Thor

It's Gwen Stefani's "The Sweet Escape".

Just came back from it. A few, spoiler-free comments here, for anyone interested: https://celluloidtunes.no/forums/topic/disclosure-day-john-williams/page/4/#post-11898 Proper review coming later.

Here's my take on EUPHORIA. I liked it too. https://celluloidtunes.no/euphoria-hans-zimmer/ Feel free to discuss this, or any other issue, on our messageboard.

I saw the film yesterday. A few quick, spoiler free comments here: https://celluloidtunes.no/forums/topic/talk-about-films-youve-just-seen/page/6/#post-11188

They were. Pertinent sentences edited accordingly.

Mark Burgess has written an essay on the score, in the year it turns 40: https://celluloidtunes.no/star-trek-iv-the-voyage-home-leonard-rosenman/

Another batch of mini reviews/recommendations, for anyone interested: https://celluloidtunes.no/the-inquisitor-stranger-things-tales-from-85-and-more/ THE INQUISITOR (Omar Fadel) L’ENFANT DU DÉSERT (Armand Amar) STRANGER THINGS: TALES FROM ’85 (Brad Breeck) POLICE FLASH 80 (Alexis Rault) CEUX QUI COMPTENT (Fred Avril & Pierre Lottin) FACKHAM HALL (Oli Julian) GO (BT) As always, feel free to discuss this, or any other issue, on our messageboard.

Mark Burgess examines some pre-Star Wars film composers who made its score possible, many of whom are represented on the Chandos label: https://celluloidtunes.no/those-magnificent-men-and-their-flying-melodies/ As always, feel free to discuss this, or any other topic, on our messageboard.

My review here, for anyone interested: https://celluloidtunes.no/project-hail-mary-daniel-pemberton/ Feel free to discuss this, or any other issue, on our messageboard.

It's more an ask than a beg. Could always use more help from people who have room for a second messageboard in their life. If not, that's okay too.

And yet another batch - something for both the synth heads and orchestral fans among us: https://celluloidtunes.no/in-the-blink-of-an-eye-les-immortelles-and-more/ GUNYO CHOLO: THE DRESS (Marcello de Francisci, feat. Lisa Gerrard) LE COSE NON DETTE (Paolo Buonvino) LES IMMORTELLES (Calypso Valois) MISS AUSTEN (Dominik Scherrer) THE ABNORMAL BEAUTY COMPANY (Todor Kobakov) INDUSTRY (Nathan Micay) BALANDRAU: VIENTO SALVAJE (Arnau Bataller) IN THE BLINK OF AN EYE (Thomas Newman) Again, would really love it if some of you took the time to register on our board to discuss this and other things. We'd welcome you with open arms, a bottle of champagne and a free supply of CDs for the rest of your life. Well, open arms, at least.

A new mini batch (some 2025 titles still in there), for anyone interested: https://celluloidtunes.no/send-help-queens-of-the-dead-and-more/ HURRY UP, TOMORROW (The Weeknd & Daniel Lopatin) AMSTERDAM EMPIRE (Palmbomen II) REVIVAL (Lydia Ainsworth & Alex Cuevo) KUSUNOKI NO BANNIN [THE CAMPHORWOORD CUSTODIAN] (Yugo Kanno) QUEENS OF THE DEAD (Blitz//Berlin) SEND HELP (Danny Elfman) AL BATAL (Suad Bushnaq) As usual, whenever I pop in here briefly for a “plug” of something, I invite everyone who has room for a second messageboard in their life, to join ours at https://celluloidtunes.no/forums/forum/english/. We could really need your help to stay active.

For anyone interested, here are my top 10 scores of 2025. The episode is about 50 minutes long. Everyone is cordially invited to join the Celluloid Tunes messageboard, to discuss this or any other issue. https://celluloidtunes.no/celluloid-tunes-86-the-10-best-scores-of-2025-33rd-international-edition/

My review of MARTY SUPREME (Daniel Lopatin), for anyone interested: https://celluloidtunes.no/marty-supreme-daniel-lopatin/

Jon Aanensen has written a thorough filmography of Tangerine Dream's work for visual media, for anyone interested: https://celluloidtunes.no/tangerine-dream-a-filmography/