Alex

I have just released that 2.15-2.24 of Indy Driver is is basically 3.21-3.31 of Anderton’s Great Escape. Johnny must have been studying his Minority Report score.

“I have the time I need to finish this concerto, and I will begin to have some free time later this year. If there’s an opportunity there that I think I can fill and enjoy doing with people I will enjoy, I see no reason not to do it.” Well, I hope there are some directors reading this.

I assume Homelander will get away with everything… again 😅

The snapping snare drum and the rendition of the new Nazi motif on trumpet in “Combat Training” sounds like something JW would put in a concert arrangement.

Yeah sorry I was thinking of something else

Does “The Hunt” count as a fugue?

Should have asked him if Bill Ross wrote the second part of the chase 😅

Always good to hear an JW interview with some stimulating questions. The part regarding the Tuk Tuk chase was interesting.

I already have that on my forehead

I’ve been wanting a JW related one for a while but I’ve never been able to find a design, nor am I creative enough to design one myself.

That is awesome. Question: Do you have your original design for this in a digital format?

Fucking hell, imagine being one of the session musicians blowing your lungs out trying to nail that piece and then you sit down and watch the film and you discover it’s been cut. 😅

For Helena’s Theme

Something random I came across very recently. I was reading Alan Rickman’s diaries and it appears he was a friend of Michael Kamen’s, as he’s mentioned various times. It appears they socialised a lot. I won’t spoil it for anyone who wants to read the diaries but there is an amusing description of Kamen a month before his death. Incidentally, Rickman seems to have also socialised with Gabriel Yared and Patrick Doyle.

Would love to see the set of the chamber itself in a Del Toro directed CoS.