gkgyver

That's what Jackson said.

You'd be truly ignorant looking down on Rota and his scores for Fellini and Romeo and Juliet. Especially the latter one is an absolute masterpiece.
But aside from that argument: Thomas Newman ranked higher than Danny Elfman, and Menken higher than Horner ... mmmmkay.
And Newton-Howard and Silvestri (based on The Avengers and Cap America?) make it into the list while Henry Mancini and Alex North don't? Fucking moron.

I don't think you can pin this passage down to a single scale. The main title is basically in Bb Major with modal (Mixolydian on a local level, and Aeolian on a broader level) inflections -- namely in the fanfare figures that use the flattened seventh against a major triad (whether or not it's I, IV or V), or the switch to Bbm (or Bm Aeolian) before the arrival at the dominant at :50.

Glorified video game.

I did some experimenting with the dwarf themes, and how they could interact or go together with the Dwarrowdelf theme. The mockup is not really refined, hope you look past that:
http://www.file-upload.net/download-8570961/Dwarf-Themes.flac.html

Dude, it's barely February.
Sheeran was announced late November.

I did some experimenting with the dwarf themes, and how they could interact or go together with the Dwarrowdelf theme. The mockup is not really refined, hope you look past that:
http://www.file-upload.net/download-8570961/Dwarf-Themes.flac.html

Two note thingy?
Don't talk about a theme you don't even seem to know properly. Beorn's theme is a construct of several things that are heard sometimes together, sometimes separately. The whole thing is heard in the film when Gandalf tells the company about Beorn, and he roars towards the audience.

Batman Returns is a fantastic film, an even better superhero film, and beats 95% of modern superhero films to a bloody heap. And the same can be said, from every possible perspective, about the score. Ever since it was released, Batman Returns' main titles remain the best superhero main titles, to this day, only approximated by Elfman's own Spider-Man Main Titles.

That's it, I've heard enough!

By the way, I said some time ago I'm setting the song of Beren and Luthien to music, using Shore's theme for Kili and Tauriel. Well, here is the preliminiary version:

Change his name to Esteban Shoryanovic.

The last two pages are exhausting to follow with logic. Damn you, Howard!

I'd watch anything with Gillian Anderson. Even the Hunger Games.

Ayayay!

I see alcohol is available in Canada, too
And, btw, if you really can't spot Beorn's theme, not even once amongst the gazillion times it plays on the OST, and with Doug's booklet, I'm afraid you're not suitable for spotting themes at all. Does it really have to be Remote Control level stupidly obvious?

Add a low brass fart on the downbeat of every bar. To please the kids, you know. Countertenor is so old-fashioned.

Is it just me or does this (unnecessary) thread seem to exist merely for ego-stroking?
How nice that KM complained about ... nevermind.

Like music, good home cooking is an art increasingly lost, at least in this part of the world. Some people treat it as if it's the most boring and tedious work, but to me it's complete relaxation.

Like music, good home cooking is an art increasingly lost, at least in this part of the world. Some people treat it as if it's the most boring and tedious work, but to me it's complete relaxation.

God forbid we give the characters a bit more depth by including a short scene taken from the appendices.

Some of the discussion confirms my suspicion that some people don't like Tolkien movie discussion here period, not because it distracts from JW discussion, which it can't anymore anyway.

Some of the discussion confirms my suspicion that some people don't like Tolkien movie discussion here period, not because it distracts from JW discussion, which it can't anymore anyway.

And that it had Shore's recognisable and tender orchestration, the Hobbity instrumentation, a main theme from the film as the refrain, lyrics that aren't emo, and not to mention a wonderful intro before it.