Rimsky

I have no love or warm nostalgic feelings for Jar-Jar Binks or anything related to that character, but I still think that Jar-Jar’s music is genius to an almost Prokofiev-like level. I know most things concerning art typically are relative, subjective and so on and so forth, but I am of the firm belief that JW’s themes and motives from episode 1-6 objectively are greater, more inspired and more interesting than the themes from 7-9 and the Obi-theme - in the same way that Mozart’s material is better than Dittersdorf’s or that the motives from Wagner’s Tristan are greater than the ones from Das Liebesverbot… And I don’t blame JW - who on earth could be inspired by episode 7-9…

Is it just me or is the obi-theme a mix of Bruckner’s 4th (that even starts with string tremolo and a horn solo…) and Siegfried’s theme by Wagner? I am personally not a big fan of the Obi-theme. It seems empty to me somehow. Themes like f.x. Leia, Force and Yoda has some kind of inner narrative and direction in my ears while themes like Obis and Rey’s seem cold and directionless to me.

StrongBad992648? Has there not been submittet enough scores? I submittet one.

I was just wondering whether this competition is dead, since nobody has written anything since July. I hope it isn´t!

This competition is a great idea. I think I will give it a try. Wish me luck!

Hi everybody! It is great to be able to hear your great pieces! I have a little problem. Everytime I try to attach a midi, rar og zip file it tells me that the maximum filesize has been reached. I find that a little strange since the file I am trying to post is around 8-18 kb in size.... What can I do?

Hello! I am interested in finding a full orchestral score, preferable pocket score, of the music from the movie Jurassic Park, composed by Williams. So far I have only been able to find arrangements, piano-reductions, highlights, medleys and so on. It is always possible to find arrangements, suites and so on, but I am not interested in all the pretty themes and motivs which is used in those arrangements/suites and so on. I am interested in what lies between these, often heroic, themes. The underlying, often more dramatic, atonal and violent, parts. So these "J. Williams Signature Editions" is not really what I am looking for. Do you know if there even exists published scores of those "unheard tracks", or is it only the conductor who possesses an example under the recording session, whereafter he throws them away? If there does, which companys would fx. publish them? Thank you!