Scarpia

Perhaps we're no better off with Disney than we were with Sony. They're doing the same shit. Falsely advertising the OST as the complete score, pointless embossed covers, alternate covers and Cracker Jack prizes.

The miserable plebs is having opinions again!

Spotify wouldn't be the worst place to premiere a track. Certainly better than in a TV Spot or ringtone.

I agree. Certainly going to be one of those things we're going to have to keep our eyes on.

J.J. will finish what Lucas started.

I would imagine being a theatre actor would help.
Some actors really don't need much in the way of direction and can depend on their own talent, charisma or bag of tricks. Liam Neeson for example was quite decent as Qui-Gonn. Simply because of Liam Neeson, not because of anything provided by the script or direction.

Considering the amount of ice we have seen in the spots, it will probably be a re-recording of The Battle of Hoth.

I see what you did there

It's not a typo LeBlanc was referring to.
People were talking about the Target release of the OST, and you mentioned the "target audience", that's all.
So we weren't mocking your writing, which is perfectly fine.

Here's a video with much better sound quality. I'm convinced it's definitely John Williams because I don't often hear that sort of quick motif flourish that he's known for in his action music, especially in imitators as they normally go after their own Williams-sounding themes.

¡Ah, vecino chileno!

Va BloodBoal! Nel tuo cuor s'annida Scarpia!

I think concert arrangements were recorded when John Boyega and Daisy Ridley were invited to the recording session. Based on Boyega's claiming that he has his own theme, at least.
It's also more logical to invite the actors to a scoring session with "clearer" music, intended to be listened, than the usually complex or more abstract incidental music.
By the way, I originally introduced myself a couple of years ago http://www.jwfan.com...showtopic=21488
I've been reading the forum since then, but would like to participate more actively from now on. I hope I'm welcome!

The first portion of the TV spot is pure Williams to me (with the exception of the synth bass bit). When I listened carefully with my headphones and could appreciate the orchestration subtleties, not only the string triplets, but the harp apreggios and the gradual horn pedal on the first part (a fine detail present in any good traditional orchestration, and obviously ever present in Williams' classically crafted works, which always consider the acoustics of the orchestra in live performance) I was convinced.
I'm sure this will appear in the album as the exposition of a character's theme, surely a concert version.
By the way, I originally introduced myself a couple of years ago http://www.jwfan.com/forums/index.php?showtopic=21488
I've been reading the forum since then, but would like to participate more actively from now on. I hope I'm welcome!

The first portion of the TV spot is pure Williams to me (with the exception of the synth bass bit). When I listened carefully with my headphones and could appreciate the orchestration subtleties, not only the string triplets, but the harp apreggios and the gradual horn pedal on the first part (a fine detail present in any good traditional orchestration, and obviously ever present in Williams' classically crafted works, which always consider the acoustics of the orchestra in live performance) I was convinced.
I'm sure this will appear in the album as the exposition of a character's theme, surely a concert version.
By the way, I originally introduced myself a couple of years ago http://www.jwfan.com/forums/index.php?showtopic=21488
I've been reading the forum since then, but would like to participate more actively from now on. I hope I'm welcome!

Welcome Scarpia!

There are good guys, bad guys, explosions, more explosions, a mystical energy field that binds all living things together, more explosions, unnecessary robot banter, more explosions, and a transcendent score that makes the whole thing feel awesome versus trite and stupid.

But more seriously: welcome... back!

One month from now I would have started to watch Star Wars 12 hours and 45 minutes ago!

The first portion of the TV spot is pure Williams to me (with the exception of the synth bass bit). When I listened carefully with my headphones and could appreciate the orchestration subtleties, not only the string triplets, but the harp apreggios and the gradual horn pedal on the first part (a fine detail present in any good traditional orchestration, and obviously ever present in Williams' classically crafted works, which always consider the acoustics of the orchestra in live performance) I was convinced.
I'm sure this will appear in the album as the exposition of a character's theme, surely a concert version.
By the way, I originally introduced myself a couple of years ago http://www.jwfan.com/forums/index.php?showtopic=21488
I've been reading the forum since then, but would like to participate more actively from now on. I hope I'm welcome!

haha ! but you know that it can't be
Trailer's music composers don't know what a flute is, and they have no musical knowledge...so, if it's not Williams, it can only be extract from a music library...but, excepted the "trailerish" bass drum, it sounds like the maestro