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Josh500

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Posts posted by Josh500

  1. Has anyone seen the movie ONLY YOU, scored by Rachel Portman??? I've heard the music is really great -- I'm considering buying either that or The Witches of Eastwick (scored by JW) on DVD.

    What do you think?

    :sigh:

  2. Also, John Williams had already five Oscars in his pocket when he did TPM, Horner won his first for Titanic . . . that's gotta mean something!!! And I think the percentage of what Williams and Horner earn from album sales is different . . .

    Even though TITANIC was a monster hit, that doesn't necessarily mean that Horner got the lion's share of the money.

    :)

  3. I agree that Horner got a lot for Titanic, but I have an idea too strong to deny that JW earned even more on TPM. For one thing, SONY paid a small fortune just for the RIGHTS to release the albums, and for another STAR WARS remains, after all, the most successful franchise in movie history . . .

    (Plus, there was no Celine Dion to split the royalties with.)

  4. I've listened to JW all my life because my favorite movie ever since I can remember has been ET, closely followed by Jaws, without realizing that the scores to both movies were composed by one man. Then in 1994, I heard the music to Schindler's List on TV (it was the Oscars) and John Williams won!!! Someone told me that he's also written the music for Indiana Jones, Star Wars, E.T., and so on . . . and I was hooked for life!!! I think the soundtrack to Schindler's List was the very first CD I ever bought!!!

  5. I remember that I've read in some books about filmscoring that money for a score is usually 5% of the whole budget for a movie. That makes  $5 million for a $ 100 million budget blockbuster. If this is true or not, one have to remember that a composer if he signed a "package"  or "all-in" deal have to pay for the recording (musicians, facilities, technicians, orchestrators etc.).

    Well, if it's USUALLY 5% of the whole budget, I have an idea that John Williams gets more . . . perhaps even as much as 10%.

  6. Do you think salary is dependent on length of the score? Like (I dunno) maybe 10,000 $ per minute of score heard in the film? That would mean JW got the same salary for Saving Private Ryan as for TPM, which seems quite ludicrous. Just a thought.

    Oh, by the way, if Alan Silvestri makes 1 mil. on CAST AWAY and Elfman makes 3 mil. on HULK, I could easily imagine JW making 20 mil. on a HARRY POTTER installment.

    :mrgreen:ROTFLMAOROTFLMAO

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