mahler3

It’s like opening a door to 2010 when reading over these comments. The Weasley Stomp from Hooper is the one highlight for me. Desplat & Doyle delivered many highlights.

It just works well as an edited ending and isn’t jarring like some others. It also has more closure.

I always enjoyed the original album edit of ‘Superfeats’ which ends neatly with the timpani roll from ‘Star Ship Escapes’.

Thanks for all of this, @Jay as it’s a great resource and thanks @bollemanneke for mentioning my older interviews with Mike. There’s also Jaws & The Fury (with the brilliant John Takis): https://soundcloud.app.goo.gl/7FYSW7jp2Ar8K6Yp6 https://soundcloud.app.goo.gl/M9RcwuwwKv1uEd1W8 Plus Hook with the always entertaining MV & Matt from LLL: https://soundcloud.app.goo.gl/beuwFoA7BFhqMGPL8 The career overview interview which highlights Mike Matessino’s fascinating beginnings and early projects was recorded at A

It’s a wonderful score and one that features the glorious golden era of Horner with the LSO. Mike M didn’t work on this, it’s a D. Fake production.

There’s a very noticeable improvement in sound and the low end is especially more prominent. The timpani is effectively spread antiphonally too. Yes that photo is great, Josh. It’s lifted from the end of the Blu-ray/DVD music feature which I would encourage you all to watch.

The montage track list is detailed in the comments section on Soundcloud, also here: Sleepers Amistad Stepmom The Patriot Always Home Alone 2 Home Alone JFK Far & Away Rosewood Sabrina Jurassic Park Nixon War Horse American Journey (5th Movement) Sleepers The Patriot

Williams’ favourite French horn player Jim Thatcher is a future guest and this is a montage I put together to highlight some best moments:

I’ve always (!) enjoyed this movie. There are some lovely visuals thanks to Mikael Solomon and overall the film possesses a sincere warmth. There was an odd similarity to Ghost, yes. Mainly due to the 2 leads never saying “I love you” in return. Probably just a coincidence. The score is one I would often return to when needing to unwind. It’s a beautiful work and one that will be better appreciated with a new expanded and remastered release.

Terrific news indeed! I recorded the broadcast in 2002 but always hoped for a new recording.

What a wonderful sound these guys made!

I edited it to make a clean ending after pulling it from the film audio years ago, before MM’s album. In hindsight, the timing was slightly off.

Are we talking about this? Yes, it’s outstanding and one of the highlights from the 4CD set. That rhythm and trombone as Alex says is classic “jazz infused” Williams which we love!

Thanks 😊 muchly! Happy Birthday 🥳

Excellent show! Very enjoyable, I re-listened to the Conrad Pope and Sandy De Crescent editions straight afterwards, whilst lying in bed with headphones during the night 🎧 . *apologies for that image!