Cerebral Cortex

I'd even venture to call it Great.

Which just proves what we've been saying all along: Williams has stopped aging since the late 2000s, or has at least aged so little that the editing team felt confident they could slip '08 Williams in there and nobody would know it wasn't the Williams 15 years later talking about a 2023 film. If not us, Crumbs, then who? WHO?!

Thanks for letting me know!

I wish I could say the same!

@KK Lot of people shit-talking you here. You better get in here and sort this out.

This was a really good joke and deserved more love. ❤️

Congratulations on giving us something 10x better than what we got, Crumbs. This is the one I'll be using so thanks for making it.

If film music has a name, it must be Johnny T. Williams!

Would you say you prefer this scoring effort (as presented in the film, of course) over KOTCS? Or about the same? Thanks for answering all these questions and sharing your thoughts, by the way.

Stumbled upon this thumbnail, which is an edit of this BTS photo from KOTCS, and had to do a quick edit:

Has anyone mentioned how Ford's performance is in this film compared to the others? I know most people have said he's really good in it, but specifically I'm curious if it varies in any way from how he portrayed Indy in KOTCS.

Rough concept of a visual I keep getting in my head.

Is it harsh? Yes. Am I glad I made it? Also yes.

Shazam'd the trailer and found this. Not sure if it's anything.

The entire battle is scored, it's just mixed REALLY quietly.

Came across this and it made me laugh: https://www.discogs.com/release/11920678-John-Powell-The-Film-Music-Of-John-Powell-From-FaceOff-To-Shrek

If we had to post a single JWFan post to Reddit, that one would have the best chance making it to /all. And while I realize now that might not seem like a compliment and/or might not make any sense, do know I find it fucking hilarious. Legitimately iconic.

Big, I want you to know I think about this joke at least once a week. That's how good it is. This post goes into the JWFAN Hall of Fame in my mind.

"New York, 1969 (From "Indiana Jones and the Dial of Destiny"/Trailer Version)" might be the clunkiest Williams album track title we've ever gotten. I haven't even listened to the track yet, but going off the title alone combined with the minute of action music in that one clip that was hard to hear, I'm ready to call this score a complete disaster. Very disappointing effort from the Maestro! /s

Is that the slang term kids use for turtlenecks these days?

Haven't seen a ton of reviews so I may have missed people talking about it, but do people seem to think the de-aging looks pretty good?

If nothing else, I'm really happy that at least people seem to be able to HEAR the score pretty well in the film. I'm so glad it sounds like it is noticeable enough in the mix to comment on. I'm honestly surprised that it's getting mentioned as much as it is. Now my excitement for this experience has more or less been tempered to just getting a new Indy score from Williams, but that alone is such a surreal experience that I'm still overly net positive on this whole thing.

I fucking love that The Last Crusade will now be the middle film in the saga haha