Film Score Monthly (FSM) Releases Gremlins (2CD) by Jerry Goldsmith!!!
#81
Posted 05 November 2011 - 12:34 AM
#82
Posted 05 November 2011 - 01:07 AM
#84
Posted 05 November 2011 - 01:16 AM
#85
Posted 05 November 2011 - 01:25 AM
There are several other scores I'd love to see in complete form but I know some of them Varèse owns and I really won't expect them to release the complete versions. IF they did I would hate to see how they would appear..truncated and such.
#87
Posted 05 November 2011 - 01:44 AM
#88
Posted 05 November 2011 - 04:15 AM
#89
Posted 05 November 2011 - 05:25 AM
#90
Posted 05 November 2011 - 01:36 PM
A complete version of Star Trek Generations will be most welcomed. Honestly I'm a bit more surprised that one or Star Trek IV: The Voyage Home have never leaked in full form like most of the other scores have.
Isn't there only a few minutes unreleased from Voyage? It'd be nice to have a better package and sound, though - I'd love to see liner notes like with Khan and Spock.
But I'd really love an expanded Generations. I remember waiting for months for the score to be released on CD after the movie premiered, then being disappointed that some of my favorite parts were not included (specifically, the complete "sparkling" music surrounding the launch of the rocket). The opening theme - or lack of - was very striking, accompanied by that floating bottle image. And "A Christmas Hug" is one of my most favorite Trek score cues.
#91
Posted 05 November 2011 - 01:41 PM
#92
Posted 05 November 2011 - 01:42 PM
Karol
#93
Posted 05 November 2011 - 01:45 PM
#94
Posted 05 November 2011 - 01:47 PM
- The Ten Commandments
- FSM Ben-Hur
- Hook
- The Williams/Oliver Stone scores
If those get releases, I'll be happy.
Other things that would be nice to have but I don't really need?
- Braveheart
- Titanic
- A. I.
- E.T.
- The prequels
- Original recording of To Kill a Mockingbird
- Theif of Baghdad rerecording
And that's about it!
#95
Posted 05 November 2011 - 01:54 PM
I will make a bigger Goldsmith order sometimes soon with "The First Knight" and "The Explorers" which will bring my Goldsmith album count to three then (the only one i have is the fabulous Star Trek V expanded). So if Gremlins is good i maybe order it too...
................

John Williams CD Series
Which JW scores let you feel summer, winter, autumn and spring
#96
Posted 05 November 2011 - 02:22 PM
#97
Posted 05 November 2011 - 02:53 PM
Can somebody tell me the highlight tracks of Gremlins cause i don't know neither film nor score? Is it worth it?
#98
Posted 05 November 2011 - 03:03 PM
On the first track "Silent Night" begins after 26 seconds, on the second track it begins at the start of the cue and on the last track it isn't inlcuded.
It's been ages since I've seen the film. Can someone elaborate on what the difference between these 3 tracks are?21. After Theatre 1:39
29. After Theatre (With "Silent Night") 1:36
30. After Theatre (Without "Silent Night") 1:36
Anyone?
#99
Posted 08 November 2011 - 01:58 AM
#100
Posted 08 November 2011 - 03:06 AM
According to the liner notes, there were two versions - one with Silent Night and one without. The Film version is an amalgam of the two. Tracks 29 & 30 are the separate versions with and without Silent Night.
It's been ages since I've seen the film. Can someone elaborate on what the difference between these 3 tracks are?21. After Theatre 1:39
29. After Theatre (With "Silent Night") 1:36
30. After Theatre (Without "Silent Night") 1:36
Anyone?
#102
Posted 10 November 2011 - 12:58 AM
#103
Posted 10 November 2011 - 03:44 AM

#104
Posted 10 November 2011 - 04:13 AM
#105
Posted 10 November 2011 - 07:18 PM

#106
Posted 11 November 2011 - 01:21 AM
In 50 years Herrmann will be forgotten.
#107
Posted 11 November 2011 - 01:38 AM
#108
Posted 11 November 2011 - 03:10 AM
#109
Posted 11 November 2011 - 03:14 AM
#110
Posted 11 November 2011 - 08:44 AM
#111
Posted 12 November 2011 - 02:19 AM
Although I must say I must of overhyped it a bit in my mind. Not the same impact as Explorers or Baby Secret of the Lost Legend releases
#113
Posted 12 November 2011 - 09:34 AM
just like most people here for Back to the Future and Goonies
#114
Posted 12 November 2011 - 10:15 AM

#115
Posted 12 November 2011 - 10:41 AM
#116
Posted 12 November 2011 - 11:03 AM
Gremlins has much more of the Gizmo related music I prefer in these scores
#117
Posted 12 November 2011 - 01:23 PM
Although I must say I must of overhyped it a bit in my mind. Not the same impact as Explorers or Baby Secret of the Lost Legend releases
I'm much more excited about Gremlins than about Explorers.
And G2 is brilliant. A favourite among Goldsmith's "secondary" scores. Pot Luck alone is worth the price of the album.
#118
Posted 12 November 2011 - 04:34 PM

#119
Posted 13 November 2011 - 09:28 AM
As scallenger said, the sum of its parts is greater than the whole, but that's nitpicking. It still is chock-full of themes and ideas, clearly belonging to a colorful Amblin-mid-80's movie (like YOUNG SHERLOCK HOLMES, AN AMERICAN TAIL, BACK TO THE FUTURE, it seems like the music was destined to carry the picture, and the composers loved Spielberg for it).
Even if you cut out the all-too-short tracks or the functional suspense cues, there are around 45 minutes of bliss, all topped by the strangled cat synthie which i noticed on TV before i know either Goldsmith or Williams. Even if i know the score, listening to the whole thing reminds you what great musical storyteller Goldsmith was when he got films like this. It all The cute suburb theme - Goldsmith became the master of cute suburb themes after POLTERGEIST - gets some much needed workout. The whole finale cue, combining the usual Stravinsky-esque action music with a bright and spirited Korngold fanfare was always the crown juwel of the score, and it sounds better than ever before here.
The con's: the synths can be downright embarrasing at times, giving the score a cheese Casio feel and you wish Dante would have talked him out of the goofy "Mrs. Deagle"-music. On the other hand, Goldsmith would be a lot more boring without his more silly stuff, it's part of the parcel and listening to a score like GREMLINS, you again realize how inventive he was, risking embarassment instead of playing it safe - getting the demented fun of the film while still giving it an emotional arc with the more serious and cute music (which certainly is the reason KM likes it much more than GREMLINS 2, which is much better and more cohesive but lacking any wmotional gravitas).
Thanks a lot, FSM. Not the worthy Goldsmith goodbye release one could have hoped for but great to have all the same.
#120
Posted 14 November 2011 - 12:52 AM
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