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CGCJ

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  1. Like
    CGCJ reacted to enderdrag64 in enderdrag64's Star Wars Cue by Cue   
    Cue by Cue: The Music of John Williams - #1.33.5 10m1 Ben's Death Addendum:

    Cue by Cue: The Music of John Williams - #1.34.5 10m2 Here They Come Addendum:
     
    Cue by Cue: The Music of John Williams - #1.35 11m1 Stand By (Wook link)
     
  2. Like
    CGCJ reacted to enderdrag64 in enderdrag64's Star Wars Cue by Cue   
    Apologies for the late post this week 
     
    #1.34 SW (1977) - 10m2 Here They Come (Wook link)
     
  3. Like
    CGCJ reacted to DigitalfreakNYC in Newly posted Reelin' In The Years interview from 1990   
    RITY regularly posts clips of interviews that they have available for licensing and this was posted yesterday.  Dunno where it originated but maybe some of you do.  Thought you might find it interesting.
    Has a date of 1990-02-15
  4. Like
    CGCJ reacted to enderdrag64 in enderdrag64's Star Wars Cue by Cue   
    #1.33 SW (1977) - 10m1 Ben's Death (Wook link)
     
  5. Like
    CGCJ got a reaction from HB Potlood in Tales Of The Empire (May 4th) - Mini Series   
    The Kiner Music site has been updated with a page for this including a few cues:
     
    The Path of Fear
    M05 The Mountain Clan
    M11 End Credits
     
    The Path of Hate
    Fires Continue Burning
     
    Devoted
    New Master
    Barriss Offee End Credits
     
    Realization
    The Massacre
    Barriss Changed Her Mind
     
    The Way Out
    Inside the Cave
    The Way Out
     
    I've updated my spreadsheet to include these. All of these are on the OST but they're the individual cues so help to figure out the breakdown of some of the tracks.
  6. Love
    CGCJ got a reaction from Sam the Music Man in Tales Of The Empire (May 4th) - Mini Series   
    Here's my spreadsheet on the score if any one wants a breakdown of the soundtrack release: https://docs.google.com/spreadsheets/d/11f44kZXA864sWJcZU09RCMa2LGv01GQnoO4DhYMi0IU/htmlview
     
    Looks like Jason Fujita is now writing on the scores, being credited for Seek the Healer. He was previously credited as 'Music Assistant' on Ahsoka & The Bad Batch series 3.
     
    Also, Ludwig Göransson is credited for Back to Corvus so presumably it references his score from The Mandalorian episode The Jedi.
  7. Love
    CGCJ got a reaction from Sam the Music Man in Kevin Kiner's TALES OF THE JEDI (2022)   
    Here's my spreadsheet on the score if any one wants a breakdown of the soundtrack release: https://docs.google.com/spreadsheets/d/1qOTSAim1nPrYbJxYvHNoVLi_vKAXBv_Sc5oyGfKg3UM/htmlview
  8. Like
    CGCJ reacted to enderdrag64 in enderdrag64's Star Wars Cue by Cue   
    #1.32 SW (1977) - 9m3 The Swashbucklers (Wook link)
     
  9. Like
    CGCJ reacted to Manakin Skywalker in NEW! Dinosaur Expansion from Intrada September 17th, 2024!   
    I'm pretty anti-waveform-compression so I see that as a positive 
  10. Like
    CGCJ reacted to Bellosh in I love this place   
    Watched The Last Crusade and ROTJ this past weekend. Perfect autumn movies 
     
    Knowing there's a site I can go to, to talk with funny, intelligent people who all have a general respect for one another about anything and everything from either the score or film from those movies is awesome.
  11. Like
    CGCJ reacted to Manakin Skywalker in Intrada Dinosuar End Credits discussion   
    Man, did anyone bother listening to the separated left/right channels? The amount of delay is so much more apparent, especially in the right channel. Here's the isolated left and right in their respective order:
     
    Sample.mp3
     
    I did no editing to this aside from separating both channels. Yikes.
     
    EDIT: Using the same delay for each channel, I was able to recreate the album version using only the film's center channel (I didn't add reverb  though). I am now officially stumped as to if they accidentally muted the center channel, or created some double-delayed Frankenstein edit. Although the fact that the audio in my first post was from the film audio as well seems to thicken the plot a bit.
     
    test.mp3  <--- custom recreation, sans reverb
     
    EDIT:
    test2.mp3  <--- same file but now with added reverb
  12. Like
    CGCJ reacted to crumbs in Intrada Dinosuar End Credits discussion   
    Totally baffling and cringeworthy explanation. Why would you INTENTIONALLY use a poor quality, seemingly damaged or erroneously recorded element, just for the sake of presenting a "different sound"? Surely you'd use the correct performance in at least one version of the credits if you're including 3 versions on the album? Leave the alternate takes for an alternate track but don't ruin all 3 versions!
     
    If this is how take 46 sounded then it's more likely the tape was damaged or improperly recorded than it being a creative decision. I'm sure Shawn Murphy wouldn't be thrilled about this either, and I doubt anyone ran it past him.
     
    I've heard some bizarre explanations for these things but I think intentionally making 3 tracks sound bad, just for the sake of including a different take, takes the cake.
  13. Like
    CGCJ reacted to CatastrophicJones in Intrada Dinosuar End Credits discussion   
    I had not seen this post, thank you for the clarification. That's why Mike is one of the best, the fact that he corrected the problem himself, I can absolutely appreciate that and more album producers/masterers should strive to be like him. Any time I see his name attached to a project, I know it'll be done right.
  14. Like
    CGCJ reacted to Manakin Skywalker in Intrada Dinosuar End Credits discussion   
    After a bunch of searching I was finally able to locate Mike's explanation. Here's his direct quote:
     
     
  15. Like
    CGCJ reacted to Brando in Indiana Jones is better than everything   
    Good thing I own them physically, I'll never have to worry about that.
  16. Like
    CGCJ reacted to Jay in The Official La-La Land Records Thread   
    Different film studios license more music to the specialty labels than others.  Why?  Who knows!
     
    If you click open this thread, you can see the numbers of just the past 5 years of specialty label licenses
     
    20th Century - 16 titles
    Disney - 8 titles
    MGM - 37 titles
    Paramount - 70 titles
    Universal - 70 titles
    Warner Bros - 14 titles
     
    Historically, there was a time when Fox and WB were the most prolific, and Universal and Paramount were completely shut.  Things change over time, and will hopefully continue to change in the future!
  17. Like
    CGCJ reacted to enderdrag64 in The Official La-La Land Records Thread   
    Honestly I'd rather have the opposite - the vast majority of the prequel music is available in good quality from the videogames, and the little that isn't is rippable from the films and is already nearly completely clean even without AI
     
    Meanwhile there's absolutely nothing fans can do to fix the sound quality issues of ESB or ROTJ.
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