That's where we differ. I hear each chord as one sonority, not two separate halves. They seem more like upper structure chords than polychords, probably due to the omitted thirds and other important intervals. Take chord 4 and 5 (basically the same the chord moved down a whole step - just re-voiced and inverted). I've seen this chord in dozens of other scores and jazz charts (Jerry Fielding and Alex North come to mind) - and to me they're just upper structure Lydian chords. That said, it's just a different way of looking at the same thing. I'm something of a jazzhead, so I'm always going to se