Kasey Kockroach

My copy of The Core arrived today (I missed out on the original release from Intrada way back when), and it's so, so good. 
 
Following it up with Young's very underrated work on Urban Legend, one of his more accessible horror scores. I hope this gets a proper release someday.
 
I love Chris Young!
 
 
 

Given that she kills a cat, pretty sure that’s the point.
 
My interest in Sam Raimi begins and ends with Evil Dead II, so I ain’t rushing to Hell’s defense. The VVitch made better use of its spooky goat.

You guys actually watch the movies these scores are attached to?

You guys actually watch the movies these scores are attached to?

Run to the light Mariah!

What did the cat thought about the score? Is he/she a Chris Young fan or hater?

Nice selfie

One of Young's best scores for an underrated movie.

Where’s the Ducktales fanfare?

I prefer mine.
 

I'm so glad that they kept the same design.
 

There used to be an economical leanness to movies that made them engaging and fun to watch, which is completely absent in Beetlejuice 2 because it's so slow and lacking in any momentum or sense of urgency. Tragically, the high box office numbers validate this amateurish approach.

This one was always film music junk food. Probably not very good for you, not much substance, but sometimes you want to hear an egg travel.
One of my earliest soundtrack acquirements, so I was a basic bitch even back then.

This one was always film music junk food. Probably not very good for you, not much substance, but sometimes you want to hear an egg travel.
One of my earliest soundtrack acquirements, so I was a basic bitch even back then.

That’s called fulfilling the bare minimum. Which, yes, isn’t expected from Hollywood film scores currently.

We do like you, bro! 
 
 
They're all dead.

That’s called fulfilling the bare minimum. Which, yes, isn’t expected from Hollywood film scores currently.

That’s called fulfilling the bare minimum. Which, yes, isn’t expected from Hollywood film scores currently.

To be fair I’m quite impressed he’s making time for his concert music in amongst a still fairly busy roster of film scoring (even one or two a year is still quite a commitment with all the concerts etc). Must admit that it makes me a little sad that John Powell, who has fewer film projects these days. hasn’t had time for concert music despite that (I believe) being his intent. His Prussian Requiem was fucking amazing. Elfman’s concert music has been excellent. Looking forward to seeing a second live performance of his percussion concerto in November. And obviously looking forward to this score!
 
I watched the original the other day and honestly have no idea if I’ve seen it before. I enjoyed it but actually felt it could have been longer at times, especially the setup. Also the new living residents weren’t as awful as I expected. Is it heretical to say that I kept wondering what Joe Dante would have done with the material?!

This one was always film music junk food. Probably not very good for you, not much substance, but sometimes you want to hear an egg travel.
One of my earliest soundtrack acquirements, so I was a basic bitch even back then.

It is. I mean, the score is all you are saying. But harmonically and melodywise there is not much interesting going on. It doesn't really have what I would call a memorable evergreen hit theme.
 

This one was always film music junk food. Probably not very good for you, not much substance, but sometimes you want to hear an egg travel.
One of my earliest soundtrack acquirements, so I was a basic bitch even back then.