NL197

"If I remember" Reading too much into those words, clearly it's TROY.

No no. That was TITAN-TIC. Different film. Not TITANIC. Ol' WilliamTaylor1969....ugh. I don't miss those days.

I don't like most of Goldsmith's music either. Star Trek music aside, I can point to The 'Burbs and that's about it.

In 2007 I bought a PS3 at the time exclusively for it being a Blu-ray and media player. I got into a few games as an afterthought, but it was (at the time) widely considered to be the fastest Blu-ray player on the market and I found it was fantastic.

It’s been corrected quietly. I’m looking at this on my iPad and it's corrected. On my desktop which I guess has it cached, it’s the original one. desktop screenshot: iPad screenshot:

Were the practice / tests video or stills ? Photoshop or some other form of compositing it for a still is obviously apples to the oranges of moving people in a video sequence is the only reason I ask. Makes what we got in "What We Left Behind" the most beautiful of teases.

Not sure about Preludium, but: Sc28 Total Logic Sc93 Pre-Launch Countdown R16-P3 Body Meld

I doubt it, since that was the name of the version with the synth drums (that was first heard on the 1996 Star Trek 30th anniversary special CD from GNP Crescendo).

You have an incoming transmission from Epsilon...I can't even make a lame Star Trek reference. Check your messages!

Haven't watched much of it but listened to some of the audio channels and the music is incredibly discrete. There is no comparison to the theatrical's sound mix which doesn't come remotely close. You're hearing every strike of the snare, bells, you name it.

Damn. DS9's "Way of the Warrior" main title and the bumpers will forever remain unreleased. Shame. The other shows' albums had their respective variants.

I hope this has the DS9 commercial bumpers and the main title mix from "The Way of The Warrior". Those are the last remaining variants of the title theme left unreleased.

Next time, use MyriadPro (bold) Condensed for the tracklist font.

Ironic, given Ryan George is Canadian. He's based out of Montreal. He doesn't really ever say a movie is bad, he just points out leaps in logic, plot holes, etc that can be explained with "unclear!" or "because!" I'm sorry but you're gonna have to get alllll the way off his back about it. Yeah you better get off that thing.

Anyone manage to download the damn trailer before it got flagged?

Ryan George deconstructed Tenet. He didn't have to, but he put in the work. I bet it was super difficult, barely convenient. Wow wow wow wow wow

I have always enjoyed when these reappear in new contexts. The theme you're referring to was also used in The Missing and was glorious in the end titles for it. The Braveheart love theme was not used in Bobby Jones. It was actually the "Freedom!" idea used in that film.

Yes this has been seen before. It’s been a few years though.

This is alluded to (vaguely obviously, but still backs Karam's points up well) here: http://jameshorner-filmmusic.com/interview-james-horner-troy/ "The structure of the themes was the work of Randy and his crew – Conrad Pope, Eddie Karam, John Kull – so that they provided the score with a backdrop. The filmmakers wanted themes for the characters and we supplied them. There’s obviously a lot of energy, but I did not have enough time to truly work out the narrative aspect of the piece in the time allotted to me, nor did I have the time to address all the different events down to the smallest details. So I decided to pit several orchestral masses against each other, whereas in your two examples, they were in perfect harmony. Once the textural work was done, I turned to a more motivating concept : the timbres, the Bulgarian Women’s Choir, Tanja Tsarovska’s voice and the dynamic of the piece, even though it was brushed with broader strokes."

It doesn't sound like "Batman" at all, maybe for the earlier music in this piece it's more for the world he inhabits. That brass idea sells the score short and is lame as fuck. Like we've done this already with 2-note Batman ideas. Had more of a 'hopeful' sound than I was expecting. Not bad.

The CD's booklet cover was printed twice:

There is no M12 / 1M2. The titles weren't generated by him, they're mostly just basic scene titles made for the spotting notes. They find their way onto the cue sheets, and then either the album titles will be cleaned / neatened up versions of those, or they'll be entirely different and more poetic / dramatic / punny.

M11 Main Title M13 Jack Leaves Elaine’s Apartment M21/22 The Walden Hotel M61 Wild Salsa (Aerobics) M71 Heavy Traffic (Snippets / Heavy Traffic) M81 Subway Station M82 Subway Chase M90 (piano improv - 'Saratoga Blues') M101 Luther’s Bus M111 The Alley