Brundlefly

In the sample of "The Apology" I can hear the infamous digital clicking noises. Anyone else hear them (from 0:27 to 0:39 in the sample)? This is the same kind of clicks that they had on numerous releases in the past which is clearly not something that was in the source material all along. Are they serious? Again? They let this happen again?

The samples sound very well, some tracks are a noticable improvement. Still, I think of this more as a fix than a new release. People who bought the 2020 version should get a free copy.

The samples sound very well, some tracks are a noticable improvement. Still, I think of this more as a fix than a new release. People who bought the 2020 version should get a free copy.

In brief, the Intrada album suffers from:
 
- A controversial and weirdly inconsistent new mix that brings some instruments forward at the expense of others that got reduced or maybe even outright omitted
- Multiple seconds of phasing where they edited between takes on "Night Boarders"
- Some nasty static near the end of "The Camel Race"
- Volume fluctuations within tracks and non-matching volume levels between the expanded program on Disc 1 and the OST on Disc 2
- Misspelled track titles
- Intrada's usual poorly done artwork
 
But the gravest sin is that they included tracked music in the main program, notably in "Airplane Fight" and the film version of the End Credits. Goldsmith's superior intended version of the latter cue absolutely should have closed out the main program.
 
As far as Inchon goes, I mostly just listen to the suite from Tadlow’s Blue Max album.

The more I hear about these mistakes on Intrada releases I came very close to purchasing, the more concerned I become about their upcoming releases. Maybe they should stick to releasing niche Goldsmith scores over and over again, and leave important scores by him and other major composers (Williams, Horner, Elfman, etc.) to La-La Land and Quartet, who seem to know what they’re doing. 
 
Oh, and Varèse can go bankrupt as far as I’m concerned. Maybe they could even sell their catalogue off to LLL and make life easier for the rest of us!

As insightful as this text is (I mean, they admit that they could have been more meticulous), having bought the highly deficient 2020 release I feel a little annoyed now.
 
This one really has to be the perfect release, absolutely complete, consistent volume, no clicks and a clear step up in sound - anything else would be galling.

As insightful as this text is (I mean, they admit that they could have been more meticulous), having bought the highly deficient 2020 release I feel a little annoyed now.
 
This one really has to be the perfect release, absolutely complete, consistent volume, no clicks and a clear step up in sound - anything else would be galling.

As insightful as this text is (I mean, they admit that they could have been more meticulous), having bought the highly deficient 2020 release I feel a little annoyed now.
 
This one really has to be the perfect release, absolutely complete, consistent volume, no clicks and a clear step up in sound - anything else would be galling.

That kind of gentle (re-)introduction to a score we actually got with the expansion of Always.

Prologue and then Granny Wendy music would have been a nice start for the OST.

And is this also the stuff that Didier Deutsch didn't have access to years ago?

Have you seen Uncut Gems?

Born on the Fourth of July (La-La Land)
Nixon (Intrada)
The Patriot (Intrada)
Catch Me Of You Can (La-La Land)
The Terminal (La-La Land)

Born on the Fourth of July (La-La Land)
Nixon (Intrada)
The Patriot (Intrada)
Catch Me Of You Can (La-La Land)
The Terminal (La-La Land)

I mean, even Goldsmith was in a similar position in the early 90s. Tarantino was right, when he called the profession of movie composers a "ghetto".

Saltburn
 
This movie was stupid and predictable.  The first 40 minutes or so are genuinely good, as Barry Keoghan shows up to Oxford as middle class kid on a scholarship, and struggles to fit in with all the upper class there until he befriends Jacob Elordi, who eventually invites him to his giant rich person manor for the summer.  Not long after settling in there and meeting his seemingly weird family, more and more kooky stuff starts to happen, and I wasn't impressed by any of it, really, it all felt perfuntorary.  And it was obvious where it was all headed once it was revealed he lied about his parents.  The only thing I didn't guess was I assumed it was going to be specific revenge, like his family did something that hurt his family or something, not that it was just be a generic he killed them all and took over the manor because.. they are rich and he is not?
 
This is basically just a B movie plot dressed up by having good actors and "shocking" scenes that aren't actually shocking or mean anything, and are just kind thrown in there to be different, in my eyes.  So, not too much to be impressed by here... apart from the acting which was genuinely very good.  Barry Keoghan and Richard E Grant are always great, and this was no exception, but Jacob Elordi was new to me and did a great job, and Rosamund Pike was good too.  Carey Mulligan was great too, but drastically underused to the point I forgot she was in it until I was just looking at the cast list again.
 
Oh well.
 
It's on Amazon Prime.

I’m not convinced Jerry will be taking on any new projects in 2024.

Chris Malone did this? Very nice! I've become a wee bit hesitant about new Intrada releases (for obvious reasons), but that man normally is a quality insurance.

It is quite unspectacular in a way, but also very effective. As Thor pointed out, what makes it special is that it is really well spotted. In the film it is effectively used as kind of a constant anxious thumping (less in a muscial and more in a figurative sense). Another pro is the vintage sound.
 
As many have pointed out, it's barely enjoyable on album, but really cool in the film. It beats Indy V in originality, so there's that.

Blasphemy on a JW forum, but I think Oppenheimer should win score.

Wow, out of the four Best Score nominees that I know the Williams score is my least favourite.
 
The great news is: the three best (American) films of the year are the three films that got the most nominations.

The Witches (1990)
 
Anyone else watched this, when he was way too young? There seems to be a whole generation of children that got traumatized by this. Now I just admire how ambitious and virtuoso the direction and the actors are. It's not just a great film for children, it is a great film overall!

I would have learned about this by reading this post by @Lukas Kendall in rec.arts.sf.starwars in 1993:
 
From: ldke...@unix.amherst.edu (Lukas Kendall)
Organization: Amherst College, Amherst MA, USA

Item: Star Wars Trilogy: The Original Soundtrack Anthology
 
Label and # is: Fox 07822-11012-2.
 
General description: 4 CDs of music from the original soundtracks to all
three films, including around an hour and a half of previously unreleased
music. Will come in long-box sized packaging with removable lid--inside are
four jewel boxes plus a long-box sized full color 64 page booklet. Booklet
features an essay by director Nick Meyer, detailed track by track liner
notes, and numerous color plates of stills and production paintings sent by
Lucasfilm which have never been seen before.
 
How the hell I know all this: Lucky me has talked with Fox producer Nick
Redman about the project from the start, so I'm doing the track-by-track
liner notes.
 
Retail cost: $49.95
 
There will not be a cassette release.
 
Here's what to expect:
 
Disc 1: The original 2LP set to Star Wars on one disc, resequenced in
more of a chronological order than before, and minus "Cantina Band" which
wouldn't fit. (Don't panic about "Cantina Band"--read on.) This has been
remastered from the film mix, and the sound is fantastic.
 
Disc 2: The original 2LP set to Empire, also resequenced in chronological
order, minus "Departure of Boba Fett." This is actually being re-mixed from
the original sessions as I write this, and some things which were edited
out from the original release (a few bars here, 30 seconds there) will
hopefully be restored.
 
Disc 3: The original single LP to Jedi, plus 30-35 minutes of additional,
previously unreleased material. Let's see, that includes: Luke's battle with
the Rancor, the Emperor's arrival at the Death Star, the death of Yoda,
the first Ewok battle and fight with the Tie Fighters, the choral music when
Luke flips out and cuts off Vader's hand (at last!), Darth Vader's Death,
and "Through the Flames," when Lando blows up the Death Star. Oh, and I'm happy
to report that Lapti Nek has been relocated to disc four, speaking of which...
 
Disc 4: As if the first three discs weren't enough, disc four contains another
75 minutes of music from all three films, including "Cantina Band," "Departure
of Boba Fett," and "Lapti Nek."
 
Here are the track listings. Will notate any changes from original album
track in brackets.
 
Disc One: Star Wars***********************************************************
1) Fox Fanfare
2) Main Title
3) Imperial Attack [30 seconds longer--restored music]
4) The Desert/The Robot Auction
5) The Little People Work
6) The Princess Appears
7) The Land of the Sand People
8) The Return Home
9) Inner City [also 30 seconds longer--restored music]
10) Mouse Robot/Blasting Away
11) Rescue of the Princess
12) The Walls Converge
13) Ben's Death/TIE fighter Attack
14) Pricess Leia's Theme
15) The Last Battle
16) The Throne Room/End Title
 
Disc Two: The Empire Strikes Back*********************************************
1) Fox Fanfare
2) Main Title/The Imperial Probe (extended version) [Instead of the cave music,
which will appear on disc five next year, this continues with previously
unreleased music for the opening Hoth scenes--when Han and Leia bicker, etc]
3) Luke's Escape [including music edited out of old album (approx. 30 seconds)]
4) Luke's Rescue [previously first part of "Rebels at Bay"]
5) The Imperial March
6) The Battle in the Snow
7) Luke's First Crash [previously second part of "Rebels at Bay" (with
approx. 30 seconds restored)]
8) The Rebels Escape Again [previously second part of "Heroics of Luke & Han"]
9) The Asteroid Field
10) Yoda's Theme
11) Han Solo and the Princess
12) The Training of a Jedi Knight
13) The Magic Tree
14) Yoda and the Force
15) City in the Clouds [with 30 seconds restored]
16) Lando's Palace
17) The Duel
18) Hyperspace
19) Finale/End Credits
 
Disc Three: Return of the Jedi**********************************************
1) Fox Fanfare
2) Main Title/Approaching the Death Star
3) Han Solo Returns [at the Court of Jabba the Hutt]
4) Fight in the Dungeon *
5) The Return of the Jedi
6) The Emperor Arrives *
7) The Death of Yoda *
8) Parade of the Ewoks
9) Luke and Leia
10) The Emperor Confronts Luke *
11) Into the Trap
12) First Ewok Battle/Fight with the Fighters *
13) The Forest Battle
14) Final Duel/Into the Death Star *
15) The Emperor's Death [previously titled "The Emperor"]
16) Darth Vader's Death *
17) Through the Flames *
18) Leia Breaks the News/Funeral Pyre for a Jedi [prev title "Rebel Briefing"]
19) Ewok Celebration/End Credits
* Previously Unreleased Music
 
Disc Four: The Star Wars Trilogy (Outtakes & Prev. Unreleased Music)**********
1) Fox Fanfare
2) Star Wars - Main Title (alternate version) [very similar to original]
3) Heroic Ewok [Paploo steals speeder bike] and The Fleet Goes into Hyperspace
(Return of the Jedi)
4) Destruction of Alderaan (SW)
5) A Hive of Villany (SW) [Ben, Luke, and droids go to Mos Eisley]
6) Drawing the Battle Lines/Leia's Instructions (Empire) ["Good! Our first
catch of the day!"]
7) The Ewok Battle (Jedi) [actual film version of "The Forest Battle"]
8) Attack Position (Empire) [Falcon turns to attack Star Destroyer]
9) Crash Landing (Empire) [Luke lands on Dagobah, R2 swallowed by swamp
creature]
10) Cantina Band (SW)
11) Lapti Nek (Jedi)
12) Cantina Band #2 (SW) [the second song--it's pretty groovy!]
13) Faking the Code (Jedi) [Approaching Death Star in Tydirium]
14) Brother and Sister (Jedi) [film version of Luke and Leia--Luke tells Leia
they're siblings, etc.]
15) Standing By (SW) [The X-wings and Y-wings take off from the Rebel base]
16) Leia Is Wounded/Luke and Vader Duel (Jedi) [Leia shot at shield bunker,
on Death Star, Luke backflips up to catwalk]
17) Carbon Freeze/Luke Pursues the Captives/Departure of Boba Fett (Empire)
[Continuous 11 minutes of Bespin battle music]
18) Losing a Hand (Empire) [Luke gets hand cut off, hangs off weather vane]
19) The Return of the Jedi (Jedi, alternate version) [completely different
version of the sail barge battle]
20) Leia Breaks the News/Funeral Pyre for a Jedi (Jedi) [alternate version--
in latter case, the film version, of the track "Rebel Briefing" on old
Jedi album]
21) Ewok Celebration (film version) and Empire end credits (film version)
All music on disc four previously unreleased except Cantina Band, Lapti Nek,
and Departure of Boba Fett
 
Okay, I won't try to fool you die-hards. There is still music in the movies
not on this box set. However, Fox is considering doing a fifth disc, which
will take care of that. Fox may or may not release it next year, depending
on how well this box sells. There are naturally going to be people who say,
"Yeah, I liked those five hours of Star Wars music, but you bastards left
off my favorite one minute cue when Chewie puts Threepio back together!"
For those people, all I can say is you'll have it eventually. This box set
will rectify 16 years of screwed-up albums (the infernal Polygram has
nothing to do with it) and will give the Star Wars and movie music fan more
music than anyone could have ever hoped for.
 
The entire SW and Empire soundtracks cannot be put on one CD because
they simply won't fit. While technically a CD can hold up to 79 minutes,
the manufacturer in this case (Arista) has limited each disc to 75 minutes.
The rationale is that with discs of great length, you get more screw-ups in
the pressing run. Arista--which is just manufacturing the CDs, not producing
them--said that they absolutely would not go past 75 minutes. They put it in
writing to the producer at Fox, the fellow I've been dealing with, that if
he delivered CDs longer than 75 minutes and there were screw-ups in the
pressing run, they could hold him legally accountable.
 
In the case of Star Wars, we are using the film mix, instead of the album
mix. Basically, when they record a film score, it goes on a multi-track
master. You've got some instruments on one channel, others on another
channel, etc. For SW, there was a mix made for the film which is very crisp
and in-your-face. For the album, a softer, mushier mix was made in order to
disguise the occasional wrong note, not that you or I will be able to
notice any such flubs. The album mix was used on the previous album and CD,
but we'll be using the film mix, and it really reveals the score anew.
In a few cases, different takes have been used so that it sounds a little bit
different.
 
Empire has been altered more, specifically because Polygram was unable
to supply the album masters, so the CD (disc two) had to be reconstructed
from the aging session masters. For Empire, a variety of tape sources has
been used. To make a long story short, some of the tracks are taken off of
the film mix, some were mixed down from the multi-tracks in an all new mix,
and one track, Yoda's Theme, was actually lifted from the old CD. Trust me,
you won't be able to tell the difference.
 
On the original Empire album, the first track combined the main title and
Luke getting whacked off his Tauntaun with the "This Is No Cave" music from
later in the picture. Here, we have restored some four minutes of music--
in lieu of the cave music--originally intended for the opening of the
movie. Said music was re-recorded on the first track of the Varese
re-recording. The cave music will appear on the possible fifth disc.
My producer contact at Fox isn't too happy about this either. Here's what
happened: Because of the way we had to assemble the discs one at a time,
disc four was done assuming the cave music would go on disc two, because
disc two would be done with the album masters. When the album masters didn't
show up but the session masters did, we decided to include the extended
Imperial Probe cue because it was important and intriguing "missing music"
that also kept to the chronological order Lucasfilm was bugging us about.
No problem, "This Is Not a Cave" would go on disc five. Now, the higher-ups
at Fox have decided to put disc five on hold. There's no way we could have
forseen this. So, yes, there will two and a half minutes of music on the
original Empire CD that may never been re-released. Well, what can we do?
For Jedi, two main sources have been used, the film mix and the old CD.
The following tracks were culled from the old CD as that was the only
available recording, and with digital technology it sounds exactly the
same: Han Solo Returns, The Return of the Jedi, Parade of the Ewoks, Luke
and Leia, The Forest Battle, Ewok Celebration/End Credits, and Lapti Nek.
Of the remaining tracks, Main Title/Approaching the Death Star is ten
seconds longer but it's the same music, just joined at a different spot;
Into the Trap and Rebel Briefing are identical; and The Emperor is the same
music although there's one very faint synthesizer overdub heard on the old
CD that won't be on the new one. However, unlike SW, this is the same mix.
Again, you won't be able to tell the difference.
 
One of the few things that will not be on this box set or the subsequent
fifth disc is the film version of Lapti Nek. We simply have been unable to
find the tapes of it. The album version will be used instead. Sorry about
this, but there's nothing I can do about it.
 
In the strict technical term of "mastering," all four CDs are being
re-mastered and re-equalized for compact disc presentation by one of LA's
finest sound engineers.
 
Here are two main reasons why they've been resequenced:
1) Lucasfilm insisted.
2) The original SW and Empire albums were designed to work each as four sides
totalling one larger whole. You have four independent listening experiences
of 15-20 minutes apiece. With CDs, you have one, 75 minute listening
experience. Because of that, it makes sense to present the tracks in
chronological order to better serve that one long listen.
 
To elaborate, the original 2LP sets to SW and Empire were constructed in no
order whatsoever except as a musical program. As such, cues from different
parts of the movie were joined together in many cases. Because the albums
have been around so long, all but two of those joins or crossfades have
been left as is because it works musically, but this throws a few kinks
into Lucasfilm's demand for chronological order. Basically, disc one is in
mostly chronological order, disc two is in chronological order except for
two instances, and disc three is in entirely chronological order. Disc
four, the bonus outtakes disc, is not in any chrnological order because
it's a collection of extra music, not a direct soundtrack to any one film.
 
Any questions/comments/complaints? Are you not properly overwhelmed with joy?
 
Lukas Kendall
track titles copyright 1993 Lukasfilm Ltd.

I don't wann see him at the peak of his powers. That sounds boring. Craig's Bond was never designed to be shown this way.

There was a time, when it was worth blocking him, but he got so tame.