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NL197

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Everything posted by NL197

  1. Hit the nail on the head. If more romantic comedies were like "As Good as It Gets" or "What Women Want", I'd probably enjoy them more often. I think the reason for that is the characters - both male and female - learn a deeper understanding of each other and actually grow.
  2. Romantic Comedies (dog shit movies full of unrealistic expectations from women and the cucks who ruin their own lives to appease them) Horror / Slasher (most of these are just plain stupid) Musicals (The hell you need to sing for? Fucking say it don't turn it into some song and dance) Anime (a complete and total lack of interest) EDIT: changed expectations of women to expectations FROM women. That's more like it.
  3. When I made that DTS-HD audio disc of all three albums, I boosted the rear channels for Titanic to be able to hear them.
  4. I had to boost the gain quite a bit just to get it to the levels you're hearing / seeing. The whole score is like that, the rears so quiet they might as well not even be there.
  5. It is in 5.1, it's the same mix as in the film's end credit: Dion's voice and Tony Hinnigan's kena are about the only things in the center channel along with a synthesized bass. The rear channels are silent for much of the first half except for some synth strings that come in during the chorus, and then when they appear for the second chorus, the strings play throughout the remainder of the song. See below: Have a listen here: https://instaud.io/3n7S Of course the radio version produced by Walter Afanasshole or however it's spelled had the vocal spread
  6. Indeed. I love the 5.1 mixes. I made all three of those albums into one DTS-HD audio Blu-ray a few years ago. Matter of fact I used the 5.1 mix of that Titanic OST (which I'd originally had as the 1998 DTS Music Disc) to make choir-less versions of several cues of my custom presentation, and did a full stereo remix of the A Beautiful Mind OST using that 5.1 version because the stereo mix on that disc / audio CD was lacking. It had all the rear channel pianos missing from key cues like 'Cracking The Russian Codes'. Zorro on the other hand, was fantastic as a liste
  7. Not all cues have the dates listed because they weren't on the documentation. Correct, anything "Revised" is re-labeled as 'Alternate' on the LLL release. Example being "Southampton - REVISED" is changed to "Southampton (alternate)" The film version of "A Promise Kept" used a piece from Michael Stearns' Encounters album called 'Beacon'.
  8. Well here goes....All dates in 1997 so I'm not typing the year out every time. Synth / piano solo cue dates are not noted because I don't have specifics, only the window of dates in the LLL booklet. These dates are only for the orchestral parts. DISC 1 1. Logo / Main Title 2:28 (August 18 ) 2. 2 1/2 Miles Down 10:33 (July 11) 3. To the Keldysh (July 11) / Rose Revealed 1:43 4. Distant Memories 2:24 (July 11) 5. My Drawing / Relics & Treasures 1:52 (July 14) 6. Southampton 4:00 (July 8 ) 7. Leaving Port 3:27 (July 8 ) 8. Take Her to Sea, Mr. Murdoch
  9. The only information to glean from that would be the dates specific cues were recorded.
  10. Revised was recorded August 19th 1997. The original was recorded July 8, 1997. The cue in both versions was orchestrated by Don Davis. (edited date, I'd made a typo and put 18 instead of 8 )
  11. I did that and played it. It's certainly interesting and obviously a bit shorter than the original. Useless trivia: "Take Her To Sea, Mr. Murdoch" was the first orchestral cue of the score to be recorded. Obviously the trailer had been done prior along with some of the synth work, but that was the first cue the orchestra had to play for the score proper.
  12. It's not even an insult to say that. It's just obvious. Look at visual effects. Everything is of its time with regard to visual effects, and I prefer those old fashioned dated visuals of ILM and other companies with models and miniatures over CGI any day. Look at that, I used the word dated.
  13. I wouldn't know. I don't watch Disney / Pixar animated shit. The guy who wrote that line probably does. He mentioned "Variana" or whatever the European title for "Moana" is, and when I changed it he said it's because of some dead porn star.
  14. What he meant by dated is that it’s a little rough around the edges. Has anyone seen the Blu-ray or Netflix transfers of Land Before Time? They’re in serious need of cleanup or they need to use a master that doesn’t look like it needs serious DNR.
  15. Thanks. Don't let your ass hit the window on your way out.
  16. http://jameshorner-filmmusic.com/an-american-tail-expanded-edition-our-exclusive-review/ hey that’s my job! Kidding. Thanks for posting to here and FSM.
  17. It won't be as revelatory as Apollo 13 regarding the sound, but it is a definite improvement.
  18. http://store.intrada.com/s.nl/it.A/id.11726/.f?sc=13&category=-113
  19. I wonder if this has anything to do with it: https://www.digitalmusicnews.com/2019/02/06/sony-music-umg-class-action-lawsuits/
  20. In the case of Titanic, all of the OST cues included on LLL's release were licensed for use by Sony Music. All of the added material not on the OST - most of the LLL album - had to be licensed for use by Paramount.
  21. For Horner scores it means no chances of expansion for the following: 1992 - Sneakers (leaked version missing some material and has poor audio at times) 1994 - Legends Of The Fall (one of the DVDs had an isolated score) 1995 - Jumanji (one of the DVDs had an isolated score) 1996 - The Spitfire Grill 1998 - Deep Impact 1998 - The Mask Of Zorro 1999 - Bicentennial Man (UK DVD had an isolated score) 1999 - Freedom Song 2000 - The Perfect Storm (leaked version missing a cue) 2001 - Enemy At The Gates 2001 - Iris 2002 - Windtalkers 2002 - The Four Feathers 2003
  22. I'm going to rename my complete archival custom of Honey, I Shrunk The Kids a 30th Anniversary release. Just cuz.
  23. The session leak titles and cue numbers could have been made up by whoever leaked it originally, not sure. The cue numbers here come from the manuscripts and matching them to the cue sheet. I've made a revision: 2M1 is actually 2M2. Edit: This is what they are with the songs. Cues with songs: 1M1 The Fire (Main Title) 1M2s Waiting 1M3s Night Train 1M4 Lunar Ambitions 2M1s Beyond The Sea 2M2s Groovin' 2M2 Docking Simulation (unused) 2M3s Somebody To Love 3M1 Marilyn's Nightmare 3M2 A Son's Worries 3M3s Blue Moon 3M4s Magic Carpet Ride 4M0 Simulator Crash
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