antovolk

https://variety.com/2023/artisans/news/mission-impossible-dead-reckoning-lorne-balfe-main-theme-1235662195/#recipient_hashed=d50ccaff8bc483c71cad746241c16fe11d44283d4f5fac424a5b48006edf9afe&recipient_salt=1a225b53121e2d95a792b225a0bf401093e5b13fc575ea89c5d39ea4530ae81c

https://variety.com/2023/artisans/news/mission-impossible-dead-reckoning-lorne-balfe-main-theme-1235662195/#recipient_hashed=d50ccaff8bc483c71cad746241c16fe11d44283d4f5fac424a5b48006edf9afe&recipient_salt=1a225b53121e2d95a792b225a0bf401093e5b13fc575ea89c5d39ea4530ae81c

First sample of the main titles:
https://www.instagram.com/reel/Cthryp4x0ME/?igshid=MzRlODBiNWFlZA==

Matera and Shouldn't We Get To Know Each Other First now officially released tomorrow (today in Aus/NZ) https://music.apple.com/nz/album/no-time-to-die-original-motion-picture-soundtrack/1533265529 

Uh, yes. It's MGM. They have nothing else that's this big - everything else coming is indie and prestige/awards releases, this film was meant to cover a lot for them - they already ended up delaying their big awards contender Respect (Aretha Franklin biopic) because they didn't have the money from Bond to do a campaign. And they've already blown their load twice marketing spend wise. And they're up for sale now too.
 
Also UK cinemas don't look to be able to reopen until May at this point, that's the latest indication re: hospitality in this current lockdown, which will only begin to ease up when enough of the most vulnerable are vaccinated, with now the latest timeline is every UK adult being offered it by the end of the summer. At the current rate timelines appear to be very similar Stateside too, and in continental Europe. All the big stuff that can't have PVOD or streaming as a cushion like the Warner Bros/HBO Max stuff, is gonna be pushed.

CD release October 30 with two bonus tracks Fast Cars and Turnstile
https://www.amazon.co.uk/Tenet-Deluxe-Ost/dp/B08J22D8KZ/
https://sisterray.co.uk/products/tenet-ost?_pos=1&_sid=1373fc01c&_ss=r

Score released March 27
https://www.udiscovermusic.com/news/hans-zimmer-no-time-to-die-soundtrack/

Per HZ.com - score credits:
 
Music by Hans Zimmer
Additional music by Steve Mazzaro
Ambient music design by Mel Wesson
Produced by Stephen Lipson
 

Good signs that the Eilish song may be incorporated in the score...
https://www.slashfilm.com/no-time-to-die-theme-song/

""MI6 understands that orchestral sessions are currently being recorded for 'No Time To Die'."
https://www.mi6-hq.com/news/trades-confirm-hans-zimmer-as-no-time-to-die-composer-200107?utm_source=dlvr.it&utm_medium=twitter

Not exactly evidence but Balfe is following Fukunaga on Instagram... 😝

As much as I'd love someone like Hurwitz on this (they've already got like all of Chazelle's people on this film save for Damien himself), this.
 
They've all but officially confirmed that this film is going to be a proper conclusion to the story that began in Casino/QoS so continuity and story wise, bringing back Arnold is the best option

Actually, the film credits have that info as well, including a prominent Deutsche Grammophon logo.

https://variety.com/2018/film/awards/how-neil-armstrong-biopic-first-man-achieved-lift-off-1202925131/amp/?__twitter_impression=true

A lot of it functional but a good number of memorable cues for sure, once we get to the moon mission itself especially. Hurwitz definitely isn't phoning it in with the electronics like some have been fearing, it's just that Chazelle evidently didn't want the music to be the driving force of the entire film like his previous ones, just in a few select sequences. 

Just out of screening. Let's talk score - it's gonna piss quite a few of you (or at least the FSMers) off because fully orchestral this is not. In fact this film is a lot less music driven than all of his previous ones. The feel overall is very Gravity in that mix between electronics and orchestra, and there's a little bit of that theremin in there too! (You think it's a choir boy but....very nicely done). There are a few fully orchestral cues though which are highlights and there are moments in the film that the score takes center stage 
 
Potential musical spoiler:
The film is quite brilliant too. Perfect balance between focusing on Armstrong the man and the space programs
 

Someone on another forum said that apparently Hurwitz's name on the end credits got the second loudest applause at the press screening this morning.