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La-La Land Records' Star Trek The Motion Picture 3CD set coming June 5th

Star Trek Jerry Goldsmith La-La Land

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#401 Maglorfin

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Posted 15 June 2012 - 07:16 AM

Finally ordered!


Me too, just yesterday! But they're gonna keep us waiting now, it'll be 2-3 weeks before LLL gets it in stock again, and then further 2-3 weeks before it reaches me here in Europe ... If I receive it by mid-July I guess I'll be happy ... :|


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#402 Joey

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Posted 15 June 2012 - 02:08 PM

well mine might arrive today, but I'm not betting on it, maybe tomorrow.

#403 Trent Hoyt

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Posted 15 June 2012 - 02:21 PM

Ya, I was going to order it from MovieMusic but I figured LaLa Land would be a little quicker. We still gotta wait though. I can't wait to rip this one open!

#404 pixie_twinkle

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Posted 15 June 2012 - 02:33 PM


My copy arrived today! :D

I haven't had the chance to listen yet. Did anybody else get an insert in a little cardboard envelope? It looks like something that should have an autograph on it, but of course does not.


Read the spine of the copy you got carefully, then compare to the reprinted version you got in the envelope

I don't see a difference.

Oh. Never mind I see it. :P
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#405 Stefancos

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Posted 15 June 2012 - 02:35 PM

That's NOT a printer's error Btw!

TPMSig_zps20d62aed.jpg

 


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#406 pixie_twinkle

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Posted 17 June 2012 - 03:09 AM

So which Star Trek scores still need an expanded release now? Am I right in thinking only Generations, Insurrection, and Nemesis need expanded scores?

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#407 Miles Prower

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Posted 17 June 2012 - 03:15 AM

You could argue Trek '09 needs another pass, but yeah, that's it.
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#408 OneBuckFilms

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Posted 17 June 2012 - 04:10 AM

That about sums it up. :)

The first 6 are now out there complete, something I encourage all of us to celebrate and appreciate.

10 years ago, I would never have thought it possible.

As Generations, Insurrection and Nemesis are released complete, I will replace the OSTs for those scores.

I've said goodbye to the original soundtrack albums for these scores with gratitude and memories for each one.
Of all the things I've lost, I miss my mind the most.

#409 pixie_twinkle

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Posted 17 June 2012 - 05:38 AM

Are any of the remaining scores likely to be released soon? I know there can be licensing issues if certain CD companies don't own the rights to market the music. I hope LLL or Intrada has the rights to the remaining three.

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#410 Koray Savas

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Posted 17 June 2012 - 05:49 AM

I believe it's been said - by Paramount was it? - that they want to remaster and preserve all the Trek scores, so the remaining shouldn't be too far away.

In 50 years Herrmann will be forgotten.


#411 OneBuckFilms

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Posted 17 June 2012 - 06:01 AM

Generations and Insurrection, I suspect, will be released complete from GNP, possibly in the same style of First Contact.

Nemesis? Not so sure on that one, as it is currently owned by Varese Sarabande.

Maybe a Deluxe Edition from their Club releases?

Should be interesting to see what emerges.
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#412 Trent Bennett

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Posted 17 June 2012 - 06:52 AM

Generations and Insurrection, I suspect, will be released complete from GNP, possibly in the same style of First Contact.

Nemesis? Not so sure on that one, as it is currently owned by Varese Sarabande.

Maybe a Deluxe Edition from their Club releases?

Should be interesting to see what emerges.


I agree with that about Generations, Insurrection and Nemesis. All though I did start a thread a month or so ago quoting what a poster said on FSM that he talked to McCarthy himself and McCarthy stated that a complete release was currently being worked on. I would suspect it might be out sometime this summer or in the fall.

I'm not holding my breath for Nemesis, all though IF Varèse does release an expanded version, I hope they do a full complete release and don't fuck it up like what they did with Star Trek 2009.
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#413 Marian Schedenig

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Posted 17 June 2012 - 03:46 PM

Generations and Insurrection, I suspect, will be released complete from GNP, possibly in the same style of First Contact.

Nemesis? Not so sure on that one, as it is currently owned by Varese Sarabande.

Maybe a Deluxe Edition from their Club releases?


Like Koray, I took the official "all the scores" comment to mean *all* the scores (of feature movies, until the reboot).

#414 OneBuckFilms

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Posted 17 June 2012 - 05:52 PM

Sort of officially revealed in the Star Trek IV complet score notice at Intrada. :)
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#415 Trent Bennett

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Posted 17 June 2012 - 06:03 PM

IF Star Trek Nemesis doesn't get a complete release I'm happy with the boot, despite it missing two vital cues.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard

#416 Miles Prower

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Posted 17 June 2012 - 06:05 PM

I wouldn't be surprised if Paramount makes it happen. Here's a thought though - all of these expansions so far have been done by the same team (Lukas, Matessino, etc.). Do you think Paramount would go to Varese and say "hey, you're working with these guys"? Or possibly buy back the rights and give it to someone else?
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#417 OneBuckFilms

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Posted 17 June 2012 - 06:12 PM

Wouldn't it be a hoot if it was one of LLLR's Comic-Con titles ;)

Something will be worked out. If Varese does a co-production LLLR, or they get Lukas, Bulk et al. in working on it, it is likely to come out very nicely.
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#418 Richard Penna

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Posted 18 June 2012 - 12:14 PM

Varese doing any sort of co-production would be a milestone event in film score releases.

IF Star Trek Nemesis doesn't get a complete release I'm happy with the boot, despite it missing two vital cues.


Given the work you put into putting every last note in your SW edits, I find that hard to believe.

My #1 film grail is a grail because it's missing one cue, and while I'm happy to have the boot, I'll never be truly satisfied until it gets Deluxe treatment.

#419 Trent Bennett

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Posted 18 June 2012 - 03:23 PM

As I said despite Nemesis missing two cues...the two cues I did rip from the DVD. Other than that I'm happy with the boot since it featured almost the entire score.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard

#420 Joey

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Posted 18 June 2012 - 07:05 PM

I got mine today, they used stamps, they need to get with the 21st century and get a modern shipping dept.

#421 Trent Bennett

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Posted 18 June 2012 - 07:06 PM

I got mine today, they used stamps, they need to get with the 21st century and get a modern shipping dept.


No kidding. You would also think they'd print out labels instead of hand writing them.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard

#422 Joey

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Posted 18 June 2012 - 07:16 PM


I got mine today, they used stamps, they need to get with the 21st century and get a modern shipping dept.


No kidding. You would also think they'd print out labels instead of hand writing them.

that too,

oops I just had a massive Jerrygasm and I've not even got to the Enterprise track yet.

#423 Koray Savas

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Posted 19 June 2012 - 04:21 AM

Imagine all the money they'd spend on printer ink and paper. Pens are cheaper.

In 50 years Herrmann will be forgotten.


#424 Miles Prower

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Posted 19 June 2012 - 05:09 AM

Considering they're able to pump out several hundred orders a day, the old-fashioned way must be working for them.
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#425 Joey

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Posted 20 June 2012 - 03:01 AM

Considering they're able to pump out several hundred orders a day, the old-fashioned way must be working for them.

with a modern set up they could have gotten more than several hundred a day, they should be able to do several hundred an hour.

#426 Bryant Burnette

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Posted 21 June 2012 - 09:43 AM

Am I the only person a llittle disappointed with the sound quality? There's so much hiss that it sounds like someone in the back of the studio left a sink on...

#427 Stefancos

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Posted 21 June 2012 - 09:46 AM

I dont really hear any hiss

TPMSig_zps20d62aed.jpg

 


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#428 Ren

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Posted 21 June 2012 - 09:50 AM


Considering they're able to pump out several hundred orders a day, the old-fashioned way must be working for them.

with a modern set up they could have gotten more than several hundred a day, they should be able to do several hundred an hour.


How dare they assume that the mass market is still not into film music.

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Ah music, a magic beyond all we do here. ~ Albus Dumbledore


#429 Bryant Burnette

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Posted 21 June 2012 - 10:15 AM

I dont really hear any hiss


Hmm. Interesting...

#430 Stefancos

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Posted 21 June 2012 - 10:23 AM

with a modern set up they could have gotten more than several hundred a day, they should be able to do several hundred an hour.


A modern set up would require an investment. maybe the system they use now is more then adequate and aupgrading is not worth the expenses.

TPMSig_zps20d62aed.jpg

 


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#431 Jason LeBlanc

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Posted 21 June 2012 - 11:55 AM

La-La Land sent out an email indicating that they will have Star Trek TMP back in stock on July 2nd


Posted ImageSTAR TREK: THE MOTION PICTURE
SHIPPING NOTICE

Due to overwhelming demand, orders for STAR TREK: THE MOTION PICTURE placed after 6/7 at 10pm (PST) (order #52600 and on) are being held until the title comes back in stock, which will be on July 2. We apologize for this inconvenience and appreciate your patience. These orders will ship as soon as the title arrives at La-La Land on July 2. Never in our label's history have we had so many orders for one title in such a short period of time. We blew through almost half the entire run in a few days.




Thanks for bearing with us as we get more of the run back in stock.


Source: http://secure.campai...62--E415-gkivq6
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#432 Wojo

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Posted 21 June 2012 - 01:13 PM

How dare they assume that the mass market is still not into film music.


It's not an assumption. It's a conclusion that the evidence supports, which is why very few of the niche soundtrack labels announce "limited" runs in excess of 10,000 units. To sell to the mass market would require pressings in the hundreds of thousands or millions to be able to be sold at FYE, Best Buy, Walmart, Amazon, etc., and the niche labels don't have that kind of capital. They cater to a very specific cross-section of the music-buying community that relies on message boards, blogs, the labels' sites themselves, the social media the people operate, and certain events the niche fans attend, such as signing parties in L.A. and the film music concerts in Europe and Boston. The mass market is into film music, but tends to be content with the first version of whatever score soundtrack is presented for sale, and doesn't worry about buying the reprints and expansions. Those of us that do worry, we are the select few thousand that the Intradas, FSMs, and LaLaLands cater to.

We are the one percent. :music:

A modern set up would require an investment. maybe the system they use now is more then adequate and upgrading is not worth the expenses.


Exactly. Sure, the orders they receive via the website might be tracked in some kind of database so they can track their expenses -- which could logically be exported to Excel or some other program to print sheets of Avery shipping -- but I don't know if it's tied to usernames and their addresses. LLR's website is run through Yahoo Shopping and lets you place orders using a variety of logins -- Google, Yahoo, or AOL -- or lets you be anonymous by using PayPal or a guest login for each purchase. There doesn't seem to be one singular LLR login name you must use to make a purchase like Intrada or SAE require. I may be mistakenly using the effect of the system to justify the cause of not using a label system, but unless they decide to create a single database for their names and addresses, they would be cutting and pasting or retyping the data to print each label, and by then, they could have just written on the envelope. Either way is time consuming, and while writing so much hurts the hand after awhile, it saves the money of not needing to buy the label material.

La-La Land sent out an email indicating that they will have Star Trek TMP back in stock on July 2nd


Did anyone who placed an order for TMP with ScreenArchivesEntertainment get theirs? I bundled this with a bunch of other albums -- one of which is Intrada's Charade, which is also on back order to replenish stock -- so I'm wondering which album is holding up my order, because with SAE, it's all or nothing; you don't get partial shipments like with MovieMusic or Amazon.
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#433 crocodile

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Posted 21 June 2012 - 02:23 PM

I can't wait to hear it, finally. It'll be the end of this week or Monday. Fingers crossed!

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#434 Joey

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Posted 21 June 2012 - 03:16 PM


with a modern set up they could have gotten more than several hundred a day, they should be able to do several hundred an hour.


A modern set up would require an investment. maybe the system they use now is more then adequate and aupgrading is not worth the expenses.

not really, they can get them for free from Ups and Fedex.

#435 Marian Schedenig

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Posted 21 June 2012 - 09:03 PM

Did anyone who placed an order for TMP with ScreenArchivesEntertainment get theirs? I bundled this with a bunch of other albums -- one of which is Intrada's Charade, which is also on back order to replenish stock -- so I'm wondering which album is holding up my order, because with SAE, it's all or nothing; you don't get partial shipments like with MovieMusic or Amazon.


Same with me - both Mancinis in the same order, and more. I can probably count myself lucky if I get it by the end of July...

I'm fine with them shipping only complete packages. I'm not annoyed at them that sometimes much requested stuff goes out of stock. But I'm really beginning to think they should add a feature to their store that shows you WHAT is currently in stock and what isn't, and when your order is expected to ship.

#436 paleo

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Posted 23 June 2012 - 11:39 AM

I got mine! :-) Neatly protected by layers of bubble wrap, not a single crack or scratch: sorry, MovieMusic, but it does make a difference. So now I have almost 5 hours of music to listen to (Galaxy Quest sounds great as well)...

#437 Trent Bennett

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Posted 23 June 2012 - 01:51 PM

Even though I got mine directly from La-La Land there is a very TINY crack on the back tray. It doesn't bother me since it'll be in my CD tower anyawys.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard

#438 crocodile

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Posted 25 June 2012 - 09:55 PM

Got my copy today, finally. I've finished the film score and now I'm playing the early version. Wow, I'm absolutly blown away by these unused bits. A completely different score, so romantic and bold. The film version itself is a masterpiece, obviously, and as amazing on its own as it is married to the film. No need to repeat all of that. And yes, it flows beautifully in the complete form (not so surprising as it carries the whole film on its shoulders). Hook release was a major letdown for me (for reasons that mostly have nothing to do with LLL and MV), but this release might be one of their finest. If you were to have only one Goldsmith score, get this one. It's one of those that literally sucks listener into its world. Worth every penny!

I'll leave the OST version and the third disc for tomorrow. It's a lot to take in one sitting.

EDIT: I still don't know what it the different about that inlay that they added. They look identical to me. ;)

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#439 OneBuckFilms

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Posted 25 June 2012 - 10:56 PM

I'm vaguely aware of a difference, crocodile, but I can see where you are coming friom. ;)
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#440 Datameister

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Posted 25 June 2012 - 11:36 PM

I wish I were as thoroughly captivated by this score as many people are. :( I mean, I think it's fantastic and innovative and effective and whatnot, and I was delighted to buy La-La Land's perfect release of it, but I still get the impression that many people are sucked even more deeply into this sonic world that Goldsmith crafted. It's like...I can hear what makes it so great, and I enjoy it plenty, but some strange part of my brain prevents me from being as fully blown away as I probably should be. Oh well... =/





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