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Wow, there are even more sarcastic snots on this board than the last time I posted here! Thought I'd update you all with some fun behind the scenes info with this score, as I did for War Horse and Tintin, but so far the majority of the posts in response to mine have been the above piddling little wastes of time. Forget it. And by the way, being able to read an orchestral score and hear it aren't superpowers - they are musical powers. Judging from your avatar, let me put this in terms you can understand: Bloodboal: Level 1 cave troll with magic music capabilities of 05/100; a pair of bitchin' green pointy shoes; and a "I'm sarcastic because I'm not confident in myself" score of 97/100 Me: Level 6 Film Composer with magic music capabilities of 87/100; real world shoes that I wear to recording sessions; and a "helpful attitude to give a community I've been a part of (first with a different username and now with this one) since 2003 a sneak perspective of the music" score of 90/100. But wait!! You've struck me with your mystical "Sword of Attitude" and countered my attempt to use the magic spell "Reason" with your "Sarcasm shield!" You got me good! My helpful attitude score has dropped down to a score of 12/100. Oh well.

Told you.

Interesting news! Jamie breaking into concert/orchestral music scene. Good for him! I think he should also do a larger orchestral work called Dangerous Motives, where he would explore the 4-note motto in a 30 to 40 minute 1 Movement work.

The people's reactions are really what I was expecting

Incanus: KM, why does the floor move? KM: Give me your torch. KM: LotR. Why'd it have to be LotR? Incanus: LotR fans, very dangerous. You go first!

Well, I think it's beyond dispute that if there's no "TIE Fighter Attack"-type cue, the score is an unequivocal failure.

Recycled hotdog motif yet again. And I thought Horner was lazy.

A tease for the official trailer: [media=] A very small glimpse of Williams' score as well, I guess...

Well, what do you know? I checked with Libby, the LSO's archivist, who confirms that John Williams did indeed conduct the LSO in The Planets at the Barbican in 1982. He conducted two concerts in the Barbican's outdoor Sculpture Court as part of the LSO's summer pops series that year. The concerts included Williams's own film music as well as Richard Strauss's Also Sprach Zarathustra and Gustav Holst's The Planets. I would be very interested to read Richard's recollections of this 'early' Williams concert. His first concert with the LSO was at the Royal Albert Hall in February 1978 (when C3PO was famously pictured on the podium), but Williams did not conduct the LSO in concert again between 1982 and 1996. So there!

Yes, Itunes is Psycho...oh.

What I really want : Hook II: Smee's Revenge.

Real Steel sucked. It was not only boring but also nonsensical