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Quintus

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Posts posted by Quintus

  1. My current Youtube favorite is the Pixar short shown before Cars, One Man Band. A wonderful short, featuring terrific music by Michael Giacchino. Oviousaly the quality is lacking, but I assure, on the big screen, it also looks fantastic.http://youtube.com/watch?v=CZNm2qSukrc&search=one%20man%20band

    Damn, stopped just before it got good!

    Morlock wrote:  

    My current Youtube favorite is the Pixar short shown before Cars, One Man Band. A wonderful short, featuring terrific music by Michael Giacchino. Oviousaly the quality is lacking, but I assure, on the big screen, it also looks fantastic.  

    http://youtube.com/watch?v=CZNm2qSukrc& ... man%20band  

    Oh man I love this. I wish there was a suite of the music available.

    That short film is the reason why Pixar is still the No.1 animation studio in the world.

  2. I'd venture to say that it is even much better than The Patriot.

     Morlock- who thinks The Patriot was a breaking point for Williams, after which he had a remarkable renaissance in his career

    Argh shit. I've just realised in my stupid merry stupor that I read the latter part of the above comments totally wrong. Or rather I didn't read the "remarkable renaissance" part at all. :? After reading it properly, I couldn't agree more.

    My apologies. Skipping over posts is NEVER a good idea when you have been on wine since lunch. Boy do I feel dumb. Actually, I don't, I feel great! :)

    But please disregard my remarkably silly comments above.

    The downside is I've just wasted 10mins typing up another drunken response to an argument with by myself!

    What the hell, I'll post it anyway, please don't laugh :( Actually, I hope you do.

    "The Phantom Menace, Attack Of The Clones and Revenge Of The Sith may be movies which allow Williams to do what he does best, but the movies are hardly classics. Hence the reason why Williams isn't making the impact he once did, especially on the new ear.

    Thats what I'm talking about here. A film which inspires a newcomer to Williams is a great film indeed. And a great score with it.

    Williams hasn't scored a massively influential film since Jurassic Park."

    :folder::D beerchug

  3. Truely great scores serve truly great films and visa versa.

    Utter nonsense!

    Sheer ridiculous utter nonsense!

    I could argue my point, but I've had a drink and I just can't be arsed. I can see how you may have taken my remark, but I think you may have gotten the wrong end of the stick. I know exactly where you are coming from and I utterly agree.

    Long story short:

    I was referring to the fact that Williams hasn't had a truly great movie to get his musical teeth into since perhaps Jurassic Park, when it comes to all-out full orchestral sweep.

    Sure, he's scored some superb movies since then, but none of these have required Williams to display his fully uncloaked orchestral might. Schindlers List, AI, Memoirs of Geisha etc may be worthy films in the eyes of many, but they didn't require the famed orchestration and thematics of something like SW:ESB and, as my example suggests, Jurassic Park.

    Forgive me if I make no sense - like I said, I've had a drink. But I know what I'm trying to say :D

    Except the Gladiator score is far superior to The Patriot, as a stand alone listen.

    That is one of the most ridiculous statements I've ever read on this message board.

    Ditto.

    As a response to a post which clearly over exaggerates the truth of the matter.

  4. I'd venture to say that it is even much better than The Patriot.

    Agreed. Though I largely disagree with your latter comments. Blame the movies, not the scores. Truely great scores serve truly great films and visa versa. Indy IV will hopefully see Williams return to what he's best at. Perhaps it will be his swan song, unwittingly.

  5. ImDB: Filmography as: Composer, Miscellaneous Crew, Actor, Himself, Archive Footage

    When was he an actor?

    Since you couldn't be arsed to check yourself:

    The Contest Kid and the Big Prize (1978) (TV)

    "A Taste for Blue Ribbons" (1973) TV Series

    "Johnny Staccato"

    ... aka Staccato (USA: short title)

    - The Shop of the Four Winds (1959) TV Episode (as Johnny Williams) .... Piano Player

    - The Naked Truth (1959) TV Episode (as Johnny Williams) .... Piano Player

    I have all of these appearances on my pc somewhere.

  6. I'm probably gonna be destroyed for this, but that particular suite of music in one of my all time fave action cues.

    I like the fact that its so "cluttered", but I'd rather use the term "busy". Its a powerful and pumping piece of brass and percussion. The heroic theme that plays as Maximus leads the cavalry flank is one of the best powerhouse themes of recent years. :angry:

  7. Just listen to yourselves. The way some of you talk one would be forgiven for thinking that SR is an utter turkey. Well according to most reliable sources it isn't, not by a long shot.

    Aww what's the matter, did Superman not have his big bright RED cape on? Donner didn't make it? Williams didn't fancy it? Awwwww. Get over it.

    Fanboys.

  8. I've just done a quick edit of the main theme, merging in the brassy love theme with the rest. Its quite interesting (and reasonably seamless) but the love theme is in a slightly different key :? The tempo seems sound enough. I need to work on the sound level of the love theme tho

    Still, I think I could get used to it. I'm gonna take my time on it later.

    PM me if you would like to inspect it. Perhaps someone else can perfect it.

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