Jump to content

jangoisbaddest

Members
  • Content Count

    13
  • Joined

  • Last visited

About jangoisbaddest

  • Rank
    Occasional Poster

Contact Methods

  • Website URL
    http://www.brianmlaguardia.com/blog/

Profile Information

  • Gender
    Male

Recent Profile Visitors

1377 profile views
  1. Hello! I'm planning a scifi film concert, and the ensemble has only purchased the 5-movement bare-bones star wars suite and phantom menace suite in past years. Now I would love to include movements from his other suites (namely, The Asteroid Field from "Music from the Star Wars Saga" and "Jedi Steps/Finale" from Force Awakens), but the budget is awfully tight and it appears you cannot buy or even rent a single movement from one of these suites...you have to buy the whole thing or not at all. I completely understand Williams' desire not to have his work arranged, but this just seems ridiculous
  2. Hey all! I've recently been put in charge of a film music concert for next season. There are two big showpieces that I'm considering. One is Jerry Goldsmith's Star Trek: Motion Picture score, which I've finally found over at Themes and Variations. The other is Hook. The problem with Hook is: I can only find the wimpy Calvin Custer arrangement or Hal Leonard's Flight to Neverland, which is fantastic but like five minutes long. What I really want to rent is this: If anyone knows how to get me in touch with someone willing to rent this out to us, I would be for
  3. Just listened to the whole OST. Love it. Definitely some heavy Copeland influence. In fact, the motif for the first track is note-for-note stolen from Appalachian Spring! But also, of course, heavy influence from A Lincoln Portrait. Still, it has a Williams twist to it (in particular, I heard some of his JFK score in here). Some great bluegrass stuff, too! Can't wait to see the movie!
  4. This. You're already extending a story that's short and sweet into a simultaneous exploration of Middle Earth's backstory...you don't also need a completely new villain that adds nothing. I actually would have loved The Hobbit if he wasn't in there at all...or at least if he and his band was killed at the end. I mean, it's not like the score wasn't good, or the performances.
  5. That was definitely an interesting read, but I can't say I agree 100%, either. A franchise can always be rebooted in a fresh and interesting way. A perfect example of this is Casino Royale, which took us away from campy and overblown to gritty and somewhat more realistic. It was just about a tough-as-nails, imperfect guy doing his best not to get killed by his job, but it was still James Bond. Quantum aside, I am ecstatic about the new Bond movies. The issue with Star Trek is that a reboot was promised and not delivered. I had hopes that there would be new directions after the first film. "Sta
  6. You know, listening to the OST for season 3, I'm starting to realize that I really don't like this score nearly as well as I did back in season 1. It's just so...formulaic. He's so confined in his thinking that you end up with the same score as last season, with almost the same instrumentation, the same feel, no real development of the themes he's written. I feel like either the spectacular budget should make more room for this guy or he should learn how to be more creative. That said, I adore the "Kingslayer" track...maybe because it's my favorite scene in the whole damn show so far, but I do
  7. I'm not a huge fan of the BSG stuff either but the Human Target and Cape stuff I can't seem to stop listening to! That's what I say about his BSG scores, the only thing in his output I'm familiar with. I find the overall take on it (percussion and various forms of ethnic wood wailings) bland and uninteresting. But in between there are fantastic standout tracks that make it all worthwhile, and me very interested to hear more by him. Wow, I am suprised that more people aren't into the BSG scores. Although maybe I shouldn't be, because it took a while for it to pick up some traction. I mean,
  8. Oh, I thought he wrote it and The National only performed it. Huh, that's kind of ironic...how the best part of the score is not Djawadi...and also
  9. TV Show: DaVinci's Demons. I'm an enormous Bear McCreary fan and tend to play games/watch shows solely because he's doing the music (much like Williams). The main character theme is a musical palindrome! Also there's a lot of period instrumentation and such. Pretty neat. Movie: The Avengers (yes, I know I'm a little behind on my new movie quota ). Really love how a couple of the themes from Captain America: The First Avenger managed to spill over into the score, though I am surprised and a bit disappointed that The Hulk didn't get one. Fun score, but nothing earth-shattering.
  10. Well, I figure on taking a year here in Denver to get my chops back into shape, then apply to Curtis and see if I can finish out my Bachelor's there. Either way, USC/UCLA graduate programs for film scoring are my ultimate goal. @WilliamsStarShip: because a lot of the stuff I like to arrange requires hefty royalties, so I end up arranging them without having the ability to get them performed, which is kind of a drag. No matter...it's all about the practice, anyway.
  11. I'm just about to start my second bachelors, though pretty much all of my core courses are transferring. I've written a solo piano piece and I'm working on one for full orchestra, as well as a string quartet. Trying to do some arranging, too, when time (and law) permits.
  12. Just signed up because this forum looks awesome, and sometimes it's difficult to find folks who are into movie scores (and even John Williams) as I am. Also, as someone who is altering his career path entirely to pursue music composition, I hope to gain some valuable insight through a more through study of his work. I'm hoping there are some decent scores out there for me to peruse.
×
×
  • Create New...