurrection (Ba'ku theme)


Robin Hood: Prince of Thieves

Great examples, especially The Last Starfighter. Would Robin Hood be a great theme or just a great main title piece?

First Contact is a great score throughout, I wouldn't put it in this category.

What about Indy 4? Call of the Crystal and the Russian theme are both damn fine themes in a meh score.
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#37 JanBing

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Posted 05 December 2009 - 12:07 AM

Would Robin Hood be a great theme or just a great main title piece?

I'd say that "Prince of Thieves" has actually two very nice themes... the main theme and Marian's theme (which was basically "Everything I Do", which Kamen composed with Bryan Adams).

#38 Mr. Breathmask

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Posted 05 December 2009 - 12:23 AM

Yes, the love theme is very nice as well and the rest of the score is quite alright too.

It's just that the Main Titles tower over everything else, they're just insanely good.

Vrrrroooooommmmm!


#39 indy4

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Posted 05 December 2009 - 12:29 AM

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#40 Datameister

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Posted 05 December 2009 - 12:43 AM

I like the main theme to 24, but the rest of the show's scoring tends to be merely functional to my ear.




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