The Avengers (Written and Directed by Joss Whedon, music by Alan Silvestri)
#81
Posted 25 July 2011 - 07:22 PM
#82
Posted 25 July 2011 - 07:32 PM
#83
Posted 25 July 2011 - 10:39 PM
I just don't see how this movie can be any good, honestly
Me too. I know it's got Joss Whedon and all, but it's a trainwreck waiting to happen.
Still, the comic book nerds will lap it up I'm sure.
Vrrrroooooommmmm!
#84
Posted 25 July 2011 - 10:52 PM
Karol
#85
Posted 26 July 2011 - 12:53 AM
I just don't see how this movie can be any good, honestly
You haven't seen the film or read any reviews -- so why assume? I know some people aren't fans of Joss Whedon or comic-book movies in general, but still.
I think The Avengers will surprise a lot of people. (I'm a Whedon fan, so I am biased here.) It has a new superhero team-up concept on screen, and it has most of the actors reprising their roles from other Marvel movies (Robert Downey Jr., Chris Evans, Chris Hemsworth, et al). And I was impressed with Whedon's directorial debut, Serenity (which looked 4x more expensive than its $40M budget), so he knows how to handle a production and finish it on time and on budget. And I think he's a good writer.
Some people should give Whedon the benefit of a doubt. He's more than just writing snappy one-liners and killing off beloved characters in his TV shows.
#86
Posted 26 July 2011 - 05:09 AM
It has potential I guess. It has one of the writers from Toy Story. I just can't imagine a superhero team movie without excessive campiness.
#87
Posted 26 July 2011 - 05:22 AM
I just don't see how this movie can be any good, honestly
You haven't seen the film or read any reviews -- so why assume? I know some people aren't fans of Joss Whedon or comic-book movies in general, but still.
I think The Avengers will surprise a lot of people. (I'm a Whedon fan, so I am biased here.) It has a new superhero team-up concept on screen, and it has most of the actors reprising their roles from other Marvel movies (Robert Downey Jr., Chris Evans, Chris Hemsworth, et al). And I was impressed with Whedon's directorial debut, Serenity (which looked 4x more expensive than its $40M budget), so he knows how to handle a production and finish it on time and on budget. And I think he's a good writer.
Some people should give Whedon the benefit of a doubt. He's more than just writing snappy one-liners and killing off beloved characters in his TV shows.
Whedon is my only hope for this movie to be any good. And still I'm expecting it to blow. So, yeah. There ya go.
Vrrrroooooommmmm!
#88
Posted 26 July 2011 - 05:37 AM
I just don't see how this movie can be any good, honestly
You haven't seen the film or read any reviews -- so why assume? I know some people aren't fans of Joss Whedon or comic-book movies in general, but still.
I think The Avengers will surprise a lot of people. (I'm a Whedon fan, so I am biased here.) It has a new superhero team-up concept on screen, and it has most of the actors reprising their roles from other Marvel movies (Robert Downey Jr., Chris Evans, Chris Hemsworth, et al). And I was impressed with Whedon's directorial debut, Serenity (which looked 4x more expensive than its $40M budget), so he knows how to handle a production and finish it on time and on budget. And I think he's a good writer.
Some people should give Whedon the benefit of a doubt. He's more than just writing snappy one-liners and killing off beloved characters in his TV shows.
Whedon is my only hope for this movie to be any good. And still I'm expecting it to blow. So, yeah. There ya go.
I don't think Stanley Kubrick could even save it unfortunately. Maybe it'll be good but superhero movies to me are some of the dullest films out there.
#89
Posted 29 July 2011 - 01:09 PM
'Forget the notes!' - Hans Zimmer, June 2013
#90
Posted 01 August 2011 - 02:30 AM
Whedon is my only hope for this movie to be any good. And still I'm expecting it to blow. So, yeah. There ya go.
I can see why some people expect this movie to blow, but I can't see why people think it'll fail because it's "rushed." Now, Marvel Studios deserve some flack since none of their films have been truly remarkable -- okay at worst and pretty good at best -- but nothing groundbreaking. But this is the film they set the groundwork for in the first Iron Man onwards, so I'm hoping they pull out all the stops for this one.
I don't want summer 2012 where all the successful superhero films are the realistic and gritty kind (a la The Dark Knight Rises and The Amazing Spider-Man).
#91
Posted 21 September 2011 - 06:42 PM
#92
Posted 11 October 2011 - 02:54 PM
#94
Posted 11 October 2011 - 03:01 PM
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#95
Posted 11 October 2011 - 03:09 PM
I just don't see how this movie can be any good, honestly
Some of that dialogue is laughably bad
#96
Posted 11 October 2011 - 03:51 PM
But it looks epic. Hate how Marvel went back on their word and are making a 3D release.
#98
Posted 17 October 2011 - 12:54 PM
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#99
Posted 17 October 2011 - 02:07 PM
Karol
#101
Posted 17 October 2011 - 02:40 PM
Karol
#102
Posted 17 October 2011 - 03:55 PM
But I wonder if he'll use Doyle's Thor theme or any of the thematic material from the first two IM movies?
#103
Posted 17 October 2011 - 04:07 PM
#105
Posted 08 November 2011 - 10:10 PM
Alan Silvestri Confirmed to Score The AvengersThe latest FSM Online reports that Alan Silvestri will score the film.
It's a great choice
- George Lucas
#106
Posted 08 November 2011 - 10:18 PM
Karol
#107
Posted 08 November 2011 - 10:32 PM
We're talking about a director who said he liked Burwell, but didn't hire him on his last two films or TV show, and replaced him on "Serenity".
A director who didn't hire David Newman again, whom he said the River theme brought him to tears.
A film under studio preassure to pull off many things, tie it to passed and future superheor films, and make big bucks.
A movie that has to do all that and make sense from beginning to end with multiple characters, some of which already have preset molds from previous films.
And a composer who's scores as of late have left much to be desired.
I strongly suspect Whedon was talked into using Silvestri, and I strongly suspet we're in for more of the same Silvestri.
This film has what scoring it will get, already written all over the walls. And with Whedon already sort of pigeonholded with some characters and outcomes ('cause of future films), we can't expect something great here.
In the end, mark my words, this will be another lack luster superhero film that blows, with an average score, but with staunch supporters of both (there's always those folks)
Number 2: "Are you going to run?"
Number 6: "Like blazes! First chance i get."
-The Prisoner-
PLEASE NOTE: I don't sell CD-Rs, or trade MP3s -- do NOT contact me asking for those; I also don't do downloading/uploading. Just trade, CD-Rs.
#108
Posted 08 November 2011 - 10:33 PM
I'd say it's hilarious that Alan Silvestri would then be hired to score this film, rather than any of the people who did the scores for the others.
Maybe "they" finally saw the error of their ways? Or maybe not... But still!
#109
Posted 08 November 2011 - 10:48 PM
- George Lucas
#110
Posted 08 November 2011 - 10:52 PM
Karol
#111
Posted 09 November 2011 - 01:03 AM
I strongly suspect Whedon was talked into using Silvestri, and I strongly suspet we're in for more of the same Silvestri.
This film has what scoring it will get, already written all over the walls. And with Whedon already sort of pigeonholded with some characters and outcomes ('cause of future films), we can't expect something great here.
In the end, mark my words, this will be another lack luster superhero film that blows, with an average score, but with staunch supporters of both (there's always those folks)
That's really harsh. Amazing how confident you are in that Silvestri's score will suck, and we haven't heard a note of music thus far. It's entirely possible Whedon wanted someone like Newman or his Buffy composers back, but the producers "recommended" someone else. Or it could be that Whedon wanted to work with different people.
But to go out and say, "Silvestri's score will suck, just because I didn't like his recent output and these other composers aren't chosen blah blah" is really baseless and whiny. Joss Whedon has always managed to evoke some of the best music from the composers he's worked with, and I think Silvestri will follow suit.
Wait until the movie comes out before criticizing the score, not before.
#112
Posted 09 November 2011 - 03:44 AM
Whether talked into it, or not -- to take you position -- Silvestri was obviously hired for a reason here, not because of his talent or because the film was something he'd be adept at/or just has "Silvestri" written all over it.
Half the composers Joss has worked with have not evoked anything worth a toot, or at best "okay".
As for the BTVS composers:
Walter Murphy never gets movie gigs anymore (except that little animated film ay ear back which was news on the Moon only)
Christophe Beck is booked up pretty well.
Adam Feilds will never get such a gig (not reflecting his abilities, but rather Hollywood reality)
It appears Joss has never asked Thomas Wanker to do anything after two years of BTVS.
Ditto Doglas Romayne Stevens and Robert Duncan for the same reasons of Fields.
^^^ No one to ask but Beck and that's iffy at best at getting it.
Unlike some of you, I don't have to wait for a movie to come out. There are such things as trakc records, whether you want to see it or not. There are such things general output, proven abilities; and yes, there are exceptions to that on occassions. But if you think Tyler Bates is going to come out and write a striking Herrmann-esque string score, you're dead wrong. You think Hanzi Zimmer is gonna go write a lush, lyrical woodwinds Delerue score, you're on another planet.
Take Craig Armstrong, for example. "Hulk", [i]"In Time"[/b], and what I've heard about what he did do for "Clash of the Titans", there's now a track records; I'd be saying the same thing had he got it.
This film calls for certain scoring needs by the trailer and public photos released.
Maybe you can't so easily spot things, but I can probably ramble off a dozen or two films from the last few years I knew were gonna blow and DID.
Number 2: "Are you going to run?"
Number 6: "Like blazes! First chance i get."
-The Prisoner-
PLEASE NOTE: I don't sell CD-Rs, or trade MP3s -- do NOT contact me asking for those; I also don't do downloading/uploading. Just trade, CD-Rs.
#113
Posted 09 November 2011 - 03:50 AM
Sometimes track records speak for themselves. I was right about "The A-Team" (though I hoped for the best), "G.I. Joe" and "Captain America".
Whether talked into it, or not -- to take you position -- Silvestri was obviously hired for a reason here, not because of his talent or because the film was something he'd be adept at/or just has "Silvestri" written all over it.
Half the composers Joss has worked with have not evoked anything worth a toot, or at best "okay".
As for the BTVS composers:
Walter Murphy never gets movie gigs anymore (except that little animated film ay ear back which was news on the Moon only)
Christophe Beck is booked up pretty well.
Adam Feilds will never get such a gig (not reflecting his abilities, but rather Hollywood reality)
It appears Joss has never asked Thomas Wanker to do anything after two years of BTVS.
Ditto Doglas Romayne Stevens and Robert Duncan for the same reasons of Fields.
^^^ No one to ask but Beck and that's iffy at best at getting it.
Unlike some of you, I don't have to wait for a movie to come out. There are such things as trakc records, whether you want to see it or not. There are such things general output, proven abilities; and yes, there are exceptions to that on occassions. But if you think Tyler Bates is going to come out and write a striking Herrmann-esque string score, you're dead wrong. You think Hanzi Zimmer is gonna go write a lush, lyrical woodwinds Delerue score, you're on another planet.
Take Craig Armstrong, for example. "Hulk", [i]"In Time"[/b], and what I've heard about what he did do for "Clash of the Titans", there's now a track records; I'd be saying the same thing had he got it.
This film calls for certain scoring needs by the trailer and public photos released.
Maybe you can't so easily spot things, but I can probably ramble off a dozen or two films from the last few years I knew were gonna blow and DID.
Good thing you werent around when JW started.
John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#114
Posted 09 November 2011 - 07:38 PM
Sometimes track records speak for themselves. I was right about "The A-Team" (though I hoped for the best), "G.I. Joe" and "Captain America".
[...]
Maybe you can't so easily spot things, but I can probably ramble off a dozen or two films from the last few years I knew were gonna blow and DID.
Well, glad to know your ESP is in working order. I love how you're such a debbie downer when it comes to films like The Avengers. But I stand by what I said -- wait until the film or score comes out (whichever comes first) before saying things like these.
As for the Buffy situation, I was referring to the more dramatic and serious moments of the show (mostly scored by Beck and Duncan). It would be nice to see someone like David Newman get a crack at something like The Avengers, but that's not the case now. Be glad Zimmer or his cronies didn't get this assignment.
#115
Posted 09 November 2011 - 10:38 PM
#116
Posted 17 November 2011 - 09:03 AM
And here is a comment below the article that drew my attention:
This guy makes Chaac's "dadadadas" look like something from the past.As a composer myself, it would be cool to hear a different theme for each hero, but when each characters themes are blended, it's the theme for the team as a whole.
Example:Hulk has this heartbeat type beat on a timpone(bum bum bum)
Cap has his patriotic horn section(da da da, da da da)
Iron Man has a gritty metal guitar riff(chug chug, chugga chugga chug)
Thor has an Asgardian string section(la,lala,lalala,la,la)
Widow has a hard snare and toms accenting her ass swaying(boom pop boom pop)
Fury's just hollering different stuff(yeah,what,muthafugga)
And Hawkeye has a popping bass line(bow bow ba ba thwap thwap)
'Forget the notes!' - Hans Zimmer, June 2013
#117
Posted 17 November 2011 - 10:16 AM
Silvestri speaks!
And here is a comment below the article that drew my attention:
This guy makes Chaac's "dadadadas" look like something from the past.As a composer myself, it would be cool to hear a different theme for each hero, but when each characters themes are blended, it's the theme for the team as a whole.
Example:Hulk has this heartbeat type beat on a timpone(bum bum bum)
Cap has his patriotic horn section(da da da, da da da)
Iron Man has a gritty metal guitar riff(chug chug, chugga chugga chug)
Thor has an Asgardian string section(la,lala,lalala,la,la)
Widow has a hard snare and toms accenting her ass swaying(boom pop boom pop)
Fury's just hollering different stuff(yeah,what,muthafugga)
And Hawkeye has a popping bass line(bow bow ba ba thwap thwap)
Nice that this guys would give a thematic idea for Scarlett Johansson's ass. Inspiration right there!
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#118
Posted 16 December 2011 - 10:12 AM

'Forget the notes!' - Hans Zimmer, June 2013
#120
Posted 16 December 2011 - 07:47 PM
'Forget the notes!' - Hans Zimmer, June 2013
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