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The Avengers (Written and Directed by Joss Whedon, music by Alan Silvestri)


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#81 Romão

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Posted 25 July 2011 - 07:22 PM

I just don't see how this movie can be any good, honestly
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#82 BurgaFlippinMan

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Posted 25 July 2011 - 07:32 PM

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#83 Mr. Breathmask

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Posted 25 July 2011 - 10:39 PM

I just don't see how this movie can be any good, honestly


Me too. I know it's got Joss Whedon and all, but it's a trainwreck waiting to happen.

Still, the comic book nerds will lap it up I'm sure.

Vrrrroooooommmmm!


#84 crocodile

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Posted 25 July 2011 - 10:52 PM

Honestly, the more they proclaim it'll be great, the more I think otherwise.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#85 Matt C

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Posted 26 July 2011 - 12:53 AM

I just don't see how this movie can be any good, honestly


You haven't seen the film or read any reviews -- so why assume? I know some people aren't fans of Joss Whedon or comic-book movies in general, but still.

I think The Avengers will surprise a lot of people. (I'm a Whedon fan, so I am biased here.) It has a new superhero team-up concept on screen, and it has most of the actors reprising their roles from other Marvel movies (Robert Downey Jr., Chris Evans, Chris Hemsworth, et al). And I was impressed with Whedon's directorial debut, Serenity (which looked 4x more expensive than its $40M budget), so he knows how to handle a production and finish it on time and on budget. And I think he's a good writer.

Some people should give Whedon the benefit of a doubt. He's more than just writing snappy one-liners and killing off beloved characters in his TV shows.

#86 Mr Big

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Posted 26 July 2011 - 05:09 AM

Just what I was looking for, another superhero movie. What a breath of fresh air.
It has potential I guess. It has one of the writers from Toy Story. I just can't imagine a superhero team movie without excessive campiness.

#87 Mr. Breathmask

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Posted 26 July 2011 - 05:22 AM


I just don't see how this movie can be any good, honestly


You haven't seen the film or read any reviews -- so why assume? I know some people aren't fans of Joss Whedon or comic-book movies in general, but still.

I think The Avengers will surprise a lot of people. (I'm a Whedon fan, so I am biased here.) It has a new superhero team-up concept on screen, and it has most of the actors reprising their roles from other Marvel movies (Robert Downey Jr., Chris Evans, Chris Hemsworth, et al). And I was impressed with Whedon's directorial debut, Serenity (which looked 4x more expensive than its $40M budget), so he knows how to handle a production and finish it on time and on budget. And I think he's a good writer.

Some people should give Whedon the benefit of a doubt. He's more than just writing snappy one-liners and killing off beloved characters in his TV shows.


Whedon is my only hope for this movie to be any good. And still I'm expecting it to blow. So, yeah. There ya go.

Vrrrroooooommmmm!


#88 Mr Big

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Posted 26 July 2011 - 05:37 AM



I just don't see how this movie can be any good, honestly


You haven't seen the film or read any reviews -- so why assume? I know some people aren't fans of Joss Whedon or comic-book movies in general, but still.

I think The Avengers will surprise a lot of people. (I'm a Whedon fan, so I am biased here.) It has a new superhero team-up concept on screen, and it has most of the actors reprising their roles from other Marvel movies (Robert Downey Jr., Chris Evans, Chris Hemsworth, et al). And I was impressed with Whedon's directorial debut, Serenity (which looked 4x more expensive than its $40M budget), so he knows how to handle a production and finish it on time and on budget. And I think he's a good writer.

Some people should give Whedon the benefit of a doubt. He's more than just writing snappy one-liners and killing off beloved characters in his TV shows.


Whedon is my only hope for this movie to be any good. And still I'm expecting it to blow. So, yeah. There ya go.


I don't think Stanley Kubrick could even save it unfortunately. Maybe it'll be good but superhero movies to me are some of the dullest films out there.

#89 BloodBoal

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Posted 29 July 2011 - 01:09 PM


'Forget the notes!' - Hans Zimmer, June 2013

 

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#90 Matt C

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Posted 01 August 2011 - 02:30 AM

Whedon is my only hope for this movie to be any good. And still I'm expecting it to blow. So, yeah. There ya go.


I can see why some people expect this movie to blow, but I can't see why people think it'll fail because it's "rushed." Now, Marvel Studios deserve some flack since none of their films have been truly remarkable -- okay at worst and pretty good at best -- but nothing groundbreaking. But this is the film they set the groundwork for in the first Iron Man onwards, so I'm hoping they pull out all the stops for this one.

I don't want summer 2012 where all the successful superhero films are the realistic and gritty kind (a la The Dark Knight Rises and The Amazing Spider-Man).

#91 Jason LeBlanc

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Posted 21 September 2011 - 06:42 PM

Cool shots from The Avengers filming in NYC

http://www.slashfilm...hero-bits-75/2/
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#92 crocodile

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Posted 11 October 2011 - 02:54 PM

The first trailer.

I can't say it looks particularly good.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#93 Jason LeBlanc

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Posted 11 October 2011 - 02:58 PM

Quicktime version looked like crap on my computer. Found it on youtube:


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#94 Maurizio

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Posted 11 October 2011 - 03:01 PM

Meh.
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams

"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams

#95 Romão

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Posted 11 October 2011 - 03:09 PM

I'm just gonna quote myself

I just don't see how this movie can be any good, honestly


Some of that dialogue is laughably bad
The Keyboard is mightier than the sword

#96 Matt C

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Posted 11 October 2011 - 03:51 PM

I love how Disney is pretending Paramount and Marvel are still releasing this movie. Not to say Paramount isn't going to have their name and logo on the film, but how Disney is distributing it. (No Disney logo is anywhere to be seen.)

But it looks epic. Hate how Marvel went back on their word and are making a 3D release.

#97 Stefancos

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Posted 11 October 2011 - 04:17 PM

It looks exactly like I imagined it would. Which is never a good thing.

TPMSig_zps20d62aed.jpg

 


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#98 Maurizio

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Posted 17 October 2011 - 12:54 PM

The latest FSM Online reports that Alan Silvestri will score the film.
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams

"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams

#99 crocodile

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Posted 17 October 2011 - 02:07 PM

Cool. Hopefully he will use Capt. America's theme.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#100 Jason LeBlanc

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Posted 17 October 2011 - 02:20 PM

I can't imagine why he wouldn't
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#101 crocodile

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Posted 17 October 2011 - 02:40 PM

Well, you. Captain America is very much a period piece so the score feels more like Medal of Honor or Band of Brothers than superhero genre. Who knows what it will be like?

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#102 Matt C

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Posted 17 October 2011 - 03:55 PM

Thank goodness. Silvestri is certainly up to the task.

But I wonder if he'll use Doyle's Thor theme or any of the thematic material from the first two IM movies?

#103 Joey

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Posted 17 October 2011 - 04:07 PM

this teaser didn't tease.
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#104 Stefancos

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Posted 17 October 2011 - 04:11 PM

I feel like i've seen the whole movie.

TPMSig_zps20d62aed.jpg

 


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#105 Ro Sajooc

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Posted 08 November 2011 - 10:10 PM

The latest FSM Online reports that Alan Silvestri will score the film.

Alan Silvestri Confirmed to Score The Avengers

It's a great choice :).
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."

- George Lucas

#106 crocodile

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Posted 08 November 2011 - 10:18 PM

The question is now whether he'll follow his Capt America score stylistically or will he be asked to "G.I. Joe it" with obnoxious and generic electronics?

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#107 tharpdevenport

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Posted 08 November 2011 - 10:32 PM

Either way is bad enough.

We're talking about a director who said he liked Burwell, but didn't hire him on his last two films or TV show, and replaced him on "Serenity".

A director who didn't hire David Newman again, whom he said the River theme brought him to tears.

A film under studio preassure to pull off many things, tie it to passed and future superheor films, and make big bucks.

A movie that has to do all that and make sense from beginning to end with multiple characters, some of which already have preset molds from previous films.

And a composer who's scores as of late have left much to be desired.


I strongly suspect Whedon was talked into using Silvestri, and I strongly suspet we're in for more of the same Silvestri.


This film has what scoring it will get, already written all over the walls. And with Whedon already sort of pigeonholded with some characters and outcomes ('cause of future films), we can't expect something great here.


In the end, mark my words, this will be another lack luster superhero film that blows, with an average score, but with staunch supporters of both (there's always those folks)
REJECTED FILM SCORES SITE
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PLEASE NOTE: I don't sell CD-Rs, or trade MP3s -- do NOT contact me asking for those; I also don't do downloading/uploading. Just trade, CD-Rs.

#108 Pieter_Boelen

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Posted 08 November 2011 - 10:33 PM

Was Captain America not the only one of the films this is a sequel to that had a more orchestral than MV/RC type score?
I'd say it's hilarious that Alan Silvestri would then be hired to score this film, rather than any of the people who did the scores for the others.
Maybe "they" finally saw the error of their ways? Or maybe not... But still! :D
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#109 Ro Sajooc

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Posted 08 November 2011 - 10:48 PM

I really hope an orchestral score, I actually love The First Avenger score.
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."

- George Lucas

#110 crocodile

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Posted 08 November 2011 - 10:52 PM

I like it too. Feels genuine.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#111 Matt C

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Posted 09 November 2011 - 01:03 AM

I strongly suspect Whedon was talked into using Silvestri, and I strongly suspet we're in for more of the same Silvestri.


This film has what scoring it will get, already written all over the walls. And with Whedon already sort of pigeonholded with some characters and outcomes ('cause of future films), we can't expect something great here.


In the end, mark my words, this will be another lack luster superhero film that blows, with an average score, but with staunch supporters of both (there's always those folks)


That's really harsh. Amazing how confident you are in that Silvestri's score will suck, and we haven't heard a note of music thus far. It's entirely possible Whedon wanted someone like Newman or his Buffy composers back, but the producers "recommended" someone else. Or it could be that Whedon wanted to work with different people.

But to go out and say, "Silvestri's score will suck, just because I didn't like his recent output and these other composers aren't chosen blah blah" is really baseless and whiny. Joss Whedon has always managed to evoke some of the best music from the composers he's worked with, and I think Silvestri will follow suit.

Wait until the movie comes out before criticizing the score, not before.

#112 tharpdevenport

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Posted 09 November 2011 - 03:44 AM

Sometimes track records speak for themselves. I was right about "The A-Team" (though I hoped for the best), "G.I. Joe" and "Captain America".

Whether talked into it, or not -- to take you position -- Silvestri was obviously hired for a reason here, not because of his talent or because the film was something he'd be adept at/or just has "Silvestri" written all over it.

Half the composers Joss has worked with have not evoked anything worth a toot, or at best "okay".

As for the BTVS composers:

Walter Murphy never gets movie gigs anymore (except that little animated film ay ear back which was news on the Moon only)

Christophe Beck is booked up pretty well.

Adam Feilds will never get such a gig (not reflecting his abilities, but rather Hollywood reality)

It appears Joss has never asked Thomas Wanker to do anything after two years of BTVS.

Ditto Doglas Romayne Stevens and Robert Duncan for the same reasons of Fields.

^^^ No one to ask but Beck and that's iffy at best at getting it.



Unlike some of you, I don't have to wait for a movie to come out. There are such things as trakc records, whether you want to see it or not. There are such things general output, proven abilities; and yes, there are exceptions to that on occassions. But if you think Tyler Bates is going to come out and write a striking Herrmann-esque string score, you're dead wrong. You think Hanzi Zimmer is gonna go write a lush, lyrical woodwinds Delerue score, you're on another planet.
Take Craig Armstrong, for example. "Hulk", [i]"In Time"[/b], and what I've heard about what he did do for "Clash of the Titans", there's now a track records; I'd be saying the same thing had he got it.


This film calls for certain scoring needs by the trailer and public photos released.


Maybe you can't so easily spot things, but I can probably ramble off a dozen or two films from the last few years I knew were gonna blow and DID.
REJECTED FILM SCORES SITE
Number 2: "Are you going to run?"
Number 6: "Like blazes! First chance i get."
-The Prisoner-

PLEASE NOTE: I don't sell CD-Rs, or trade MP3s -- do NOT contact me asking for those; I also don't do downloading/uploading. Just trade, CD-Rs.

#113 Faleel

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Posted 09 November 2011 - 03:50 AM

Sometimes track records speak for themselves. I was right about "The A-Team" (though I hoped for the best), "G.I. Joe" and "Captain America".

Whether talked into it, or not -- to take you position -- Silvestri was obviously hired for a reason here, not because of his talent or because the film was something he'd be adept at/or just has "Silvestri" written all over it.

Half the composers Joss has worked with have not evoked anything worth a toot, or at best "okay".

As for the BTVS composers:

Walter Murphy never gets movie gigs anymore (except that little animated film ay ear back which was news on the Moon only)

Christophe Beck is booked up pretty well.

Adam Feilds will never get such a gig (not reflecting his abilities, but rather Hollywood reality)

It appears Joss has never asked Thomas Wanker to do anything after two years of BTVS.

Ditto Doglas Romayne Stevens and Robert Duncan for the same reasons of Fields.

^^^ No one to ask but Beck and that's iffy at best at getting it.



Unlike some of you, I don't have to wait for a movie to come out. There are such things as trakc records, whether you want to see it or not. There are such things general output, proven abilities; and yes, there are exceptions to that on occassions. But if you think Tyler Bates is going to come out and write a striking Herrmann-esque string score, you're dead wrong. You think Hanzi Zimmer is gonna go write a lush, lyrical woodwinds Delerue score, you're on another planet.
Take Craig Armstrong, for example. "Hulk", [i]"In Time"[/b], and what I've heard about what he did do for "Clash of the Titans", there's now a track records; I'd be saying the same thing had he got it.


This film calls for certain scoring needs by the trailer and public photos released.


Maybe you can't so easily spot things, but I can probably ramble off a dozen or two films from the last few years I knew were gonna blow and DID.


Good thing you werent around when JW started.

Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.

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#114 Matt C

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Posted 09 November 2011 - 07:38 PM

Sometimes track records speak for themselves. I was right about "The A-Team" (though I hoped for the best), "G.I. Joe" and "Captain America".
[...]

Maybe you can't so easily spot things, but I can probably ramble off a dozen or two films from the last few years I knew were gonna blow and DID.


Well, glad to know your ESP is in working order. I love how you're such a debbie downer when it comes to films like The Avengers. But I stand by what I said -- wait until the film or score comes out (whichever comes first) before saying things like these.

As for the Buffy situation, I was referring to the more dramatic and serious moments of the show (mostly scored by Beck and Duncan). It would be nice to see someone like David Newman get a crack at something like The Avengers, but that's not the case now. Be glad Zimmer or his cronies didn't get this assignment.

#115 lonzoe

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Posted 09 November 2011 - 10:38 PM

Not blown away by this. His CATFA score was good but could' ve been a lot better. It was mostly leftovers of his GIJOE score. The CA march and the action music is the main thing his CA:TFA score has going for it. Not to mention Peggy, the Red Skull, Hydra, the Howling Commandos, and the Cosmic Cube all lacked themes. The score lacked that 40s serials ( excluding the March and Menken's Star Spangled Man) sound that Shearmur's Sky Captain and TWOT (which is also a better score) Horner's The Rocketeer ( another better score) and Williams' first three Indy scores (also better but that goes without saying) I know all those films took place in the mid to late 30s. But still. I hope his Avengers score won't sit up there with his three other missed opportunities (GIJOE, A-team, CA:TFA). But I have a strange feeling it will.

#116 BloodBoal

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Posted 17 November 2011 - 09:03 AM

Silvestri speaks!

And here is a comment below the article that drew my attention:

As a composer myself, it would be cool to hear a different theme for each hero, but when each characters themes are blended, it's the theme for the team as a whole.
Example:Hulk has this heartbeat type beat on a timpone(bum bum bum)
Cap has his patriotic horn section(da da da, da da da)
Iron Man has a gritty metal guitar riff(chug chug, chugga chugga chug)
Thor has an Asgardian string section(la,lala,lalala,la,la)
Widow has a hard snare and toms accenting her ass swaying(boom pop boom pop)
Fury's just hollering different stuff(yeah,what,muthafugga)
And Hawkeye has a popping bass line(bow bow ba ba thwap thwap)

This guy makes Chaac's "dadadadas" look like something from the past.

'Forget the notes!' - Hans Zimmer, June 2013

 

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#117 Incanus

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Posted 17 November 2011 - 10:16 AM

Silvestri speaks!

And here is a comment below the article that drew my attention:

As a composer myself, it would be cool to hear a different theme for each hero, but when each characters themes are blended, it's the theme for the team as a whole.
Example:Hulk has this heartbeat type beat on a timpone(bum bum bum)
Cap has his patriotic horn section(da da da, da da da)
Iron Man has a gritty metal guitar riff(chug chug, chugga chugga chug)
Thor has an Asgardian string section(la,lala,lalala,la,la)
Widow has a hard snare and toms accenting her ass swaying(boom pop boom pop)
Fury's just hollering different stuff(yeah,what,muthafugga)
And Hawkeye has a popping bass line(bow bow ba ba thwap thwap)

This guy makes Chaac's "dadadadas" look like something from the past.

:lol:

Nice that this guys would give a thematic idea for Scarlett Johansson's ass. Inspiration right there!

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#118 BloodBoal

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Posted 16 December 2011 - 10:12 AM

Some new cool ugly Avengers banners

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'Forget the notes!' - Hans Zimmer, June 2013

 

hobbitskn.jpg


#119 Jason LeBlanc

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Posted 16 December 2011 - 07:09 PM

Not showing up for me
-Jay
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#120 BloodBoal

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Posted 16 December 2011 - 07:47 PM

Edited.

'Forget the notes!' - Hans Zimmer, June 2013

 

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