bondo

There’s no answer to that question yet. It all depends on reviews and revenue. So far, Snyder’s cut is knocking it out of the park

It's literally not. Snyder was unceremoniously fired and then Joss came in and shot a bunch of close-ups with blurry footage and matched it with Snyder's action scenes and scored it hastily with Elfman using wildly terrible themes. This is Snyder's film, and Joss's is about to be destroyed forever. 1 weeks and counting...

JXL confirmed vinyl.... not sure about CD

This is the internet we’re talking about, and cancel-culture 2021. Trust but verify. I’ll believe it when it’s independently verified.

Does anyone else separate the album by composer? I did the same for season 1... I listen to all of the Debney material together and then the McNeely material separately to get a feel for what each composer's "sound" is.

Why is a minute and a half of "Prisoners of the Kaylon" from IDENTITY edited out?? It's one of the biggest cues in the series and it was highlighted by Debney himself on his Facebook last year. Upon rewatch, at least a minute and a half was removed from this version. I understand that CD space is a commodity, but that's the absolute last cue I'd chop up. The cue as heard in it's entirety in the show is a 5+ min rollercoaster

You’re 100% right!! It’s the first four notes of the AOE theme, played at least twice. Good catch!

Loving this score so far!! It’s very much akin to HGW’s Narnia and Prince of Persia. Decided to make an alternate cover for it...

Apologies in advance if this has been mentioned earlier, but has anyone been able to do an isolated score match-up of the OST version of “The Speeder Chase” with the film? I got so attached to that cue and was absolutely gutted when it was butchered in the film 😩

Just found it and enjoyed it! Good work Bobbo lol

I did, and it’s absolutely fantastic!! Still waiting for season 2 release 🤷‍♂️

Almost verbatim what I was going to post! LOL I was so excited to hear this cue in the movie, and now that it wasn't even used and doesn't feature any Star Wars themes, it almost stands completely on its own.

Is anyone else surprised that there wasn't a mutation of the Emperor's theme into Rey's theme, or vice versa? From a story POV, it makes complete sense, and the two themes already share a few notes in common. I'm assuming this wasn't covered in the unreleased material (??). I was hoping for something ala Short Round's theme and Indy's theme at the end of TOD.

I absolutely love the bombastic Debney stuff, especially "Alara Hallucinates / Deserted Ship" at 4:54. I have no issues with the Goldsmith/Horner/Silvestri homages. I still get goosebumps at 6:20, even though it sounds straight out of Predators lol

Jay, did you ever finish the spreadsheet? Absolutely loving this score!!

https://www.facebook.com/john.debney.75/posts/10218295857890507 From last night's episode, "Identity Pt 1" ***possible SPOILERS***

Great news!!! I recently saw Chamber of Secrets performed by the Atlanta Symphony Orchestra, and it reminded me why CoS is my favorite Potter score. I think each of these scores will benefit from the expanded/complete treatment and deepen our appreciation for them Great way to end the week!

Has anyone compiled a chronological track-by-track breakdown of this yet, specifically the isolated score?

Audio Downloader Prime is a fantastic Google Chrome extension, just throwing that out there...

Does anyone have a breakdown of what the combined OST + FYC versions of "Main Titles/Escape" would look like?

Gordy posted this on Facebook: #StarWarsBattlefront2 Pro Tip: -Go to options, and navigate to music. - Select “continuous”. - Directly below this, select music volume and turn up an additional 4db. You’re welcome! Sincerely, Composer of aforementioned music.

Damien, how about the chronological track order? Does it seem to be mostly in order, or all over the place?

For those of you who have seen the film and heard the score, do you have a close approximation of a chronological tracklist? I've only heard the score, not seen the movie, and it thematically sounds out of order. Just a guess though.

After only one listen, I can safely say that (as a big fan of TFA) almost every track has a goosebumps-inducing moment at least once. Highlights for me are definitely "Canto Bight" (which sounds straight out of A New Hope), "The Supremacy," and "The Fathiers." As with any John Williams score, if you know your themes pretty well, it *could* be spoilery so watch out.

Could this be a track BASED on one of JW's new themes perhaps?