Well, the method for the MV recordings are a bit the same as Randy Edelman does. First, get a BIG orchestra. Record it. Two, when you get this wonderful sound, get an arranger and some "additional arrangers" to put some synth on the orchestra. Why would you tell me ? Because in the theater, we can't hear the music with all the explosions, car chases or others BIG CRASHES ! For GLADIATOR, the music was recorded in London (as HANNIBAL) by the performers of the LSO... It's the same thing with K19 The Widowmaker by Badelt. It's a score I love, but why have they pay to get the KIROV ORCHESTRA & CHORUS and the master baton of Gergiev to put a slice of synths on it ? Hope it can help... Yours Vincent