I'm getting tired of these 'clever' track titles. Christopher Young does this kind of thing wonderfully (especially with Species and The Core), but Giacchino just tries too hard.
Mission: Impossible - Ghost Protocol (directed by Brad Bird, music by Michael Giacchino)
Started by Jason LeBlanc, Jun 30 2011 09:45 PM
209 replies to this topic
#82
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Posted 07 December 2011 - 09:28 PM
I agree, it gets annoying after awhile, however this method DOES decrease the chance of getting spoiled by the tracktitle.
Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#83
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Posted 07 December 2011 - 09:55 PM
I don't care.
Izena duen guztia omen da.
#84
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Posted 07 December 2011 - 11:48 PM
6. From Russia With Shove
Jesus!
"You think they wear those tight-fitting clothes just so some other bride can say 'Gee your hips look succulent'? The good-looking ones know we're looking, they love us to be looking, and god bless 'em, they're carrying the rest of their sex!" - Al Bundy
#85
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Posted 08 December 2011 - 04:43 PM
I'm getting tired of these 'clever' track titles. Christopher Young does this kind of thing wonderfully (especially with Species and The Core), but Giacchino just tries too hard.
Actually, he and his music editor just have fun coming up with the titles. The only effort is to have fun I suspect.
Of all the things I've lost, I miss my mind the most.
#86
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Posted 08 December 2011 - 04:44 PM
What about Williams?
"Keeping Up With the Joneses"?
"Keeping Up With the Joneses"?
Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#87
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Posted 08 December 2011 - 04:53 PM
Actually, he and his music editor just have fun coming up with the titles. The only effort is to have fun I suspect.
I'm getting tired of these 'clever' track titles. Christopher Young does this kind of thing wonderfully (especially with Species and The Core), but Giacchino just tries too hard.
I imagine most of the titles are pretty much spontaneous.
Izena duen guztia omen da.
#88
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Posted 08 December 2011 - 06:19 PM
They cant. They sound like the search for the jokes.
Some are very far-fetched...
Some are very far-fetched...
I hope Episode III is Called 'Revenge of the Sith'
#89
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Posted 08 December 2011 - 07:05 PM
Can we find ourselves some real problems, people? Fucking track titles? Seriously?
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#90
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Posted 08 December 2011 - 07:10 PM
Izena duen guztia omen da.
#91
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Posted 08 December 2011 - 07:18 PM
Can we find ourselves some real problems, people? Fucking track titles? Seriously?
Karol
They're the most important part of my life. Track titles.
#92
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Posted 08 December 2011 - 08:20 PM
Another track titled "World's Worst..."20. World's Worst Parking Valet (5:03)
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."
- George Lucas
- George Lucas
#93
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Posted 08 December 2011 - 08:29 PM
"Music by the World's Worst Next John Williams: Michael Giacchino"
"You think they wear those tight-fitting clothes just so some other bride can say 'Gee your hips look succulent'? The good-looking ones know we're looking, they love us to be looking, and god bless 'em, they're carrying the rest of their sex!" - Al Bundy
#94
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Posted 08 December 2011 - 10:15 PM
Thanks
where's you avatar from?
#95
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Posted 08 December 2011 - 10:31 PM
Flesh+Blood. Great score.
Izena duen guztia omen da.
#96
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Posted 08 December 2011 - 10:35 PM
I agree with you 
, it's a great score.
, it's a great score.
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."
- George Lucas
- George Lucas
#97
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Posted 09 December 2011 - 01:37 AM
"In Russia, Phone Dials You" is the best one yet 
In 50 years Herrmann will be forgotten.
#98
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Posted 09 December 2011 - 03:24 PM
"Fucking track titles?"
Literally, that IS sick...
Literally, that IS sick...
I hope Episode III is Called 'Revenge of the Sith'
#99
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Posted 11 December 2011 - 07:43 PM
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#100
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Posted 11 December 2011 - 07:56 PM
Sounds like a work of a much more confident composer than 5 years ago. A bit more eclectic and ethnic than the previous one, but that's what Schifrin's music was all about. It's a buy.
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#101
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Posted 11 December 2011 - 08:04 PM
Oh, I LIKE this. It's a definite buy. Much more tonal the M:I III, lots of variety for a globetrotting story.
Sounds to me almost like Mission: Impossible with a dose of The Incredibles.
Sounds to me almost like Mission: Impossible with a dose of The Incredibles.
Of all the things I've lost, I miss my mind the most.
#102
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Posted 11 December 2011 - 09:21 PM
It's a different score to M:I III and I like that.
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."
- George Lucas
- George Lucas
#103
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Morning sir, sighting in heavy fog.
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Posted 11 December 2011 - 09:37 PM
I got to hear Mood India and Mumbai's the Word being recorded and they're both pretty fantastic, definitely my favorite cues from the day I was there.
#104
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Posted 13 December 2011 - 10:07 PM
Hi All
Check out a new audio podcast of "On the Score," as composer MICHAEL GIACCHINO gives an extensive and enthusiastic talk that covers his scoring adventures from MISSION IMPOSSIBLE: GHOST PROTOCOL, then continues to burn the fuse with CARS 2, MONTE CARLO, 50/50 and SUPER 8, ending with his look at the Oscar nomination game!
http://www.filmmusicmag.com/?p=8910
It's a wide-ranging, incisive interview that takes another year of On the Score out with a bang. Thanks for listening, and tune in next year to listen to Hollywood's top composers at Filmmusicmag.com, and with music excerpts at XM / Sirius' Cinemagic, online at Channel 806.
Daniel Schweiger
Host, "On the Score"
Filmmusicmag.com
-Jay
#105
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Posted 13 December 2011 - 11:07 PM
It's a good interview. Thanks for sharing!
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#106
Jason LeBlanc
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Posted 14 December 2011 - 06:58 PM
-Jay
#107
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Posted 16 December 2011 - 07:51 AM
Okay, I broke down and got it via iTunes.
Really enjoying it.
Really enjoying it.
Of all the things I've lost, I miss my mind the most.
#108
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Posted 16 December 2011 - 11:25 AM
So how is the movie? Anyone seen a preview?
#109
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Posted 16 December 2011 - 11:28 AM
No, but the reviews are very encouraging. I'll see it when it comes out here. Which is on Boxing Day, I think.
The score makes it feel like a much better movie, fun.
Karol
The score makes it feel like a much better movie, fun.
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#110
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Posted 16 December 2011 - 12:03 PM
Saw the movie 2 days ago.
It is pretty good and as fun to watch as the previous ones
Giacchino's score is great too, works pretty well !
It is pretty good and as fun to watch as the previous ones
Giacchino's score is great too, works pretty well !
#111
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Posted 16 December 2011 - 05:18 PM
Saw the movie 2 days ago.
It is pretty good and as fun to watch as the previous ones
Giacchino's score is great too, works pretty well !
I hope you're right, or else you'll owe me 10 bucks!
#112
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Posted 16 December 2011 - 06:15 PM
Saw the movie 2 days ago.
It is pretty good and as fun to watch as the previous ones
Giacchino's score is great too, works pretty well !
Which one does it resemble in style, or is it completely different from the first 3 movies?
#113
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Morning sir, sighting in heavy fog.
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Posted 16 December 2011 - 06:54 PM
It's way more of a fun adventure movie and not really as intense as 1 or 3.
#114
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Posted 16 December 2011 - 07:01 PM
Ebert gave it 3.5 stars
#115
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Posted 16 December 2011 - 07:03 PM
It's better than M:I 2.
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."
- George Lucas
- George Lucas
#116
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Posted 16 December 2011 - 07:05 PM
Almost every movie I've seen is better than MI2
-Jay
#117
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Posted 16 December 2011 - 07:08 PM
Why this guy is so important? Most of the time he just describes what happens in any given movie. There's nothing interesting in his reviews.Ebert gave it 3.5 stars
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#118
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Posted 16 December 2011 - 07:14 PM
Moron!
#119
crocodile
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Posted 16 December 2011 - 07:16 PM
I wouldn't go that far.
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#120
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Posted 16 December 2011 - 10:14 PM
It's better than M:I 2.
Did you like MI:2?
Almost every movie I've seen is better than MI2
Best of the series so far IMO.
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