**JWFAN EXCLUSIVE!!**
I've been exclusively sent the tracklist for OST, which is being released by Sony Classical:
01 Main Title / Young Peter (4:54)
02 Becoming Spider-man (4:16)
03 Playing Basketball (1:22)
04 Hunting For Information (2:07)
05 The Briefcase (3:14)
06 The Spider Room / Rumble In The Subway (3:20)
07 Secrets (2:30)
08 The Equation (4:22)
09 The Ganali Device (2:28)
10 Ben's Death (5:41)
11 Metamorphosis (3:04)
12 Rooftop Kiss (2:34)
13 The Bridge (5:15)
14 Peter's Suspicions (3:01)
15 Making a Silk Trap (2:52)
16 Lizard At School! (2:57)
17 Saving New York (7:52)
18 Oscorp Tower (3:22)
19 "I Can't See You Anymore" (6:50)
20 Promises / Spiderman End Titles (4:52)
Total time: 1:16:53
Release date: July 3rd, 2012
Amazon.com order link:
http://www.amazon.com/dp/B0084O8NZI/
339 replies to this topic
#1
Jason LeBlanc
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Posted 22 May 2012 - 08:05 PM
-Jay
#2
Incanus
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Posted 22 May 2012 - 08:07 PM
Cool news Jason! Seems like one of those classic mammoth Horner albums. No 15 minute suite at the end though. 
I am actually quite excited to hear this score. Horner doing superhero music is an excellent prospect for lovers of orchestral film music.
I am actually quite excited to hear this score. Horner doing superhero music is an excellent prospect for lovers of orchestral film music.
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#3
Alexander
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Posted 22 May 2012 - 08:12 PM
Lets hope that there are no last minute changes on this one.
#4
Miles Prower
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Posted 22 May 2012 - 08:21 PM
*drools*
#5
BloodBoal
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Posted 22 May 2012 - 08:22 PM
10 Ben's Death (5:41)
Thank you for the spoiler, dickhead!
19 "I Can't See You Anymore" (6:50)
Am I the only one who finds that hilarious?
'Forget the notes!' - Hans Zimmer, June 2013
#6
Incanus
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Posted 22 May 2012 - 08:25 PM
Yes it is mildly funny if most likely entirely unintentional. But funny none the less.
19 "I Can't See You Anymore" (6:50)
Am I the only one who finds that hilarious?
Ars superior est vita hominum.
"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-
I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-
#7
Ro Sajooc
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Posted 22 May 2012 - 09:03 PM
I guess the first cue contains the Spider-man theme.
"I get asked all the time, 'What happens after Return of the Jedi?,' and there really is no answer for that. The movies were the story of Anakin Skywalker and Luke Skywalker, and when Luke saves the galaxy and redeems his father, that's where that story ends."
- George Lucas
- George Lucas
#8
Quint
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Posted 22 May 2012 - 09:16 PM
Come on Horner baby, come out with blinder again. I know you've still got it in you.
Not arsed about the movie itself.
Not arsed about the movie itself.
#9
crocodile
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Posted 22 May 2012 - 09:36 PM
Come on Horner baby, come out with blinder again. I know you've still got it in you.
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#10
Jason LeBlanc
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Posted 22 May 2012 - 10:14 PM
Per amazon.com, the release date is Tuesday July 3rd:
http://www.amazon.com/dp/B0084O8NZI/
Incidentally that's the same day the film opens. Since when do films open on a Tuesday?
http://www.amazon.com/dp/B0084O8NZI/
Incidentally that's the same day the film opens. Since when do films open on a Tuesday?
-Jay
#11
Williamsfan301
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Posted 22 May 2012 - 10:19 PM
Get ready for vocal "ahhhs", uillean pipes and other culturally wrong instruments used for effect, and Khan's theme again...
"So this is how liberty dies; with thunderous applause" - Padme Amidala
#12
Trent Bennett
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Posted 22 May 2012 - 10:20 PM
I'm actually looking forward to what Horner does with this score. I'm glad Sony gave this film a score only release. I wish they would give Christopher Young's Spider-Man score the release it deserves.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard
#13
lonzoe
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Posted 22 May 2012 - 10:50 PM
Looking at the running time and how many tracks this album has. As well as it having a main title and end credits has gotten me pretty excited for this but as much as I'm looking forward to this score and film. I'll only pick it up if I'm impressed by it in the film. B/c there's so much potential for this score to be great with it being a Spider-man movie and it being different from the previous films. So hopefully Horner keeps it mostly fresh on this one. And writes something brilliant and not something I've heard in dozens of his films. I do expect to hear his trademarks but hopefully not something that'll distract me out of the film. I am looking forward to this score though cautiously.
#14
p0llux
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Posted 22 May 2012 - 11:10 PM
Elfman's Spidey theme is tough to beat. Should be interesting to hear how Horner's compare.
#15
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Posted 22 May 2012 - 11:53 PM
10 Ben's Death (5:41)
If horner plagiarizes Leia's theme there it would be killing!
I hope Episode III is Called 'Revenge of the Sith'
#16
Chaac
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Posted 23 May 2012 - 01:34 AM
19 "I Can't See You Anymore" (6:50)
Am I the only one who finds that hilarious?
#17
ShowUStheHOOK
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Posted 23 May 2012 - 01:47 AM
Per amazon.com, the release date is Tuesday July 3rd:
http://www.amazon.com/dp/B0084O8NZI/
Incidentally that's the same day the film opens. Since when do films open on a Tuesday?
For a while. I've worked at a movie theatre for 9 years now.. The releases have usually tended to come out on a Friday or Tuesday. Why Tuesday? I have no idea
#18
lonzoe
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Posted 23 May 2012 - 01:57 AM
Probably b/c the 4th of July is on a Wednesday this year. And movies that open on 4th of July week tend not to open that day but before it. Is my guess anyway.
#19
DemonStar
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Posted 23 May 2012 - 02:47 AM
The tracklist and running time look great. Can't wait for this one! 
#20
Matt C
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Posted 23 May 2012 - 04:30 AM
I'm actually looking forward to what Horner does with this score. I'm glad Sony gave this film a score only release. I wish they would give Christopher Young's Spider-Man score the release it deserves.
I'm surprised Intrada isn't lobbying hard for Sony to let them release it. Young did some great work and actually elevated some of the movie... well, whichever scenes weren't tracked over with Elfman material.
And his unused love theme was gorgeous.
#21
Trent Bennett
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Posted 23 May 2012 - 07:33 AM
The only way Sony would approve a score only release for Spider-Man 3 is if Young left out the original Elfman themes. Of course since Young is an album producer he said no because that would have really chopped up the score for a CD only release.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard
#22
Score_Fan
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Posted 23 May 2012 - 07:46 AM
I'm actually looking forward to what Horner does with this score. I'm glad Sony gave this film a score only release. I wish they would give Christopher Young's Spider-Man score the release it deserves.
Elfman's Spidey theme is tough to beat. Should be interesting to hear how Horner's compare.
I agree with both. Wholeheartedly. Lemme see something to match some previously greatly written scores!
#23
Stefancos
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Posted 23 May 2012 - 08:09 AM
Elfmans score has a theme?
It's true. You're my role model, Stefan Cosman.
#24
Quint
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Posted 23 May 2012 - 08:17 AM
Sort of. It's more of a motif buried in oompa pa pa oompa.
#25
KK.
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Posted 23 May 2012 - 11:58 AM
I'm really looking forward to this score. The prospect of another superhero score for Horner is awesome. And with quotes lengthy album, I'm rather excited.
Music Muse Reviews: "Escape From Tomorrow by Abel Korzeniowski
#26
Jason LeBlanc
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Posted 23 May 2012 - 02:33 PM
The prospect of another superhero score for Horner is awesome.
Another? Isn't this his first?
-Jay
#27
Matt C
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Posted 23 May 2012 - 02:45 PM
The only way Sony would approve a score only release for Spider-Man 3 is if Young left out the original Elfman themes. Of course since Young is an album producer he said no because that would have really chopped up the score for a CD only release.
That still makes no sense. Other franchises didn't have this problem when doing soundtrack releases, and I think it had more to do with Sony replacing part of Young's score with rearrangements of Elfman's themes or essentially tracking over the original recordings. If Young wanted those to be part of the soundtrack release... Sony's decision would make sense. But in a lot of Young's original cues, he didn't use them often... he used it sparingly to good effect.
#28
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Posted 23 May 2012 - 02:45 PM
The prospect of another superhero score for Horner is awesome.
Another? Isn't this his first?
What about The Rocketeer, you dimwitted buffoonic baboon?
'Forget the notes!' - Hans Zimmer, June 2013
#29
Jason LeBlanc
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Posted 23 May 2012 - 02:47 PM
I don't really think of The Rocketeer as a superhero, but I suppose he fits the bill. Good enough.
-Jay
#30
Trent Bennett
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Posted 23 May 2012 - 04:07 PM
That still makes no sense. Other franchises didn't have this problem when doing soundtrack releases, and I think it had more to do with Sony replacing part of Young's score with rearrangements of Elfman's themes or essentially tracking over the original recordings. If Young wanted those to be part of the soundtrack release... Sony's decision would make sense. But in a lot of Young's original cues, he didn't use them often... he used it sparingly to good effect.
Christopher Young has been asked MANY times if the score would get a legit release and every time he has said no. The main point is with the rights issues because of the Elfman material.
"Let's make sure history never forgets the name......Enterprise." - Captain Picard
#31
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Posted 23 May 2012 - 04:42 PM
Put the $30 you'd spend on a complete Spider-Man 3 score album towards your next lightsaber.
I suggest a full frontal assault with automated laser monkeys, scalpel mines, and acid.
#32
Matt C
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Posted 23 May 2012 - 04:46 PM
Christopher Young has been asked MANY times if the score would get a legit release and every time he has said no. The main point is with the rights issues because of the Elfman material.
I'm curious about how much more the Elfman material would cost for a CD/mp3 official release for SM-3. It's odd that a lot of franchise scores that end up re-using previous composers' material have no problems paying royalties/re-use fees for soundtrack releases.
It is sad. I wish Sony would let a specialty soundtrack outlet like LLL Records or Intrada license the rights for a SM-3 CD. I'd have no problem paying a little extra for the Elfman material.
#33
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Posted 23 May 2012 - 06:02 PM
It has loads of thematic material. And Spider-Man is graced with two or three themes. But they're not really all that hummable.Elfmans score has a theme?
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#34
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Posted 23 May 2012 - 06:05 PM
Well even Elfman's Batman Theme was never that great.
It's true. You're my role model, Stefan Cosman.
#35
crocodile
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Posted 23 May 2012 - 06:11 PM
I agree. It was always inferior to Walker's and Goldenthal's.
And that's coming from someone who actually loves his Batman scores.
Karol
And that's coming from someone who actually loves his Batman scores.
Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate.
- Christopher Nolan
#36
Faleel
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Posted 23 May 2012 - 07:52 PM
I prefer Eidelman's
Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#37
Chaac
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Posted 23 May 2012 - 08:46 PM
It has loads of thematic material. And Spider-Man is graced with two or three themes. But they're not really all that hummable.
Elfmans score has a theme?
Karol
I've been humming these since I saw the film...
#38
KK.
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Posted 23 May 2012 - 09:46 PM
It has loads of thematic material. And Spider-Man is graced with two or three themes. But they're not really all that hummable.
Elfmans score has a theme?
Karol
I've been humming these since I saw the film...
Its not entirely hummable. But its very memorable, without a doubt. Play the theme to anyone and it can be recognized instantaneously. A very iconic and memorable theme, even if its not all that hummable. I love Elfman's Spiderman scores and I don't think Horner will be able to beat Elfman's great theme, but I'm looking forward to the score regardless.
And Elfman's Batman is a modern classic along with the theme. Moreso than Spiderman (which is kind of obvious) ,that five note theme is definitely something thats stuck with mainstream audiences.
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#39
Williamsfan301
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Posted 23 May 2012 - 09:56 PM
The prospect of another superhero score for Horner is awesome.
Another? Isn't this his first?
What about The Rocketeer, you dimwitted buffoonic baboon?
Zorro!! DUH!!!
"So this is how liberty dies; with thunderous applause" - Padme Amidala
#40
lonzoe
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Posted 24 May 2012 - 04:02 AM
Well even Elfman's Batman Theme was never that great.
Yeah it isn't that great. Calling Elfman's Batman score great is an understatement. It was GROUNDBREAKING.
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