Are you primarily a fan of John Williams or film music?
#122
Posted 10 August 2011 - 03:14 AM
#123
Posted 10 August 2011 - 03:15 AM
I listened to a few Herrmann scores. Not many individual cues get re-play value. I find more stuff I like in random videogame scores
That says it all.
#124
Posted 10 August 2011 - 03:15 AM
I'll even put Giacchino way ahead of Herrmann in terms of listenability
#125
Posted 10 August 2011 - 05:33 AM
It's just...not. Period
I really don't see why some find Herrmann's music any less accessible than Williams'.I don't think you can start putting Zimmer in the same bag as Williams either, because Zimmer is garbage and Williams music is at classical music level.That's because Herrmann's music doesn't have quite the same popular appeal as Williams's does, who is arguably the most familiar to the general public, along with Zimmer,
Herrmann= Complex music best suited for film only and not concert performances
Williams= Film Music at the level of standard classical music and can be played in concerts as such . I think Raiders March or Adventures on Earth will extend beyond "Boston Pops performances" eventually
Zimmer= Crap that doesn't deserve to be played in a classical concert
What is with you and this classical music/concert hall standard all of a sudden? Zimmer has every right to be mentioned in the same breath as Williams... when it comes to appeal, which is what Prometheus was talking about. Herrmann is just as good as Williams when it comes to film scoring, he just isn't as melodic and "loud." Much more subtle of a composer, which can often be more effective.
In 50 years Herrmann will be forgotten.
#126
Posted 10 August 2011 - 12:17 PM
#127
Posted 10 August 2011 - 01:07 PM
@Wojo: stop being facetious.
#128
Posted 10 August 2011 - 06:29 PM
KM's just being typically overzealous in his endless and completely unnecessary crusade to create an actual physical divide between King Williams and "The Others". It's been a little while since he's reminded us how glorious John is and so I guess we were due another sermon around about now.
No need for ad hominems.
As Koray said, Zimmer is immensely popular because it speaks to the main public in the big concert hall. Whether we like it or not this is an important factor for music to survive (although of course no guarantee). Herrmann wil be remembered by a select group of insiders but lacks the overall appeal to stand time IMO. Zimmer won't stand the test of time because of lack of musical quality I think, on the other hand.
Korngold (and Steiner to a lesser extent) are timeless, and musically solid. Williams is both too popular and musically solid to be forgotten. Herrmann (but others as well, like Thomas Newman, Alex North) i have to see. I hope he won't be forgotten. But to draw a comparison with classical music, see howmany good composers have fallen into total obscurity. Only a few dozen are performed and remembered. It's easy to get forgotten.
#129
Posted 10 August 2011 - 06:31 PM
Without it this forum would be dull dull dull!
#130
Posted 10 August 2011 - 06:33 PM
But to draw a comparison with classical music, see howmany good composers have fallen into total obscurity. Only a few dozen are performed and remembered. It's easy to get forgotten.
Like?
@Wojo: stop being facetious.
#132
Posted 10 August 2011 - 07:59 PM
But to draw a comparison with classical music, see howmany good composers have fallen into total obscurity. Only a few dozen are performed and remembered. It's easy to get forgotten.
Like?
http://en.wikipedia.org/wiki/List_of_classical_music_composers_by_era
and those are only the prominant ones.
#133
Posted 10 August 2011 - 08:01 PM
@Wojo: stop being facetious.
#134
Posted 10 August 2011 - 08:01 PM
KM's just being typically overzealous in his endless and completely unnecessary crusade to create an actual physical divide between King Williams and "The Others". It's been a little while since he's reminded us how glorious John is and so I guess we were due another sermon around about now.
No need for ad hominems.
As Koray said, Zimmer is immensely popular because it speaks to the main public in the big concert hall. Whether we like it or not this is an important factor for music to survive (although of course no guarantee). Herrmann wil be remembered by a select group of insiders but lacks the overall appeal to stand time IMO. Zimmer won't stand the test of time because of lack of musical quality I think, on the other hand.
Korngold (and Steiner to a lesser extent) are timeless, and musically solid.
I don't agree here. Herrmann (through PSYCHO, VERTIGO and TAXI DRIVER) is much well known to the general public than Korngold's ADVENTURES OF ROBIN HOOD, THE SEA HAWK, KING'S ROW or CAPTAIN BLOOD. KING'S ROW you could say is remembered by many, but only via-proxy through Williams and STAR WARS.
Korngold's film scores are Ok, IMHO, but his concert work's much more interesting. Herrmann's more "musically solid", timeless and less derivative of the Viennese romantics (more unique) in my book, and I mean that with a certain degree of objectivity.
There's a lot of reverence towards the Golden Age that gets a bit warped.
#135
Posted 10 August 2011 - 08:06 PM
So? Korngold's concert works are also Korngold's. And less derivative is not a guarantee to be remembered, even on the contrary I would say.
KM's just being typically overzealous in his endless and completely unnecessary crusade to create an actual physical divide between King Williams and "The Others". It's been a little while since he's reminded us how glorious John is and so I guess we were due another sermon around about now.
No need for ad hominems.
As Koray said, Zimmer is immensely popular because it speaks to the main public in the big concert hall. Whether we like it or not this is an important factor for music to survive (although of course no guarantee). Herrmann wil be remembered by a select group of insiders but lacks the overall appeal to stand time IMO. Zimmer won't stand the test of time because of lack of musical quality I think, on the other hand.
Korngold (and Steiner to a lesser extent) are timeless, and musically solid.
I don't agree here. Herrmann (through PSYCHO, VERTIGO and TAXI DRIVER) is much well known to the general public than Korngold's ADVENTURES OF ROBIN HOOD, THE SEA HAWK, KING'S ROW or CAPTAIN BLOOD. KING'S ROW you could say is remembered by many, but only via-proxy through Williams and STAR WARS.
Korngold's film scores are Ok, IMHO, but his concert work's much more interesting. Herrmann's more "musically solid", timeless and less derivative of the Viennese romantics (more unique) in my book, and I mean that with a certain degree of objectivity.
There's a lot of reverence towards the Golden Age that gets a bit warped.
Anyway we clearly see things differently and we don't need to agree.
#136
Posted 10 August 2011 - 08:07 PM
No, but you can kick each other's ass!Anyway we clearly see things differently and we don't need to agree.
FIGHT! FIGHT! FIGHT! FIGHT!
#137
Posted 08 November 2012 - 04:49 PM
You mean like Thomas Newman?
Bernard Herrmann > All film composers.
Even Williams would admit that.
No, he wouldn't. He just stated that he has been inspired by Herrmann. In 50 years Herrmann will be forgotten.
I don't think you could compare Herrmann to John Williams, because their styles are so different. Williams is good at what he does, so was Herrmann.
Obviously, John Williams' scores are easily accessible, but that doesn't mean a score that is not is bad.
"Sometimes I think film music is an opportunity for people to justify their own basic conservative musical natures."
"This is a beautiful day | It is a new day | We are together, we are unified
And all for the cause | Because together we got power | Apart we got power
Today on this program you will hear gospel, | And rhythm and blues, and jazz
All those are just labels | We know that music is music"
#138
Posted 09 November 2012 - 01:44 PM
Chief amongst them would be Cutthroat Island, Independence Day, El Cid and several of Jerry Goldsmith's scores.
But there is no composer who wrote SO much of my favourite music on his own. It is hard to top Indiana Jones + Star Wars + Jurassic Park + Harry Potter + Hook + Far and Away.
And that is not even counting the incredible excellence in John Williams' other scores. Almost all of them have at least one track of sheer brilliance, many have more then one.
So based on sheer volume of great work, I'm probably going to have to go with "I prefer JW over every other film composer combined.".
However, I would be quite happy to welcome more great scores by other composers. I'm always looking for more.
#139
Posted 09 November 2012 - 02:12 PM
@Wojo: stop being facetious.
#140
Posted 09 November 2012 - 02:26 PM
but let's be honest, they are all fighting for second best.
#141
Posted 09 November 2012 - 02:37 PM
Izena duen guztia omen da.
#142
Posted 09 November 2012 - 02:45 PM
#143
Posted 09 November 2012 - 02:46 PM
John Williams is the best out of everybody by a long shot, for far too many reasons
"Salacius says so" isn't one of them.
@Wojo: stop being facetious.
#144
Posted 09 November 2012 - 02:49 PM
Says the guy with the stoopidest signature I've seen in a while. Elvish translated into Euskera, really?
Basque is a really cool language! I'm learning it.
Izena duen guztia omen da.
#145
Posted 09 November 2012 - 03:06 PM
John Williams is the best out of everybody by a long shot, for far too many reasons
"Salacius says so" isn't one of them.
KNEEL BEFORE SALACIUS!

Says the guy with the stoopidest signature I've seen in a while. Elvish translated into Euskera, really?
Hey, it's a cool language.
It's the poor man's Spanish.
#146
Posted 09 November 2012 - 03:10 PM
Says the guy with the stoopidest signature I've seen in a while. Elvish translated into Euskera, really?
Hey, it's a cool language.
It's the poor man's Spanish.
No, it's unrelated to Castilian.
Just go play with the Catalans.
Izena duen guztia omen da.
#147
Posted 09 November 2012 - 03:11 PM
If I had to choose between getting to keep all of my John Williams music or all of my music by other folks, I would hope all the John Williams music would go to a good home.
In 50 years Herrmann will be forgotten.
#148
Posted 09 November 2012 - 03:13 PM
So I'll miss him but have much more to chose from.
#149
Posted 09 November 2012 - 03:14 PM
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
#150
Posted 09 November 2012 - 03:16 PM
Says the guy with the stoopidest signature I've seen in a while. Elvish translated into Euskera, really?
Hey, it's a cool language.
It's the poor man's Spanish.
It's unrelated to Castilian.
Just go play with the Catalans.
Catalan. Now, THAT is a beautiful language.
#151
Posted 09 November 2012 - 03:18 PM
Izena duen guztia omen da.
#152
Posted 10 November 2012 - 09:51 AM
John Williams is the best out of everybody by a long shot, for far too many reasons
"Salacius says so" isn't one of them.
KNEEL BEFORE SALACIUS!
Damn straight XD
#153
Posted 10 November 2012 - 10:09 AM
#154
Posted 11 November 2012 - 07:46 PM
I'm am primarily a JW's fan, a fan of his film scores, a fan of his concertos and mostly a fan his musicianship/personality.
#155
Posted 11 November 2012 - 09:26 PM
This is an old thread and I'm surprised that t didn't bring my exhaustive answer.
I'm am primarily a JW's fan, a fan of his film scores, a fan of his concertos and mostly a fan his musicianship/personality.
How about his looks?
#156
Posted 11 November 2012 - 09:40 PM
#157
Posted 11 November 2012 - 10:44 PM
In 50 years Herrmann will be forgotten.
#158
Posted 11 November 2012 - 11:12 PM
#159
Posted 11 November 2012 - 11:15 PM
The poll of this thread is quite stoopid.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
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