I am not overly happy that a large part of the concert in Vienna will be devoted to a score like TITANIC - you can't really avoid it, though. The program seems to focus on the big, mushy recent scores (BRAVEHEART, LEGENDS OF THE FALL et al.) that somehow deny Horner's brash youthful days. But we take what we get and while we all know that Horner's best days are truly behind him, i still cherish him as a one-of-kind talent, even with all the strange idiosyncrasies.