- Popular Post
Smeltington
-
Posts
1,800 -
Joined
-
Last visited
-
Days Won
3
Posts posted by Smeltington
-
-
Cool, thank you for the details, I was always planning to put together a shorter assembly based on your suggestions. I like the score a lot but I've been discouraged from listening to it just because it's so repetitive. I want to fix that so I can enjoy it again!
-
2 hours ago, Edmilson said:
It seemed uncool to me that we would make it all the way through this incarnation of Batman and Joker without seeing them come together.
Well he does have a point there.
Should we assume this scene is actually in black and white?
-
Interesting thoughts. I think there are some points that sync up well, mainly the moment at 0:40 where the screen goes dark as the first cue ends, and the first few seconds afterward that are mysterious, then grand, as the students enter the great hall. But that could be a case of footage edited to fit the music. And the rest of it after that point has more of a montage feel, where you could cut any shots in there that you wanted.
What a classic teaser, I love how they left out dialogue and even sound effects in many of the shots and let Williams do the talking.
-
On 1/15/2020 at 10:51 AM, Brundlefly said:
I recommend you Brundlefly's special non-redundant album program featuring sonically enhanced cues from "The Thing" and "Exorcist II: The Heretic"!
- L'Ultima Diligenza Di Red Rock - 7:32 - Ennio Morricone
- Major Warren Meets Daisy Domergue - 0:32 - Dialogue
- Apple Blossom - 2:15 - The White Stripes
- Regan's Theme (Floating Sound) - 2:08 - Ennio Morricone
- Frontier Justice - 1:51 - Dialogue
- Neve - 12:16 - Ennio Morricone
- This Here Is Daisy Domergue - 1:02 - Dialogue
- Sei Cavalli - 1:22 - Ennio Morricone
- Eternity - 5:35 - Ennio Morricone
- Raggi Di Sole Sulla Montagna - 1:42 Ennio Morricone
- Jim Jones at Botany Bay - 4:11 - Dialogue
- La Musica Prima Del Massacro - 2:01 - Ennio Morricone
- Bestiality - 2:58 - Ennio Morricone
- Uncle Charlie's Stew - 1:42 - Dialogue
- L'Inferno Bianco - 3:32 - Ennio Morricone
- Now You're All Alone - 1:30 - David Hess
- Daisy's Speech - 1:32 - Dialogue
- Despair - 4:49 - Ennio Morricone
- There Won't Be Many Coming Home - 2:45 - Roy Orbison
- La Lettera Di Lincoln - 1:42 - Ennio Morricone
How come you left out Overture and La Puntura Della Morte? Which L'Inferno Bianco did you choose?
-
On 2/7/2021 at 9:50 PM, Datameister said:
- Hedwig's Theme: Heard in complete form from 0:00-1:04 in the LLL track "Teaser." Used (with edits) in the teaser. Not to be confused with the OST track of the same name, which was a longer concert suite that incorporates the same material.
- Trailer: Heard in complete form as the remainder of the LLL track "Teaser." Used (with edits) in the teaser.
Were these always intended to play right after each other like they do in the LLL track? Just a case of one piece of music divided into two cues for recording?
-
1 hour ago, Jurassic Shark said:
Btw, the count says hi.
Incredible energy in this track!
-
It may be the XTC album I reach for the least often, even though I still like the whole thing. Sometimes it's more interesting than it is enjoyable. The track I shared is a good example, it doesn't completely come together as a song, but the production fascinates me, and probably couldn't have happened at any moment in time except 1984.
-
-
-
-
I never noticed this Ludlow before! In "Dance of the Earth", from Stravinsky's Rite of Spring. Can be heard at 0:48 of the above video. The first few seconds of it sound the most like Williams, then it evolves a bit.
-
-
14 minutes ago, mstrox said:
This is just the start of my coordinated campaign to send you five hundred copies of Fiddler on the Roof
Is it too late to switch to Thomas and the King?
-
Rogue One vs. Williams poll results are what separates the JWMen from the JWBoys.
58 minutes ago, Fabulin said:The rebel fanfare and solo theme sound here like "John Williams - The Energy Drink"
lol
-
Epic poll dude! You must be very proud.
The hierarchy is always Williams > Powell > Göransson. Though Parting Ways vs Open the Door was tough. Listening to Open the Door again, it struck me that Göransson fundamentally understands the Force theme, as opposed to other people I could mention.
-
Yeah, the Academy tend to wear their subjectivity on their sleeve these days.
-
If nominating Soul means changing the rules, then I can see the frustration, but I'd consider it a good change. This music deserves consideration. The way composing duties were split was an inspired choice. And Batiste provided plenty of score, as well as source music, plus the source music played an unusually important role in this film, and often blurred the lines between source and score. For Soul to be disqualified would, to me, feel like a score that deserved recognition was being overlooked on a technicality. If they do allow it, I would hope it's a rule change and not a single exception, first of all because it's only fair, and secondly because I think this type of outside-the-box thinking should be encouraged when it comes to film scores.
-
I wouldn't be upset if he did!
-
That's okay with me, as long as it makes Oomoog ecstatic.
-
Just come to our chat and talk to Bilbo.
-
Why, when there are 50 shades of blue?
-
Fuck Prometheus, marry Avatar, kill Covenant.
Still haven't seen Covenant though
-
17 minutes ago, Jay said:
The second episode was hilarious, Bettany showed comedic chops I never knew he had before!
Yeah it's great to see different sides of these characters/actors that wouldn't fit into your standard Avengers movie.
- Yavar Moradi and Once
-
2
-
Fun, as in I had fun watching it. Some parts were funny, yes. I mean the retro thing is a little too cutesy but it turned out the characters worked well in that setting. I liked the upbeat, chipper tone, it was refreshing. I liked all the jokes about Vision trying to appear human, pretty relatable for some of us, LOL!
Harry Potter - The John Williams Soundtrack Collection 7CD boxset from La-La Land Records (2018)
in JOHN WILLIAMS
Posted
Yes, the HP1 OST was very well assembled, and very clever in taking the ideal form of each piece, using the full range of recorded material. The complete score does take a long time to get through, but I love the whole thing, so I always listen to that. I often break down longer scores into multiple listening sessions. It makes it easier to appreciate each cue or group of cues anyway, when you don't OD on the whole thing at once.