I'm not sure as I'm not really familiar all that much with the music in the film, but what I do know Intrada's disc presents the score as composed and there was apparantly some shuffling of material going on during post. Liner notes mention that, but they don't go into details.
Karol
Intrada re-releases Alan Silvestri's Predator (Unlimited this time)
Started by Jason LeBlanc, Mar 06 2012 02:53 PM
46 replies to this topic
#41
crocodile
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Posted 07 April 2012 - 11:37 AM
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#42
Jason LeBlanc
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Posted 07 April 2012 - 01:56 PM
The album assembly is completely correct. The final film had a bunch of editing and tracking
-Jay
#43
Maglorfin
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Posted 07 April 2012 - 03:03 PM
Hm. I was always sure that the ominously mournful chord with which the cue in question ends was composed specifically for the chopper discovery, but I'll take your word for it. Thanks for explanation.
Human aggression is instinctual. Humans have not evolved any ritualised aggression-inhibiting mechanisms to ensure the survival of the species. For this reason man is considered a very dangerous animal.
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#44
Jason LeBlanc
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Posted 02 May 2012 - 04:43 PM
Haven't seen this CD discussed much! Who has it, and what do you think of it? I'd love to hear your comments.
-Jay
#45
crocodile
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Posted 02 May 2012 - 04:58 PM
I just heard a lossless rip of the previous Intrada release (missed it at the time), but it seems this one sounds even better. And that's the main reason why this is the only version you'll ever need. The extra new bits are nice. I have listened to it countless times in the last month or so.
Karol
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#46
Trent Bennett
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Posted 02 May 2012 - 05:01 PM
I just heard a lossless rip of the previous Intrada release (missed it at the time), but it seems this one sounds even better. And that's the main reasy why this is the only version you'll ever need. The extra new bits are nice. I have listened to it countless times in the last month or so.
Karol
Yes the "Definitive Edition" does have better sound.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard
#47
Demondm810
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Posted 02 May 2012 - 06:50 PM
Does it really? Damn, I would have packaged it with Avengers. Ill add it to the ever-growing queue.
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