armorb
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Posts posted by armorb
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11 hours ago, Stefancos said:
TGP, there's no need for that.
Oh, I would never argue otherwise.
Sorry to hurt your fee fees opining 'bout Howard. I am certain he appreciates your heroic defense!
11 hours ago, Sandor said:I’d like to believe both Star Wars and The Lord Of The Rings represent the very best in multifilm scoring.
I like both series for different -and a lot of the same- reasons.
Star Wars has the stronger themes and more complex orchestrations, The Lord Of The Rings is emotionally speaking more solid and has a sense of unity unlike anything out there.
Is it possible to just like both without the need to debate which is better?
Heretics must be burned!
10 hours ago, TheGreyPilgrim said:But it's one of those people who post infrequently, about one thing, who has no rapport with anyone here, and who comes in with the guns of self righteousness and indignation blazing.
The line must drawn here. This far, no farther.
How many 'rapport points' are required to give an observation about one's own subjective musical tastes? Must've missed that in the forum rules.
9 hours ago, Chen G. said:Now that's the right way to frame one's enjoyment of one of the score over the other. Not with bold "Williams' work is without peer" nonesense.
Although I'd say some of Shore's best work is with woodwinds. They're his instruments, as a musician.
I must in fairness (after a rather cheap shot) say that your writings on the LOTR scores have inspired me to take another look at them, that I haven't since, oh, 2003 or so.
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I find Shore generally boring as shit.
But I'm oh so glad Chen G. will inevitably come along, on topic, in every Star Wars thread here with a multiple paragraph exegesis on Shore's use of tonal variation in woodwinds to depict the smell of fresh cut grass in The Two Towers
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- Loert, Remco, Jurassic Shark and 2 others
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Do you think any of the alternative presentations of TFA music alleviate these issues? The Lockhart pops recordings, maybe?
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Can anyone tell me what scene the last minute of "Who Are You?" scores? I've seen the movie twice, and have no memory at all of such unique (and loud) variations of Luke's theme (2:25-2:29) and the Rebel Fanfare (2:09-2:13)...
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The only problem with the score in the film are WAAAAYYYY too many quotes of the Force Theme. Though, perhaps it only got cloying because of such a loud and clear mix.
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2 hours ago, mrbellamy said:
I just skimmed through a Collider review he did for TFA and he said he loved the music here:
You're right, of course. Maybe it was Harloff I'm thinking off?
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I recall Campea being underwhelmed with the TFA score (or at least its presentation in that film) so his calling it out favorably is a nice sign.
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18 hours ago, gkgyver said:
Of course I'm not trying to be a dick, it's just hitting a bit too close to home for some, apparently.
Sigh...
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Yep - he's a fine host and pleasant enough character, but my eyes tend to glaze over any time he's talking during an Oxygen podcast...
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Speaking of End Credits, what are the very distinct clicking noises heard towards the very end of the End Credits suite? About 8:15 - 8:19 on the OST....
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Horrible...
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Plausible, if I knew the difference between a quarter note and a quarter coin...that's what you savvies are for.
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David Collins is great....
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He totally stole the Main Title from the other Star Wars movies....
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Beyond Rey's Theme, I think "Kylo Ren Arrives at the Battle" might be my most played thus far....
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5 hours ago, Mr. Breathmask said:
This.
That bit alone would make a complete release of The Lost World an instant purchase.
Is there a place to hear this? Not familiar with Lost World at all...
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9 hours ago, Cerebral Cortex said:
It seems that the YouTube comments actually go very much like our own: people were disappointed at first, but, upon repeated listens, have grown to really appreciate the score.Plus, you can't tell me that all of the YouTube comments illustrate the "cesspool" of humanity as our very own Mrbellamy has been posting some insightful comments on a couple of the tracks on YouTube.

Yeah, I don't mean the comments on this soundtrack. Just....oh, everything else on Youtube...

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15 hours ago, Quintus said:
I think you guys are guilty of feeding a self perpetuating myth because of some sort of misplaced John Williams anxiety, knock it off .
No, pretty sure my point about the Youtube comments as humanity's cesspool still stands...
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1 hour ago, E.T. and Elliot said:
"The Return Home" when Rey gets the lightsaber was just baffling. I don't think it fits, .
Really? Both Luke and Rey are making a decision to embrace their destinies at that point (Crossing the First Threshold, in Campbellian terms), so I think it resonates quite well.
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7 hours ago, mrbellamy said:
I was just reading the comments on the official "Rey's Theme" YouTube upload....that was a mistake. Some nice thoughts but a lot of depressing ones overall.
Reading the Youtube comments on anything will shake your faith in humanity...
Color me unsurprised they bounce off a more subtle score.
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3 hours ago, Jay said:
Sometimes I get March of the Resistance stuck in my head, but it always shifts over to a different melody there. I finally realized what it was - The Flag Parade from TPM. Anybody else see a similarity between these two pieces?
This is happening to me constantly. I'll be humming the March, and then realize that I transitioned into that ascending brass section of Flag Parade (say, 00:13-00:22 of that cue).
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Is the Burning Homestead cue used in the film on the OST or FYC release?
It's got to be a new recording, I assume...

Williams confirms EPISODE IX !!
in JOHN WILLIAMS
Posted
Thank you for at least acknowledging the validity of my criticism.
And again, I can only apologize most profusely for hurting your feelings by anonymously expressing any distaste for your favored composer. With such thin skin, it must truly be a struggle for you to make it through your daily routine, let alone to wade into the fever swamps of the internet commentary. Excelsior!