#161
Posted 20 March 2005 - 06:15 PM
I think, you could find some good works orchestra for a small budget. I have just finished a production for a french movie. The global budget for the music was not too expensive.
#162
Posted 20 March 2005 - 08:31 PM
Here is an atmospheric piece that I have just written, inspired by the images that I've seen of the Lava Planet Mustafar (ROTS) -- picture the lava planet while you listen to it
Tell me what y'all think!
#163
Posted 20 March 2005 - 08:39 PM
#164
Posted 20 March 2005 - 08:41 PM
Cool! Let's post it on TheForce.net or someplace and say it's leaked score.
LOL
I'll take that as a compliment
#165
Posted 20 March 2005 - 11:21 PM
Here is a little video from a recording sessions done at Angel Studio in London with the London Philarmonia Orchestra. I wrote this music, with ten other pieces in a romantic style, for a library CD edited by Kosinus.
I keep coming back to this. I love it. What's the title of the piece?
Vrrrroooooommmmm!
#166
Posted 20 March 2005 - 11:23 PM
Simon, did you never recorded with real orchestra because the budgets were too small?
I think, you could find some good works orchestra for a small budget. I have just finished a production for a french movie. The global budget for the music was not too expensive.
Well if you do a film trailer for $1000-$2000 you can't record anything for that:) And if you do a feature film with a small budget you can't either. Hiring an orchestrator + recording in Prague with a 70+ members orchestra is still gonna set you back at least $15.000-$20.000 - and thats for production costs alone...
Your real orch. stuff sounds good btw!
#167
Posted 20 March 2005 - 11:55 PM
Tanks you Simon, did you listened my demo with samples?
I keep coming back to this. I love it. What's the title of the piece?
We don't have name for the moment. The names will be given by my editor, he usually do this part of the job. He follow a global concept for each CD of his collection. This music was written for a library CD. The challenge was to write 11 pieces who works in 3 formats, piano solo, strings alone and tutti in a romantic mood. We record the piano and the orchestra separatly. I alaways can listen this music, this is the first time for me.
#168
Posted 21 March 2005 - 07:30 PM
#169
Posted 23 March 2005 - 07:58 PM
http://perso.wanadoo...JuilletDemo.mp3
Frenchy music!!
#170
Posted 25 March 2005 - 11:03 PM
#171
Posted 26 March 2005 - 12:26 AM
The class covered stuff from simple and compound rythmn to intervals and minor scales. (Also the teacher was very demanding and he used the 7-point grading scale as well.
Justin - Pleased.
#172
Posted 26 March 2005 - 07:58 AM
Nah man, good for you!
#173
Posted 27 March 2005 - 03:22 AM
And, Tony, I can't wait to hear this new, fixed version of Aurora. I was humming that melody the other day, lol. You know you've done your job as a composer, when you've got someone else humming your songs.
#174
Posted 06 April 2005 - 01:13 PM
#175
Posted 06 April 2005 - 02:44 PM
Barber - Adagio for Strings
Barber - 2nd Symphony, 2. Mvt. ("Night Flight")
Korngold - Symphony, 2. Mvt.
Ravel - Piano Concerto in G, 2nd Mvt. !! (Gorgeous, evolving from a very simple piano solo "waltz")
Studying Goldenthal's slow "movements" (Alien3 - Adagio, Titus - Finale, etc.) could help you also, he's very good at such things getting them evolve gradually over the course of several minutes)
#176
Posted 06 April 2005 - 02:51 PM
http://www.acidplane...gs=285685&T=709
#177
Posted 06 April 2005 - 04:23 PM
Marian -
#178
Posted 12 April 2005 - 09:37 AM
I've just made my first real piece using Opus 1.. It took a while to put together and the performance still isn't perfect (Still learning...) but I'm quite happy with the result... For any of you who are curious, it uses the following articulations:
Violins (Performance Legato, sus, trem, pfp, legato runs)
Viola (Performance Legato, Portamento, sus, trem, pfp)
Cello (sus, pfp)
Double Bass (sus, pfp)
Flute (Performance Legato, pfp, stac)
Clarinet (Performance Legato, pfp)
Trumpet (Performance Legato, pfp)
Tam-tam (Reiben scrape)
Timpani (normal hit, trem, trem cresc)
Horns (sus, pfp, cresc)
Bass Drum
Harp
You'll notice the John Williams quote near the end
#179
Posted 12 April 2005 - 03:34 PM
#180
Posted 12 April 2005 - 10:22 PM
#181
Posted 14 April 2005 - 07:35 PM
It's not a "song"Nice song, Jack!
LOL j/k .. Thank ya!!
#182
Posted 15 April 2005 - 02:39 PM
First, let me present you with my last score for a short film which was recently completed. The director has given me permission to post the video online, so that will be forthcoming.
I had posted this in another thread a few months ago, but I thought this was the more appropriate place. Feedback or criticism is welcome and appreciated! Click to download:
http://www.composera...emp3version.mp3
In addition, I would like to say that I am starting a board for composers and those in search of composers which is at the following address. This is not the full unveiling of my site, ComposerArts.com, which is an extension of the idea I had last year called "The League of Filmmakers and Composers for Orchestral Scores."
I will keep you updated as to when the main page is updated, but in the meantime, feel free to begin chat on the official ComposerArts forum, where you will find discussion boards, as well as Composer Wanted boards where I will invite directors and students to post their needs for composers. This will allow composers greater power in seeking collaborators who they deem worthy of their aesthetic and artistic goals.
But more importantly, for the first time that I've seen, there is a board for composers to submit requests for orchestral performances and also for directors who share their mindset when it comes to the musical aspects of film.
in the future, I hope this will be a great resource for composers as well as those in need of composers.
I thought of having a JW section, but decided best to keep this the home base. However, feel free to discuss anything you'd like about JW in the main forum. Discussion of religion and politics will be allowed there, but will be moved to "Other Topics" if the discussion strays too far from music.
I look forward to seeing you all there! And it would be nice if you kept your screen-names the same as here so we could recognise each other!
Enter ComposerArts.com Forum:
http://www.composerarts.com/boards
#183
Posted 15 April 2005 - 03:08 PM
#184
Posted 15 April 2005 - 03:17 PM
I have a question... Some of you guys seem to have actual scoring projects. Where can I get started? I'm really keen and very eager to score something, anything... I'll work for free even.. Ive looked for student movies and everything... Any Help?
Jack, You can post on my board to look for directors and opportunities. I just opened it today, and I'll be luring directors and film students there.
http://www.composerarts.com/boards
But I'll PM you a good opportunity to do music that gets exposure. If you're willing to write Hip-Hop and 70's rhythm section mixed with a little jazzy orchestral, you should take it up. Money's little, but still good exposure.
#185
Posted 15 April 2005 - 04:01 PM
Cool, I'll register thereI have a question... Some of you guys seem to have actual scoring projects. Where can I get started? I'm really keen and very eager to score something, anything... I'll work for free even.. Ive looked for student movies and everything... Any Help?
Jack, You can post on my board to look for directors and opportunities. I just opened it today, and I'll be luring directors and film students there.
http://www.composerarts.com/boards
But I'll PM you a good opportunity to do music that gets exposure. If you're willing to write Hip-Hop and 70's rhythm section mixed with a little jazzy orchestral, you should take it up. Money's little, but still good exposure.
And thanks for the PM
#186
Posted 15 April 2005 - 05:18 PM
#187
Posted 25 April 2005 - 09:04 AM
#188
Posted 25 April 2005 - 12:35 PM
I am desperate to try out what you guys have got! Anyone know the best place to "acquire" certain programs or sound libraries etc? I want to see what I can come up with (PM me if possible). The brass in that piece Jack sounded so inspiring.
#189
Posted 25 April 2005 - 02:58 PM
Some of it seemed to be suspense music, like someone was going to perish. The tremelo held notes, and then the low string patterns were effective. The french horn articulation could have been better handled, but I liked what you wrote for them.
My main website has a new piece called Death which you can listen to there.

http://hopkins.compo...loads/Death.mp3
#190
Posted 29 April 2005 - 12:59 PM
[links don't work, will post them soon]
#191
Posted 10 May 2005 - 12:38 PM
Listen to them in this order:
- Opus 1
- Wind Band *NEW* (Slight JW influence)
- Opus 1 Action
#192
Posted 11 May 2005 - 08:46 AM
#193
Posted 11 May 2005 - 12:15 PM
Wind Band has some wonderful harmonies in it very SPR or Amistadish.
Opus 1 Action is a very effective action cue. Although I remember hearing it before.
Justin
#194
Posted 11 May 2005 - 12:31 PM
ok,
here is something newer from me.
I'ts not quite finished yet, but you'll get the idea. Made entirely with the VSL Opus 1 lib.
It's a teaser score for a star wars related sci-fi flick from germany.
http://www.marcelsch...om/mox1/Minions Of Xendor - Teaser .mp3
"The romantic has no coordinates. In time he is yesterday or tomorrow, never today. In place he is there or thence, never here."
Einojuhani Rautavaara
------- COMPOSER -------
www.marcelschweder.com
#195
Posted 11 May 2005 - 06:43 PM
I'd love to upload my composition of the First Task from GoF, but it's an inferior MIDI file. If someone could sample it up a bit if they wanted to, that'd be just great!
Beam it over to me -- jack@jcxp.net
#196
Posted 12 May 2005 - 03:41 AM
#197
Posted 12 May 2005 - 11:30 AM
heh, thanksJack, that's great stuff! I can hear some Williams influences in your style. Very nice.
#198
Posted 19 May 2005 - 09:08 PM
Here's me playing around with 'em ... :
Heart Thump
#199
Posted 20 May 2005 - 12:18 AM
And I nearly fell on the floor when that last note played. Mind you, I had headphones on, and wasn't expecting such a percussive hit, lol.
#200
Posted 20 May 2005 - 07:00 AM
LOL!!^Those are some nifty sound effects. I need to try some o' that.
And I nearly fell on the floor when that last note played. Mind you, I had headphones on, and wasn't expecting such a percussive hit, lol.
That's what I was going for
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