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Showing content with the highest reputation on 18/10/14 in Posts

  1. This was broadcast along with quite a few others last week during the Detroit Symphony's webcast. John Williams wishes Leonard Slatkin happy birthd:
    4 points
  2. Hmmm. Yes. Quite. Indeed.
    1 point
  3. I'm surprised to have found about the fact that youth was already so lost in its purpose in the late 60's, and this is a film that reflects that extremly well. Hell, I'd even say it has the same value today as it must have had back then. Even more, perhaps. The story is about an upper-class dropout played by Nicholson who is a very talented musician but who's completely lost in life, doing odd-jobs here and there, and being generally cold to everyone that loves him. From that description you may think he goes back to his talent and succeeds in life, but it's the complete opposite. It's how things would actually go. Despite being such a cold film, it really moved me. I was quite impressed by Jack's performance here. I think for the most part he was actually playing the character, not just another version of himself, as we're more used to in his later films. There's a particular scene where he shines like nobody's bussiness, and apparently it was done in one single take. The ending particularly left me speechless. I kinda saw it coming, but it was still so silent, so raw... In its own way, it was beautiful. Probably one of my favorite "new" movies. 9/10
    1 point
  4. I still hate the film, but the score is growing on me.
    1 point
  5. Satire. A British concept.
    1 point
  6. Not a long time ago in a bar not so far, I met a person from the certain orchestra, tried to get her/him drunk and ask about it. The person couldnt tell but was very mysterious. You say you tried to get him/her drunk, but I'm sure you're the one who ended up drunk. Actually I got some INTERESTING information but since you are so mean, I will not tell it! Oh, come on! Pretty, pretty please!
    1 point
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