Leaderboard

Thought you guys would like this:

Thanks for sharing, the ending with Williams acknowledging the 360 camera is brilliant! "Is that a character in the film?".

T H E M A N W H O L O V E D C A T D A N C I N G C O M P L E T E A N D R E M A S T E R E D 1 D I S C E D I T I O N

As "Awakenings" proves: A crying audience is not an indication of a good movie.

Normally I would say "Use the Force", but... just use Google.... and Youtube. Thanks. PS: Don't listen to the 6th symphony of Tchaikovsky, it's pathetic.

Roger's clue for next week's title: http://www.intrada.net/phpBB2/viewtopic.php?f=12&t=7781 Must be Horner's Living In The Age of Airplanes!!!!

H A R R Y P O T T E R

The Berg:

The Prologue has to rank among the best trailer compositions ever made!

Sorry to resurrect an old thread, but i was listening to the soundtrack of Crystal skull these days. believe it or not, I had seen the movie only once, and the same goes for the soundtrack. Now I've seen the movie again, heard again the soundtrack, and studied the music. I must say that I think Irina's theme is a masterpiece, one of the best Williams themes of the last years. Too bad that it didn't benefit from a better film. I strongly believe that if this was the main theme of an old classic film-noir (or a Hitchcock film or a Bette Davis movie or something) it would become an instant classic, like the Laura theme or others! The concert arrangement is sublime! Also, the way it climaxes to 1.33 of the cd track!! Although the theme starts as a theme for a dangerous and seductive woman, in that spot the music becomes like it's written for a long lost love or something!!

It's OK, since Spielberg owns JW.

It doesn't deserve Best Picture. It deserves "The Best of Best pictures."

A lot of 1939 movies deserved to win. That year was full of excellent movies.

The trouble with BRAVEHEART is, it's full of Gibson

LOL. German chancellor Angela Merkel showed kind of a similar hilarious reaction to a 360 camera once. Journalists had to explain it to her.

Yeah I can't tell if that's an alternate or just how it sounded on the recording stage before it was mixed?

I love that all-choir rendition of the rock lifting music from "The Last Jedi"

Speculations are funnier than facts.

Wolfgang Petersen?

I KNOW! Oh, wait. Was that sarcasm?

Alan Silvestri is the new John Williams!

"Real World Consequences" features a bunch of BTTF material but not the actual theme

6 pages of speculation, nice. There's no reason to assume Williams has anything to do with LLL's April slate. In fact, they don't even know what's coming in April right now: http://filmscoremonthly.com/board/posts.cfm?pageID=39&forumID=1&threadID=67395&archive=0

It's probably because fans are disappointed that they stopped doing a dedicated "Movie Music Hall of Fame" (in which JW always did very well).

Don't tell Thor that!

That's OK, OTCB isn't that good anyway.

Listened to it, it's a great score !

His turtleneck has some odd white spot.

It’s not the C&C way!

Listened to the score for the third time...it's better and better. Best Silvestri's score since Beowulf, it's a kind of BTTF4. The End Credits is pure action. Love it.

QUIZ SHOW is seriously good. Cheating on a quiz show is like plagiarising a comic-strip. Is it raining? I hadn't noticed Fuck! Fuuuuk! Fuck fuckitty fuck. Don't say its the B358. It's the B558. Fuck iiiiit! Bugger.

October?! That's late in 2018 which is supposed to be a year "for the books".

No. I think he looks as much like JW as any other bald, old white guy with a white beard and glasses wearing black.

Not from a moderator.

Ready Player One - I think I'm pretty much loved every minute of this. The cultural references never felt forced, and they served the plot-well. The scavenger hunt plot in particular reminded me a lot of The Goonies, which I dug, and the film really gave me a sense of fun and whimsy, something that seems to be sorely lacking in a lot of modern films. Not to mention the soundtrack was great. Plus aside from some small slow scenes, for a 2 and a half hour film, it went by relatively fast. The Berg is still the best. - 8 / 10

That is typically what happens. I'm sure they are safely preserved digitally forever in Universal's archives now, waiting for the day they can be licensed.

Thanks for that, Sweep. I like EOTW, a lot. Troughton does a brilliant job, as Salamander. Its the only DW story to be scored by Bartók.

I don't even have enough superlatives to say how much I love that film. I see it at least twice every year, and have done so ever since it came out.

You really need more diversity.

Old MacDonald had a farm, E-I-E-I-O!!!

Daisy Ridley needs to push for her next project to be the remake of Story of a Woman, score by the Maestro, adapted from his earlier work, giving him the opportunity to revisit it's themes and create new concert suites for them in the process (dedicated to Daisy, of course) and ultimately discover that he would love for all his unreleased vintage scores to be put out there for Daisy, I mean the world (I mean us) to enjoy.

That's usually the way that he works, but sometimes he will have more than one film released, in any given year. That doesn't necessarily mean that he favours one, over another. Like I said, the start-date of SCHINDLER'S LIST was fixed in stone, so he left JURASSIC PARK in the capable hands of his good friend, while he supervised post, via satellite, in Prague. I defy anyone to show me which parts of JURASSIC PARK were overseen by Spielberg, and which parts were overseen by Lucas. As for "Oscar bait"; put side-by-side, it's pretty easy to see which film will sell more popcorn, and which will earn more Oscar nominations. It was almost expected that Universal would "push" SCHINDLER'S LIST, come January, 1994.

Think you could still trim them down by at least 6 and a half hours. Karol

The noticeable trend is that Williams is always in his element scoring big space battle sequences and chases. They're consistently his most extroverted and energetic cues, across all 8 films. So the final film being a massive war film (that tops the opening of TLJ) has me excited! It needs to be even bigger than Rogue One's too, obvz.

OST albums are similar to entry level electronics. They offer you a hint of what you could get with a more complete device.

I would love another Tintin score from JW.