There's something subtle I've been noticing more and more in his recent compositions...it's kinda hard for me to explain, I am a pianist so it's easier to convey with musical notation rather than a paragraph like this. It's kind of a layering of triple meter with double meter. You'll notice it in For Always, Harry's Wondrous World, Sean's Theme, Angela's Ashes... Where the pulse of the music is distinctly based on three, but then the melody switches to two. Or vice versa with the melody in 3/4, placed against a 2/4 or 4/4...if that makes any sense. I'm not a well-versed theorist so bear with me. Is this a new Williams trend?