CGCJ

How long until we find out Didier C. Deutsch has taken over VS?

Looks like they're taking inspiration from my annual April Fools shitposts.

Can't wait to see LLL's big announcement for the sequels!
 

#1.28 SW (1977) - 8m3r The Rescue (Wook link)
 

Max Rebo Banda from "From Star Wars to Jedi" using BS Roformer:
 
ReboBand.mp3  
 

#1.27 SW (1977) - 8m2n More Rescue (Wook link)
 

Back in the day movies had to be chopped up into smaller reels of physical film for shipping and because there was only so much room in the projection booths / the projectors themselves could only accept reels of a certain size.  Theaters would have two projects pointing to the same screen, one playing reel 1 and the second with reel 2 loaded up and ready to go.  When the projectionist saw the "cigarette burn" in the upper right corner at the end of a  reel, he'd flick on projector 2 and you'd (hopefully) get a smooth transition from one reel right into the next without anyone realizing it.
 
Because of the potential for the reel changes being different in every single viewing due to every projectionist hitting that button at slightly different times, filmmakers would try to choose points where one reel would end another would begin that would hide these transitions.  Maybe a fade to black, maybe near the end of a scene where there's not a lot of audio between two shots, etc.
 
Eventually, technology improved to the point where when the theater would get all the reels delivered, they could tape them all together to make one giant reel, so they only needed one projector per screen, and the projectionist would only have to start it up and theoretically not have to do anything until the movie was over.  But because every tape point could theoretically be a little bumpy, filmmakers still often tried to carefully choose reel change points.
 
Eventually technology improved again, and now films are just a digital file projected and there's no real need for "reels" any more, yet older filmmakers might still categorize their movies that way and composers might still number their cues that way too (Rise of Skywalker was this way).
 
 
Anyway, back in the day, when the movie is first being edited, its broken up into reels, and then when the director sits down with the composer to spot the film, the cue numbers are assigned everyone its decided that original score should go.  But then when the composer goes off to write the music, the director might be continuing to edit the film, and now the old reel/part numbers assigned to the music might not make as much sense.  So the term "rebalanced" is used when they sit down and change the reel/part numbers of cues to fit where the scenes are in a newer cut of the film.  I couldn't possibly tell you who came up with that term or if they had other specific reasons for using that term.

Here’s a simplified version of the Cue List. When I have the time, I’ll post a more detailed version, which has all of the inserts, revisions, alternates, etc. It’ll take a bit more time to sort it all out. I’ll also try to finish up my personal Google Sheet (comparing the various sources: the sheets, GEMA cues, session leak, cancelled album and isolated score bootleg). If anyone wants to use it for the ‘Non-Williams’ info thread, that’s fine with me!
 
For now, here’s a short version of the cue list. All of the cue titles are official.
 
Sources: Handwritten Score Sheets, GEMA, Recording Session Leak
 
1M1-2 Front Titles / Dressing 1M3 Pt. 1 The Batcave Part 1 1M3 Pt. 2 The Batcave Part 2 1M3 Pt. 3 The Batcave Part 3 1M4 Scene Of The Crime 1M5 The Diamond 1M6 Batman Thwarts Freeze 1M7 Pt. 1 Hockey Hell Part 1 1M7 Pt. 2 Hockey Hell Part 1 1M8 Frozen Brontosaurus 1M9 Hockey Hell Part 2 2M10-11 Freeze's Getaway 2M12 Freeze Evacuates Capsule 2M13-14 Aerial Chase / Chase In Freeze's Lair 2M15 Batman Thaws Robin 3M16-17-18 Jungle Lab / Bane's Birth / Bane's Activation / Woodrue Kills Ivy 3M21 Alfred In Pain 4M23 Pt. 1 Botticelli Ivy 4M23 Pt. 2 Botticelli Ivy 4M25-26 Frosty And Snow Bunny / One More Giant Diamond 4M27 Nora In Vitro 4M28 Reunion 4M29 Motorbikephilia Part 1 4M30 A Fireside Chat 4M31 Motorbikephilia Part 2 5M32 Ivy Arrives In Town 5M33-34R Observatory Press 5M34 Ivy At Press Conference 5M35-36 Ivy States Her Case 5M37 Bruce Invites Ivy 5M38 Freeze In Love 5M39 Freeze Takes The Bait 6M41 Gotham Ball 6M42 Poison Ivy 6M43 Pheremone Dust 1 6M44 The Auction 6M45 The Uninvited Guest 6M46 Freeze Meets Ivy 6M47 Freeze Takes Necklace 6M48 [No Title] 6M49 Chase Around Colossus 7M50-51 Mystery Of Fate 7M52 Arkham Asylum 7M53 Freeze Incarcerated 7M54 Ivy House Hunting 7M56 Bane Throws Tenants Out 7M57-58 Let's Redecorate 8M59 Besotted With Ivy 8M60 Dick Follows Barbara 8M63 The Precipice 8M64 Barb Reveals Her Past 8M65 Barb Explains Al's Sickness 9M66 The Figurine 9M67-68 Freeze Receives Visitor 9M69 Pt. 1 [No Title] 9M69 Pt. 2 [No Title] 9M70 Unmasked Heroes 9M71 Snowycones Factory 9M72-75 Freeze Turns On Air Cond. / Freeze Makes His Getaway 9M76 Ivy Fails To Ensnare Robin 10M77 Ivy Switches Off Nora 10M78 Freeze Swears Revenge 10M79 Alfred In Sickbed 10M80 Robin Is Jealous 10M82 Sacred Trust 10M83 The Grand Unveiling 10M83S Unveiling Jazz 10M84 Ivy Ensnares Commissioner G. 10M85 Freeze Starts Campaign 10M86 Bane Steals The Signal 10M87 Barb Searches Password 11M88-89 Fillial Love 11M90 Freeze Arrives At Observatory Part 1 11M91 Freeze Arrives At Observatory Part 2 11M92 Freeze Activates Scopes 11M93 Pt. 1 Barb Becomes Batgirl 11M93 Pt. 2 Barbara Dresses 13M94 Robin In Ivy's Lair 13M95 Ivy Foiled 13M96-97 Batgirl Introduces Herself 13M98 Freeze Gloats 13M99 Batmobile Strike Force 13M100 Bring Me The Bat 14M101 Bat Trio Enter Observatory 14M102 The Final Stand Part 1 14M103 The Final Stand Part 2 14M105 Warming Up Freeze 14M106 Nemesis 14M107 Batrobatics 14M108 Realigning Satellites 14M109 The Great Thaw Part 1 15M109 The Great Thaw Part 2 15M109A The Great Thaw Part 3 15M110 Batman Appeals To Freeze 15M111 The Medicine 15M112 Defrostation Of Ivy 15M113 Resurrection Of The Family 15M114 Bat Triumvirate

It's just the term used when a cue number is changed. I think I've heard @Jay use it before a few times, he could probably elaborate better on why it's called that as opposed to renumbering.
 
It came from the film 

#1.26 SW (1977) - 8m1 The Mouse Robot (Wook link)
 

A John Williams documentary, titled ‘MUSIC BY JOHN WILLIAMS’ will release on November 1 on Disney+
The doc will also have a limited theatrical release.

#1.25 SW (1977) - 7m2N The Hatch Opens (Wook link)
 

Some cue information courtesy of GEMA:
 
I've updated my spreadsheet to include these.
 
Still no information on any cues solely credited to Michael Abels...

According to here:
"Starting at $79 for a single-day entry and running to $2,599 for the 3-Day Ultimate Preferred Pass with premium seating."

John Williams isn't there but arranged a medley for the event:
 

John Williams isn't there but arranged a medley for the event:
 

#1.24 SW (1977) - 7m1N Is It a Bird? (Wook link)
 
 

Yeah, it's not been working for the past day or so.

#1.23 SW (1977) - 6m5N The Destruction of Alderon (Wook link)
 

This FSM post from Mike might clear up any misconceptions about all the various tape formats out there. Not really specific to Star Wars but could clarify a few questions: