indy4

As posted on hte main page: "

 

http://blog.zap2it.c...n-williams.html

I'm loving this translated version: "Steven: a loyal man, a considerate lover."

I think it was waaaay more funny with the bad musicians.  I cracked up.

Hi everyone,

 

I wrote an analysis of the score for JP that can now be viewed at FSM Online.  Hope you enjoy!

Also a Lincoln analysis in the February edition

I think we should support this financially.  Maybe when TLW is rereleased we'll get another digital expansion, but only if this one sells.

This is one of JW's best interviews, I think.  It's rare that he goes so in depth about a score (ie mentions the effect of the electronics referencing bombs in Cambodia).  I wish he did this type of thing for more scores, and for longer periods of time.  Thanks for posting!

The Social Network was a thief in the night. It should never have even been nominated. How to Train Your Dragon should have run away with it that year.

A thief in the night?  Maybe Les Mis should have won best score.

I'd like to hear more prominent but accompaniement piano parts, like in Snowy's theme.  I love a solo piano, but I feel a lot of times people forget that it can be very effective in supporting or interacting with other sections of the orchestra.

So I can really download movies for free with this link?  Thank you first time poster!

Fantastic!  Thanks so much for posting, Marty.

Little did our heroes know that as they celebrated their reunion a young, moustache-rich man was planning his journey to earth and his ascension to power in a country known as "Germany."

Did I mention I love the use of Dies Irae in this score? Clever, Mr. Williams, very clever. But I didn't know that before reading the liner notes.

Probably one of my favorite uses.  I especially like how after the church scene Williams incorporates Carol of the Bells into "Setting the Trap."  Its use has so much more meaning than I originally thought.

Hey Luke, there's something important I need to tell you...



...you're it!

Actually, that is pretty interesting.  I always think of Lincoln and the Civil War as ancient history, but it's really not that far away.

I thought European orchestras tune to 444, to adjust to the vibraphone?  And Raiders was recorded with the LSO.