Romão

I'm far from being a true classical music connoisseur, but the main theme seems to take some inspiration from Rachmaninoff's Isle of the Dead. Is it just me, probably being too taken by those undulating strings?
 
 

As expected, Dune Messiah is in development
 
https://variety.com/2024/film/news/dune-3-denis-villeneuve-legendary-nuclear-war-1235960990/

As expected, Dune Messiah is in development
 
https://variety.com/2024/film/news/dune-3-denis-villeneuve-legendary-nuclear-war-1235960990/

Well, I'm biting the bullet, even if the shipping is a bit steep. I really want this to happen

Well, I'm biting the bullet, even if the shipping is a bit steep. I really want this to happen

Well, I'm biting the bullet, even if the shipping is a bit steep. I really want this to happen

Cavill is a really limited actor, a plank of wood, I really don't think he could pull this off

Cavill is a really limited actor, a plank of wood, I really don't think he could pull this off

The OST really is a poor representation of the score. Even the Main Title is a synth mock up. Listen to the expanded score if you can. It makes its operatic qualities much more apparent. 
 
I hope a new expanded and remastered edition is in the works

Now that's a big statement.
 
Even the two "Parts" of Dune are separate productions: Villenueve did not write the two scripts, even as a story treatment, together or even back-to-back and did not film them together. They have, as far as I can tell, pretty much the same crew, but in the first part he didn't particularly try to introduce as many of the cast-members of both parts: there are many new faces in Part Two.
 
The two films do feel reasonably of-a-piece, but Dune: Messiah is bound to be a different beast. I doubt it will play as cohesive enough to be regarded as a 7.5-hour film.

Their only point of comparasion is being landmark works in their respective genres and being quite thorough in their world building (Tolkien even more so, obviously). It ends there, I think

The key I think is the world building and how in both cases it includes extensive references to back story & mythology that are not otherwise explained in the narrative, but add a lot of depth.

Their only point of comparasion is being landmark works in their respective genres and being quite thorough in their world building (Tolkien even more so, obviously). It ends there, I think

This is one of my all time favorite Goldsmith action tracks:
 
 

OP is @WampaRat

I haven't watched any Marvel show (and the last MCU movie I watched was the first Ant-Man), but I found the score for Moon Knight so cool and interesting,  I might actually watch the show one of these days

Here it is!
 

That looks like a huge pile of shit. After Godzilla Minus One, I don't think I can tolerate this level of silliness in a Godzilla movie, and that's saying something

That looks like a huge pile of shit. After Godzilla Minus One, I don't think I can tolerate this level of silliness in a Godzilla movie, and that's saying something

That looks like a huge pile of shit. After Godzilla Minus One, I don't think I can tolerate this level of silliness in a Godzilla movie, and that's saying something

This seems to take everything I hated about Afterlife and turning it up to eleven. 
 
Hei, remember this thing? Remember that thing?

This seems to take everything I hated about Afterlife and turning it up to eleven. 
 
Hei, remember this thing? Remember that thing?

I love the score, specially when dissociated from the movie. I found the treatment of the music in the movie and the demand for constant rewrites to be insulting and demeaning for JW, which had to accommodate the insecurities and indecisiveness of far less talented people in supporting a movie that is frankly,  beneath him.
 
And that is all I'm going to say about the movie,  since this is the wrong thread for it