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About Nemesis
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Rank
composer
- Birthday 06/10/1977
Profile Information
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Gender
Male
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Location
Switzerland
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Nemesis reacted to a post in a topic: Schindler's List - 2CD 25th Anniversary Edition from La-La Land Records (2018)
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Over the Moon would be nice.
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Did you transcribe "Over the Moon" or just the "End Credits"?
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ragoz350 reacted to a post in a topic: The JWFan Guide to Orchestral Sampling
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karelm reacted to a post in a topic: The JWFan Guide to Orchestral Sampling
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Manakin Skywalker reacted to a post in a topic: The JWFan Guide to Orchestral Sampling
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KK reacted to a post in a topic: The JWFan Guide to Orchestral Sampling
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Datameister reacted to a post in a topic: The JWFan Guide to Orchestral Sampling
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Thank you! Downloading them right now
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Falco reacted to a post in a topic: The JWFan Guide to Orchestral Sampling
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Can't believe I won in the Spitfire Tombola!
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For me it's Midway March.
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Nemesis reacted to a post in a topic: Which are your top 3 favourite War of the Worlds cues/tracks?
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Wasn't a lot of music written without the film finished?
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Score reacted to a post in a topic: Westworld Scoring Competition
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Holko reacted to a post in a topic: Westworld Scoring Competition
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You may like this too
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I'm absolutely aware that I didn't walked a new path here. But besides the 8bit sound the winner didn't too. I love it btw. I have to say I wasn't interested in the context of the scene to the series and it was my intention to only score whats on screen. So the whole drug thing wasn't important to me as no single take in that scene was from the guys perspective. Just curious, would you classify my track as generic? I tried to avoid sounding like a Hans Zimmer clone but maybe I failed!
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Interesteing video from Spitfire co-runner Christian Henson: I think there are some interesting comments too.
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Docteur Qui reacted to a post in a topic: Westworld Scoring Competition
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Maybe it was the intention to send the message to nowadays composers, that it is important to break rules to succeed. It's a tough business and just following the rules doesn't help.
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What do you think, in a competition like this, is it important to knew the context of an isolated scene? Or does one have to work with what is on screen?
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I know that my approach of scoring this scene was way too old fashioned. But it's what I like listen to, so it was great fun to compose for an action scene like this.