Mr. Who

I figured I should use my screen name rather than real name.
Anyhoo, wands ready! 

The HP1 teaser and trailer were recorded in LA long before there was even a cut of the film available for him to score.  The first teaser was in theaters half a year before the film was, something like that.
 
The score was recorded in London

Tim Burden has shared the final 2 pages from the outer booklet on his Facebook page
 

 
https://www.facebook.com/photo.php?fbid=10156824813262229&set=a.10150501326162229&type=3&theater

Except for Azkaban, I haven’t listened to a HP ost for years, always the complete scores.

This is a fantastic look into his process. He even goes into listening experience vs chronological (which probably explains why some of the HP choices were made) and mentions bootlegs as well. He even goes into why digital releases don't happen.
 
Thanks for sharing @ATXHusker. This has really helped answer some general questions I have.
 
EDIT: There's a sneak peek into one his "future releases" promised in Part 2 at the end on this. Hope it's more Potter!

Except for Azkaban, I haven’t listened to a HP ost for years, always the complete scores.

Okay, so more people are bothered by chronology than a handful of written POA cues that don't appear here. Fine.

Yes this is a nice film edit, how the rising melody goes into the flying car cue in the movie.
 
I don't really care about combined tracks as long as they don't cross fade cues, however I always prefer to listen to scores in chronological order, makes more sense thematically (but a cue here and there doesn't really matter).
But if you listen to the Lord of the Rings complete recordings, doesn't it make much more sense thematically to listen in chronological order?

Yes this is a nice film edit, how the rising melody goes into the flying car cue in the movie.
 
I don't really care about combined tracks as long as they don't cross fade cues, however I always prefer to listen to scores in chronological order, makes more sense thematically (but a cue here and there doesn't really matter).
But if you listen to the Lord of the Rings complete recordings, doesn't it make much more sense thematically to listen in chronological order?

I can barely even think of the LotR scores as cues in some order, it's a breathing fabric of melody and texture and it just is the way it is. Only one or two necessary evils dent it in RotK.

Yes this is a nice film edit, how the rising melody goes into the flying car cue in the movie.
 
I don't really care about combined tracks as long as they don't cross fade cues, however I always prefer to listen to scores in chronological order, makes more sense thematically (but a cue here and there doesn't really matter).
But if you listen to the Lord of the Rings complete recordings, doesn't it make much more sense thematically to listen in chronological order?

Just looking over the tracklist for the order when I see The Train Station and The Flying Car! Hell yeah, transition recreated. Aragog could've been merged with Spiders Attack, though. And mabe with Follow the Spiders while we're at that. And some other CoS pairs.

Jay, is Marge points the finger on the set?
 

Its far from a deal breaker but I still don’t understand why things like this are done for “listening experience”. Maybe it came from Johnny himself. 
 
I’m fine with it but I also don’t see the need for it. Seems like a change for the sake of a change.

I really hope the latter films receive this exact treatment that Williams scores did. It would be really cool if Warner had access to demos or alternates of cues from the scores that we don't even know about. Like, Hooper's scores as I recall, had no alternates in either of the sessions leaks...but I'm sure he was probably one of the composer's to have the most rewrites given how he was not as active as the other composers he was "competing" with. But I can see the downside, how many people would actually support Hooper's work and buy an expanded / complete set of his scores? Probably not as many as would buy Williams, Desplat's, or Doyle's...which is unfortunate as I think he put a great deal of effort into those scores.

Me: I gotta go somewhere real quick! No time to explain.
Girlfriend: Where? What are you up to?
Me: Never mind, I'll explain later.
Girlfriend: No, tell me NOW! 
Me: I gotta order Harry Potter! The soundtracks. The Complete Soundtracks...
Girlfriend: You're kidding, right? 
Me: No, babe. It's finally happening.
Girlfriend: Then go! Go! RUN! 
 
The conversation went something like this. My girlfriend knows me well... 😂 

I cannot wait to hear 22. The Three Broomsticks   3:51
Assuming this is the cue you hear directly after / mixed in with A Winter's Spell

A very good choice, if you’re just gonna listen to one cue.

A very good choice, if you’re just gonna listen to one cue.

A few Harry Potter fans I know only listen to Lily's Theme from Deathly Hallows.

These hours seem to never go by.
I have friends for dinner to celebrate my birthday, tonight.
This means at 8:50 pm I'll mysteriously disappear in my room,
to reappear (hopefully smiling) a few minutes after.

It's okay, I already informed them why I'll go full-Invisibility-Cloak for a while.

 
 
Yep, 8 hours and 1 minute now.

I have seen the movie twice now and really love the movie and the score! I added a few cues that I know are missing from the OST to the track-list. I know there is more missing music but I can't really place it and some of the cues I added to the list might not be chronological. 
 
1. The Threstal Chase (8:04)
2. Newt and Leta (2:32)
Ministry meeting - Grindelwald arrives in Paris 3. Dumbledore (2:11)
”It has to be you” - Newt takes the job The baby nifflers - newts apartment 4. The Kelpie (1:32)
Jacob and Queenie - Queenie leaves - Jacob in the Rain 5. Newt and Jacob Pack for Paris (2:27)
6. Nagini (4:15)
Queenie arrives in Paris - french ministry of magic 7. Newt Tracks Tina (2:27)
8. Queenie Searches for Jacob (1:35)
9. Irma and the Obscurus (2:56)
”For the greater good” Queenie and Grindelwald 10. Blood Pact (2:29)
11. Capturing the Zouwu (1:33)
Releasing the Zouwu Curing Yusuf Kama 12. Traveling to Hogwarts (1:06) (I think this was cue used in another scene)
Hogwarts (slightly re-arranged and re recorded) 13. Leta’s Flashback (4:40)
Polyjuice - Tina and newt enter fresh ministry - Theseus discovers newt 14. Salamander Eyes (2:38)
15. Matagots (2:15)
Jacob and Nicholas Flamel 16. Your Story is Our Story (3:21)
17. Leta’s Confession (5:14)
Grindelwald Rally - Grindelwald Enters - Speech 18. Vision of War (3:49)
19. Spread the Word (4:01)
20. Wands into the Earth (4:04)
21. Restoring Your Name (6:20)
22. Fantastic Beasts: The Crimes of Grindelwald (2:40)
End credits (not sure if this is a cue/cues from the OST, an unreleased cue/cues or a new end credits composition, I had to leave during the credits)

I have seen the movie twice now and really love the movie and the score! I added a few cues that I know are missing from the OST to the track-list. I know there is more missing music but I can't really place it and some of the cues I added to the list might not be chronological. 
 
1. The Threstal Chase (8:04)
2. Newt and Leta (2:32)
Ministry meeting - Grindelwald arrives in Paris 3. Dumbledore (2:11)
”It has to be you” - Newt takes the job The baby nifflers - newts apartment 4. The Kelpie (1:32)
Jacob and Queenie - Queenie leaves - Jacob in the Rain 5. Newt and Jacob Pack for Paris (2:27)
6. Nagini (4:15)
Queenie arrives in Paris - french ministry of magic 7. Newt Tracks Tina (2:27)
8. Queenie Searches for Jacob (1:35)
9. Irma and the Obscurus (2:56)
”For the greater good” Queenie and Grindelwald 10. Blood Pact (2:29)
11. Capturing the Zouwu (1:33)
Releasing the Zouwu Curing Yusuf Kama 12. Traveling to Hogwarts (1:06) (I think this was cue used in another scene)
Hogwarts (slightly re-arranged and re recorded) 13. Leta’s Flashback (4:40)
Polyjuice - Tina and newt enter fresh ministry - Theseus discovers newt 14. Salamander Eyes (2:38)
15. Matagots (2:15)
Jacob and Nicholas Flamel 16. Your Story is Our Story (3:21)
17. Leta’s Confession (5:14)
Grindelwald Rally - Grindelwald Enters - Speech 18. Vision of War (3:49)
19. Spread the Word (4:01)
20. Wands into the Earth (4:04)
21. Restoring Your Name (6:20)
22. Fantastic Beasts: The Crimes of Grindelwald (2:40)
End credits (not sure if this is a cue/cues from the OST, an unreleased cue/cues or a new end credits composition, I had to leave during the credits)

HOLY GRAILS
1. The Star Wars Prequels
2. The Hobbit Complete Recordings
3. New Star Wars Movies Complete Recordings
4. Indiana Jones Complete Scores
5. Pirates of the Caribbean Complete Scores
6. Continuation of Disney Legacy Collection for scores that have yet to be expanded upon.
 
No real order, I want them all.