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Lincoln FILM Discussion Thread

Movie Talk 2012 Films John Williams Steven Spielberg Lincoln

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#161 Neimoidian

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Posted 13 February 2009 - 08:54 AM

What if it's going to be a piano-driven score? I believe it was a popular instrument back then too and Williams might want to write something fresh instead of his typical horn + trumpet Americana.


Oh, those fresh piano driven Williams scores... :lol:


I'd like to keep him away from those somber dramas for a while. The musical palette is so predictable, the already mentioned honored colleague from whatever soloistic department included.


After 50 years in the business, Williams has become predictable to certain extent (not only in somber dramas, but especially in his adventure scores - vide KotCS). I see no reason, however, to discard his upcoming score when there is not a single note written so far.

#162 Incanus

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Posted 13 February 2009 - 12:02 PM

In order to stimulate "originality", I would propose a score entirely written for string quartet. Not only would this be interesting for us Williams fans, it would be a serious musical challenge for the composer too.



Alex

:lol: Most of the MB members would say a collective MEH!!! and denounce and forget the project if something like that was announced.

Personally I am very much anticipating the Lincoln score. The historical period and the character offer great musical and dramatic possibilities.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#163 Alexcremers

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Posted 13 February 2009 - 12:42 PM

In order to stimulate "originality", I would propose a score entirely written for string quartet. Not only would this be interesting for us Williams fans, it would be a serious musical challenge for the composer too.

:lol: Most of the MB members would say a collective MEH!!! and denounce and forget the project if something like that was announced.


I know. Most JW fans are, let's say, quite conservative when it comes to film music.

Personally I am very much anticipating the Lincoln score. The historical period and the character offer great musical and dramatic possibilities.


But sadly, it's going to be nothing new under the sun. Most people won't even notice this score when they are going to see this movie. Really, I wonder if I truly need just another JW score. I wish Spielberg and Williams had the balls to take more musical risks.


Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#164 Richard Penna

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Posted 13 February 2009 - 02:13 PM

In order to stimulate "originality", I would propose a score entirely written for string quartet. Not only would this be interesting for us Williams fans, it would be a serious musical challenge for the composer too.



Alex

:rolleyes: Most of the MB members would say a collective MEH!!! and denounce and forget the project if something like that was announced.

Personally I am very much anticipating the Lincoln score. The historical period and the character offer great musical and dramatic possibilities.


Count me as one of those 'mehhhh'-ers. Gifts was nice, but got too frenetic for me and isn't something I'd normally listen to.

I'll anticipate it, but I'm reserving any real hype until we hear some sound clips that make us go scavenging for OST leaks :P

#165 Alexcremers

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Posted 13 February 2009 - 09:41 PM

Count me as one of those 'mehhhh'-ers.


I would've been surprised if you weren't one of them.
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#166 Taikomochi

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Posted 13 February 2009 - 10:21 PM

On the subject of winning an Oscar, I just like to imagine what I'd be like when they call his name. It would be such a sweet moment. I'd be jumping for joy.

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#167 Red Rabbit

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Posted 13 February 2009 - 10:30 PM

On the subject of winning an Oscar, I just like to imagine what I'd be like when they call his name. It would be such a sweet moment. I'd be jumping for joy.

Even if it was for an undeserving score? How fanboyish of you.
Do you like John Williams? His early work was a little too jazzy for my taste, but when Jaws came out in '75 I really think he came into his own, commercially and artistically. The whole album has a clear, crisp sound, and an air of consummate professionalism that really gives the pieces a big boost. He's been compared to Jerry Goldsmith but I think John has a far more leitmotif-driven style of composing. In '82 John composed this, E.T., his most accomplished album to date. I think his undisputed masterpiece is "The Magic of Halloween", a theme so catchy most people don't listen to what it means. But they should, because it's not just about the pleasures of childhood and the importance of friendship, it's also a personal statement about the man himself. Hey Paul!
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#168 Richard Penna

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Posted 13 February 2009 - 10:55 PM

Indeed. I'm looking forward to the very real prospect of Thomas Newman getting his first oscar for that song from Wall-E, but if he does, there will always be that nagging thought that it wasn't for his actual scoring talents, but for a song that I don't think is really that great (I'm assuming he won't win for the score).

#169 Pasi Tiitinen

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Posted 13 February 2009 - 11:01 PM

In order to stimulate "originality", I would propose a score entirely written for string quartet. Not only would this be interesting for us Williams fans, it would be a serious musical challenge for the composer too.



Alex


I think that would be nice. It is still one of the finest musical groups.

I am done with all these americana horn/trumpet scores(as much I like the brilliant performers).

Please , John , give us something different!

#170 Henry Buck

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Posted 13 February 2009 - 11:03 PM

Indeed.

#171 indy4

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Posted 14 February 2009 - 01:31 AM

Honestly, I don't even think that SL deserved to win. My vote would have gone to Elfman's The Nightmare Before Christmas.

JP should have been nominated as its a better score than SL.

I agree, but Nightmare was better than both.
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#172 Nick Parker

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Posted 14 February 2009 - 02:20 AM

The harpsichord was pretty popular then, maybe he will write for that....
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#173 Henry Buck

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Posted 14 February 2009 - 02:25 AM

The harpsichord was nearly irrelevant then.

#174 Joe Brausam

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Posted 14 February 2009 - 02:36 AM

Especially in America.

#175 Nick Parker

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Posted 14 February 2009 - 02:48 AM

I was commenting on all of the speculation around a score we know nothing about, except that it is for a film entitled Lincoln. Perhaps I should have said "the kazoo" to make it more obvious....
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#176 Williamsfan301

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Posted 14 February 2009 - 03:19 AM

The harpsichord was nearly irrelevant then.


irrelevant? It was obsolete.

Piano was big...this is shortly before Stephen Fosters death. They were publishing piano music by the barrelful by now.

If anything, though, JW will probably go with the African American Spiritual sound, I'm thinking. Or the solo violin....
"So this is how liberty dies; with thunderous applause" - Padme Amidala

#177 Hunter

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Posted 14 February 2009 - 05:42 AM

The harpsichord was nearly irrelevant then.


irrelevant? It was obsolete.

Piano was big...this is shortly before Stephen Fosters death. They were publishing piano music by the barrelful by now.

If anything, though, JW will probably go with the African American Spiritual sound, I'm thinking. Or the solo violin....


A solo violin would be very nice to have, in my opinion. If Williams were to do that he probably would offer Perlman the solo. They always collaborate nicely together.
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#178 Richard Penna

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Posted 14 February 2009 - 01:05 PM

Solo violin works :lol:

I can picture it now... Lincoln's Theme. And Lincoln's Theme Reprise at the end of the album.

#179 Neimoidian

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Posted 14 February 2009 - 01:19 PM

I'd rather have someone else than Perlman. Not that I have something against him, but his play has very distinct sound and I'd like Lincoln score sound differently, unlike SL or Chairman's Waltz.

#180 Richard Penna

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Posted 14 February 2009 - 03:03 PM

Maybe Joshua Bell or Hilary Hahn. Both have worked with JNH recently and seem to be at the top of their game.

#181 king mark

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Posted 14 February 2009 - 04:42 PM

Actually,please no solo violin or cello...

we already have too many of these

#182 MSM

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Posted 14 February 2009 - 04:57 PM

I want snare drums, lots of brass and rousing themes!

#183 Williamsfan301

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Posted 15 February 2009 - 03:44 AM

Maybe Joshua Bell or Hilary Hahn. Both have worked with JNH recently and seem to be at the top of their game.


Joshua Bell has done several concerts with JW. I'm sure he'd be on the short list.
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#184 king mark

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Posted 15 February 2009 - 03:48 AM

I want snare drums, lots of brass and rousing themes!



me too,and I'm not kidding

#185 Henry Buck

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Posted 15 February 2009 - 03:54 AM

I don't think Spielberg's intended audience is eight-year-old boys.

#186 Alexcremers

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Posted 15 February 2009 - 09:16 AM

What's the deal with film music fans and lots of heroic brass and military snares? 9 out of 10 soundtracks are like that. Put on the television and there is that sound again: breaking trombones, enormous taiko hits, piatti slams, rapid tom tom beats ... and all we see is a pedestrian show where a nerd has to choose between two bimbos.

Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#187 Hitch

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Posted 15 February 2009 - 09:28 AM

Solo violin works ;)

I can picture it now... Lincoln's Theme. And Lincoln's Theme Reprise at the end of the album.

The Assassination will be before Lincoln's Theme Reprise :)
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#188 Stefancos

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Posted 15 February 2009 - 09:39 AM

What's the deal with film music fans and lots of heroic brass and military snares? 9 out of 10 soundtracks are like that. Put on the television and there is that sound again: breaking trombones, enormous taiko hits, piatti slams, rapid tom tom beats ... and all we see is a pedestrian show where a nerd has to choose between two bimbos.

Alex


That type of show needs that music to pretend that what you are seeing on screen is exciting and dramatic.

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#189 Quint

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Posted 15 February 2009 - 09:46 AM

A bit like this highly anticipated videogame trailer music. 1:24 secs onwards I mean.

Does a good job at making what will likely be a great game seem very exciting. Check out the Williams style brass and woodwinds ;)

#190 Alexcremers

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Posted 15 February 2009 - 10:39 AM

What's the deal with film music fans and lots of heroic brass and military snares? 9 out of 10 soundtracks are like that. Put on the television and there is that sound again: breaking trombones, enormous taiko hits, piatti slams, rapid tom tom beats ... and all we see is a pedestrian show where a nerd has to choose between two bimbos.

Alex


That type of show needs that music to pretend that what you are seeing on screen is exciting and dramatic.


Yes, but what I mean is that we are literally surrounded by this type of film music. How can anyone still be seduced by it? It's so omnipresent. Overused, really.



Alex
Pictures, visual images, are far better to achieve that end than any words, particularly now, when the world has lost all mystery and magic and speech has become mere chatter, empty of meaning - Andrei Tarkovsky

#191 Stefancos

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Posted 15 February 2009 - 10:41 AM

People prefer to hear things that are familiar to them, rather then something that is new and possible a bit more challenging.

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#192 Bowie

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Posted 15 February 2009 - 10:47 AM

Maybe it's time Williams shows all these composers how to do the "cliché" properly, and with style.
"We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - Williams

#193 Williamsfan301

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Posted 15 February 2009 - 01:31 PM

enormous taiko hits


I'm so tired of taiko drums. Just because they exist, doesn't mean they need to be used in every war scene

piatti slams


I had those at an Italian restaurant once. Boy they were good with some Gorgonzola on them...
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#194 Nick Parker

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Posted 15 February 2009 - 05:50 PM

A bit like this highly anticipated videogame trailer music. 1:24 secs onwards I mean.

Does a good job at making what will likely be a great game seem very exciting. Check out the Williams style brass and woodwinds :P



I am so excited for that game! I loved the Resident Evil games since way before I should have. I remember sneaking in the middle of the night to play Resident Evil 2 when I was five...scared the living daylights out of me. I am excited for the orchestral score, especially given the orchestra performing it, but I am a little anxious given the composer's (lack of) "track record". Ah well, everyone has to start somewhere.


EDIT: I would like to apologize to the moderators for my overly long signature, and I will keep in mind to not use something that big again.
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#195 Koray Savas

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Posted 15 February 2009 - 05:58 PM

I'm over Resident Evil. I was a fan back when the first came out. The franchise lost it and the games just started getting bad. I played the RE5 demo and turned it off after 2 minutes. Horrible controls, stupid overly muscular characters, and an over-the-shoulder view. It turned into an action game, which is not what it's supposed to be.

In 50 years Herrmann will be forgotten.


#196 Nick Parker

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Posted 15 February 2009 - 06:00 PM

Well, it was just a demo. I would imagine that the game developers would make improvements between whenever this demo was released and the actual release date.
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#197 Koray Savas

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Posted 15 February 2009 - 06:02 PM

They're not gonna change the camera view, controls, or content of the game between the release of the demo and the game :P
Demos show basically finished products. I've never seen a case where major changes were made. They usually just touch up graphics maybe, fix some bugs or glitches etc.

In 50 years Herrmann will be forgotten.


#198 Nick Parker

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Posted 15 February 2009 - 06:03 PM

Probably not.

Well, in a effort to bring things back to topic... there is not much we can discuss about this score, is there?
"The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future."

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#199 Richard Penna

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Posted 15 February 2009 - 07:48 PM

Solo violin works :P

I can picture it now... Lincoln's Theme. And Lincoln's Theme Reprise at the end of the album.

The Assassination will be before Lincoln's Theme Reprise :huh:


Correction, The Assassination Scene ;)

#200 Incanus

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Posted 15 February 2009 - 08:29 PM

Having just listened to the Air and Simple Gifts again I think writing a score for Lincoln and using a quartet of this kind would be a great challenge for Williams. :) And I am sure he could get such a quartet of high profile musicians in on the project.

:music: Air and Simple Gifts

The "Air" melody sounds something that would be a spot on theme for Lincoln. And even with the quartet, without the brassy fanfares or woodwind flurries the music sounds very impressive.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-






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