Corellian2019

Man oh man, I hope Disney finally releases all of the deleted scenes! Or at least the extended cut in SD

From the beautifully written, comprehensive chapter about Marcia on the Secret History Of Star Wars website: Highly recommended

Yeah, it's interesting that no new features were produced for the Troy set, not even any commentaries

I'm guessing that Sony might release a 50th anniversary edition

A whole slate of new concert dates for October-November 2026, thankfully including the northeastern U.S. I plan to attend the one in NY on November 1st

More information from the Gremlins Museum about the rough cut, namely that it runs 174 minutes(!) and that a second tape donated by Joe Dante contains an additional 40 minutes of outtakes

The "Riverwalk" cue from The Pelican Brief

The first score has some cues that sound like they were re-recorded for the album (including "Gonna Fly Now"), and the fanfare for the opening fight with Spider Rico is unreleased; apart from that, i don't know what else is missing

Another round of concerts for September-October of this year: https://www.ghostbustersinconcert.com/ Does anyone know if any of the unused music was restored? And if the ondes martenot was indeed performed live?

Supposedly First Blood was used as temp music for that long-lost workprint of Total Recall

It's a documentary showing Pacino mounting a production of Richard III

I think there are a few bits in that extended cut that weren't included on the deleted scenes from the original DVD. One for sure is when Col. Tavington catches a firefly with his bare hand just before he meets the sole survivor of Martin's caravan attack. I suppose it's meant to humanize him

Not yet; that's one Bond film that keeps eluding me

I'll add one more: 12 Monkeys by Paul Buckmaster (and Astor Piazzolla )

Just Del Toro's adaptation and the 1935 Bride Of Frankenstein Admittedly it's not, which is why I don't like some of De Palma's films, but I defer to the film's screenwriter, Frank Darabont, who makes a convincing case for why the operatic approach didn't work for the source material: