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Mooz0r

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Posts posted by Mooz0r

  1. I just came along to register my disgust at the new changes... Merging the two is bad enough - a composer as prolific as Williams clearly calls for his own dedicated fan site, not a shared one. But then, to rub salt in the wound with the statement "Because, let's face it: Michael Giacchino IS the new John Williams! ;-)" just made me do a bit of winky water.

    What has happened to this community? And don't get me wrong, I think Giacchino is a fantastic composer, but he is far from the technically abled, well researched and practised composer that is John Williams.

    EDIT: Oh right, it's April Fools day..

  2. Here's one of my more recent works. :P

    http://www.screenedmusic.co.uk/track.aspx?TrackID=731

    You can listen to more of my pieces at that very same site! It would be interesting to hear what people think influences me! Does it sound like I'm mimicking other compoers, or do I seem to have my own compositional voice?

    what happened to it? in sadness and shameless self-promotion, i've restarted the thread!

    Here's a listing to the newest song i wrote. Very simple but watever. Hope you like it! i know she did:p.

    http://www.acidplanet.com/artist.asp?PID=1090453&t=3031

    Wonderful recording!

  3. I don't believe the string passage is really dovetailed at all. As far as I can tell, it's purely violas with doubling marimba adding that colour. Williams talks about this a bit in the Minortiy Report interview that he gave, in which (if I remember correctly) he referred to it has violas with marimba. I think it was probably a deliberate timbral decision on Williams' part. He writes for the violas in some fairly extreme ranges for the instrument (particularly the lower ranges), which gives that almost washed-out, kinda thin sound, but somehow seems to be fitting, and it also seems to allow the marimba to cut through the texture a bit more.

    Also, the staccato brass figure below is played by trombones/bass trombone with tuba (or possibly cimbasso but not likely). I don't hear any horns there. The horns do come in later for a few notes - higher up and legato though.

    And yes, this is a fantastic original cue that is so well suited to the scene. It enhances it so well and just seems to capture that feel and enhance the mood of the scene so amazingly. True genius!

  4. Sorry, but you don't know what you are talking about. To imply that Don Davis did a cut and paste job proves that you know NOTHING about composition, or music in general for that matter. Sure, Davis uses themes and motifs that Williams developed in the first two films, but this is to be expected, if anything. In my opinion, it would be more of an insult if Davis completely ignored Williams' original themes and motifs.

    Plus, I think Davis did a great job of incorporating Williams' existing themes with his own original material.

  5. What about the Bass Clarinet! Such a satisfying whole sound. I have the pleasure of playing Bass Clarinet in my University Wind Orchestra and it's such a great instrument to play.. it's soo satisfying to play the lowest notes of the instrument.

    Williams uses the instrument to great effect in many cues, albeit subtly (usually).

  6. I'm sorry, so now it's better to have an orchestrator do a big budget summer movie then an experienced and talented composer like young?

    That is just....insane!

    How do you know that Bartek isn't a talented composer? Anyway, I'd actually go as far as to say that i'm glad that Elfman isn't scoring Spiderman 3. He demonstrated a lack of imagination and lack of inspiration on Spiderman 2 so I don't see why Spiderman 3 would be any different. Young's cues for Spiderman 2 were innovative masterpieces that heightened the scenes (particularly the Runaway Train sequence) considerably more than in any scenes that Elfman wrote music for, in my opinion.

  7. lol. So basically you're creating your own sample library of cuts/edits of solo instruments from existing recordings. Certainly time consuming.. There are already some fairly affordable properly and specially made orchestral sample libraries out there, which would yield better results.

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