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BB-8

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Posts posted by BB-8

  1. 9 hours ago, igger6 said:

     

    It can't be the same suite, because that recording features Perlman on solo violin.  (Speaking of which, I wonder if that's the only Williams piece to have been rearranged by the Maestro two separate times for the same solo instrument?  Maybe Geisha would be the other.)

     

    Unrelated: if this does get released, will it be the fastest Jurassic Park Williams has ever recorded?

    JP was rather fast in general but it seemed slower on Saturday than on Thursday and Friday.

    39 minutes ago, Biodome said:

    At this rate, after La Scala, John Williams will surely do a concert with the Oslo Philharmonic

    Or preferably Bergen Philharmonic with Chandos' sound engineers?

  2. 4 hours ago, Thor said:

    True, but I do worry about THE FABELMANS in all of this busy schedule, even though there should be room for it, technically.

    John will be like: "You need a better composer than me for your autobiography."

    And Steven will answer: "Yes, I know, but they are all dead...".

    9 minutes ago, Luke Skywalker said:

    One weird thing I noticed...is that with the performance of "Scherzo for Motorcycle and Orchestra", Williams unknowningly may have been the 1st composer to perform Nazi music in the open in germany since the end of WWII... (Nazi motif from Last Crusade)

    That' why he said "bad guys".

  3. 14 minutes ago, bollemanneke said:

    To be fair, they have no/very few flubs to edit out this time. My biggest concern is, was Thursday and Friday recorded?

    Yes, looked very much as if these concerts were also recorded - the automated cameras were moving and special mikes were placed in front of the cello for the elegy...

    1 minute ago, heritage said:

    i think recored are all three concerts. But on Saturday the team (JW and BP) was at its peak.

    Except for the timpani flub in JP...

  4. 2 minutes ago, Biodome said:

    I've also had that post-concert depression after Vienna, and I do have it now after Berlin. Luckily, La Scala next year gives me another John Williams experience to look forward to, so it's not that bad.

    Yes, La Scala is a real perspective, and also imagining John Williams returning home with a suitcase full of German cookies, fond memories of Berlin and an appetite to pick-up pencil and paper for Indy 5 helps against this post-concert depression.

  5. 1 hour ago, Sibelius6 said:

    Did they do that? Bells up!!

    Yes, bells up like in Mahler. Hope the director of the Digital Concert Hall captures this!

    20 minutes ago, Steve said:

    Did you notice the principal trumpet player often switching to piccolo trumpet on the higher parts?

    Also it was said in a radio report that some of the principal brass players were not there for the concerts.

    Yes, also observed that. Not sure whether that was a piccolo trumpet though...

  6. 1 hour ago, Remco said:

    This was absolutely phenomenal. 
     

    @Jurassic Shark I know we were the ones to have some problems with the VPO but you don’t need to worry this was absolutely and totally on another level. I’ve never seen an orchestra play so engaged and so in control of everything that they do.

     

    The inevitable recording of this will be legendary.

    Despite some horn flubs in Jurassic Park "Finale'...

    But there are still two takes to make up for this.

    I otherwhise agree, top notch level! Perhaps almost like Chicago...

  7. 8 minutes ago, Steve said:

    Williams visited the Thomaskirche in Leipzig with ASM on this past sunday before Berlin! He visited Bach's grave. Here is a photo

    https://m.facebook.com/Thomaskirche.Leipzig/photos/a.527353427472706/1651641538377217/?type=3&source=48

    Leipzig is where Richard Wagner was born! Hope someone reminded him...

     

    Richard-Wagner-Verband Leipzig (wagner-verband-leipzig.de)

  8. 3 hours ago, ConorPower said:

    Just seen that Paddy Maloney, founder of The Chieftans, has passed away. Williams’s inclusion of Far and Away in the programme will ring a little differently now. I do hope he’ll discuss his collaboration with Moloney a little, in tribute to the great musician who elevated a wonderful score. 

     

    Exclusive Interview: Paddy Moloney – The Legacy of John Williams

     

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