After building such strong credentials as the resident master of witty sarcasm I can't tell whether you are serious or using your finely honed skills for clever humour with that statement.It's been awhile -- I have to go back to 1999 -- since I've listened to a new Williams-produced album that I enjoyed so thoroughly. I don't find the score especially indebted to War Horse. There are the usual melodic and stylistic overlaps that attend consecutive works in a composer's career, but no more than that. As some have suggested, the score might be in some ways a closer cousin to The Patriot, as you can hear the rough structural contour of the Ann/Gabriel love theme in certain cues. But Lincoln is a much more ruminative and introverted work than either. For one, it sounds a little less disjointed. And while it clearly retains Williams's trademark warmth, it's less ostentatious and sentimental. It helps when you're not charged with evoking the pastoral grandeur of the English countryside and trumpeting the wonders of human-animal friendships in one breath.