Nemesis

Over the Moon would be nice.

Did you transcribe "Over the Moon" or just the "End Credits"?

Vote goes for The Rare Breed and Heartbeeps.

Thank you! Downloading them right now

Can't believe I won in the Spitfire Tombola!

For me it's Midway March.

I like "Empire Recruitment"

The Chamber of Secrets

Wasn't a lot of music written without the film finished?

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I'm absolutely aware that I didn't walked a new path here. But besides the 8bit sound the winner didn't too. I love it btw. I have to say I wasn't interested in the context of the scene to the series and it was my intention to only score whats on screen. So the whole drug thing wasn't important to me as no single take in that scene was from the guys perspective. Just curious, would you classify my track as generic? I tried to avoid sounding like a Hans Zimmer clone but maybe I failed!

Interesteing video from Spitfire co-runner Christian Henson: I think there are some interesting comments too.

Maybe it was the intention to send the message to nowadays composers, that it is important to break rules to succeed. It's a tough business and just following the rules doesn't help.

What do you think, in a competition like this, is it important to knew the context of an isolated scene? Or does one have to work with what is on screen?

I know that my approach of scoring this scene was way too old fashioned. But it's what I like listen to, so it was great fun to compose for an action scene like this.