Pawel P.
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Posts posted by Pawel P.
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On 1/15/2020 at 6:45 PM, Martinland said:
Anyway - will we see each other after the concert?
In any case, I like your avatar, Pawel - it was one of my earlier, treasured albums; listened to it over and over again right after it came out - and I adore the cover artwork by Drew, my favourite poster artist; even did a blow-up/poster of sorts from it, right in the early 90s.
Thank you Martinland!
It was my first CD, bought in 1996 - previously I had a few Williams' soundtracks on cassettes
As for the meeting, as I use the hospitality of my cousin and his family, I don't plan any meetings after the concerts - it wouldn't be too elegant on my part to leave them like that on Saturday. And on Sunday I'm leaving Vienna very soon after the concert. Although I'm sure JWFan Vienna meeting will be wonderful!
I wish you and everyone present the most beautiful concert in your life!
7 hours ago, St0rMl0rD said:I'm sure it will be audio recorded, as Anne-Sophie confirmed that.
Anne-Sophie confirmed in interview two months ago that the concerts will also be filmed. I hope it wasn't her wishful thinking and she knew what she was saying.
Yes, I will be his guest artist. That’s so amazing, isn’t it? I mean, this is John Williams’ European debut! Other than in London, he has never conducted in the Old World. Everything will be filmed and recorded, it’s going to be spectacular.
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I had a dream last night in which I saw John Williams in a photo shoot with… Riccardo Muti under the window of my old apartment. I thought that I had to get down quickly, because such an opportunity to meet my idol won’t happen again. I don't remember any more, I just woke up. You can imagine my surprise when I looked here in the morning and saw these pictures.
It's a totally surreal situation - in a few days I'll be at two John Williams' concerts, with one of the world's best orchestras performing his compositions. If it's really filmed, it’ll be a souvenir for life. It’s very cool to see Maestro in great form!
- WDG01, St0rMl0rD and Martinland
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Author of this article expresses exactly my thoughts that I had while listening to MEMOIRS OF A GEISHA and SEVEN YEARS IN TIBET. "Those damn Asians!"
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I think we should all remember one thing: nomination is also a kind of award. For many filmakres it's the biggest achievement of their entire career. That's why it's no longer said that "the winner is", but "Oscar goes to". And that's why 51, the number of Williams' nominations so far, is so important. I hope it will be 52 next week.
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55 minutes ago, King Mark said:
If the music is mixed well in the film, I think Williams has a serous chance at the Oscar
Is mixed very well. But I watched it in IMAX. I don't know yet how it will sound in normal cinemas.
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10 minutes ago, pete said:You;re going to get a ton of questions! Another end credits question: Is it a hodgepodge like The Phantom Menace or are the themes woven together into a coherent piece of music ala Empire?
Definitely Empire
- bollemanneke, DiscmanD131 and Jost1
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5 minutes ago, Edmilson said:Also, what about the use of choir on the movie? Bigger than on the other ST scores?
Bigger than TFA and TLJ, for sure. Similar to PT, but choirs play a slightly different role here, they are more sinister, more ominous
1 minute ago, RadJ said:Hi Pawel, is this theme in the score at all?
Hi RadJ, I don't think so
- crumbs, DiscmanD131, Edmilson and 2 others
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4 minutes ago, Jay said:
Oh, so just the Force theme then
No, Yoda
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10 minutes ago, bollemanneke said:Thank you for this! Could you describe the end credits a bit more? What I'm most curious about is, do they end in a way that also celebrates JW's achievement, or is there really nothing unexpected to be heard?
End Credits, if I remember correctly, consist of::
- traditional fanfare
- one of the new epic themes,
- Imperial March,
- second of the new epic themes,
- Rey,
- something slower and climatic, also new
- new action theme
- Rebel Fanfare
- traditional ending from New Hope.
- bollemanneke, Tom, Jost1 and 7 others
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6 minutes ago, Jay said:
Dagobah? Which cue?
Yoda pulling the X-wing out of the pool
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10 minutes ago, Thor said:
Ah, I see the John Williams cameo has already been mentioned here. It just blew my mind when I saw him in those 4-5 seconds. His name is actually credited as Oma Tres, not Trek, in the end credits. I'm wondering if the 'Tres' is a reference to the 'three trilogies' he's now done. 'Oma' can have several meanings; it's slang for 'grandmother' in German, for example.
There are other spoiler elements I want to discuss not mentioned here by others, but I'll save that for tomorrow after 9 AM.
Oma Tres, Yes! ! Thanks for the correction.
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So, after the press screening, I can tell you that the score is really, really good, really crushing. This movie really owns it a lot. I haven't heard FYC material, but especailly two new themes are very epic and have a very prominent place in the score. One is majestic, both are super catchy and memorable. An instant classics for me.I have the impression that this is the most aggressive score of the new trilogy, and at the same time the most lyrical and nostalgic. Of course, old themes are back - Force, Vader, Palaptine, Leia, Han Solo and the Pricnes, Yoda, Rey, Resistance. End Credits is a mix of old themes and new ones.
I didn't notice Dule of the Fates, but there is a powerful choir that sounds quite similar to it. There are more choirs, at the beginning and especially in the last act of the film. One of them reminded me of Anakin's Betrayal from ROTS.
The movie ends, for the fourth time in a row, with Binnary Sunset.In two places, if I remember correctly, Williams almost copied fragments from ROTJ (Darth Vader's death) and ESB (Dagobah). But it sounds spectacular.
To sum up, there is a lot going on here. I can't wait to hear it on CD. And of course a few more times at the cinema.
Of course, don't take my words for granted. I really like scores from both TFA and TLJ. -
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So I'm after the press screening. I liked the movie very much, although there will certainly be many who will not be satisfied. As usual. I have to gather my thoughts to write a spoiler free review for my web portal - for now, until tomorrow morning, there is an embargo from Disney.
One thing I'll tell you: John Williams has a cameo! He played a bartender by the name, if I remembered correctly from the end credits, Oma Trek. How cool is that?
EDIT - Oma Tres
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Okay, I'm watching the movie in 9 hours. This is a special moment. The end of the saga, perhaps the last of John Williams' great epic scores. I haven't listened to FYC because I think it's worth being patient. I think I'll write here about my feelings about the music in the movie after the screening.
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Agree. 'Sleepers' is even greater, IMHO. But such a program would be suicide
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What I particularly like about this program is the fact that none of the themes from 'A John Williams Celebration' blu-ray are repeated. And this will be filmed and probably also released on blu-ray. Thanks to this, we may get another unique concert for souvenir.
But of course Williams could just conduct two 50-minutes long suites from 'Images' and 'Sleepers', with an encore from 'Presumed Innocent', and I would be happy anyway.
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I'm sure if Pope arranged anything on this album, it's related to the orchestra, not the violin parts. And he certainly followed Williams' instructions.
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Anne-Sophie confirms in this interview that the concerts will be filmed. Fantastic news!
Yes, I will be his guest artist. That’s so amazing, isn’t it? I mean, this is John Williams’ European debut! Other than in London, he has never conducted in the Old World. Everything will be filmed and recorded, it’s going to be spectacular.
https://thelegacyofjohnwilliams.com/2019/11/21/anne-sophie-mutter-interview/
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3 hours ago, Falstaft said:
Also, an extended transcript including items that didn't make the final broadcast (e.g., a very short bit on The Rise of Skywalker) can be found here:
Thanks. This is the most insightful and deep interview with Williams I've read in years.
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1 hour ago, Disco Stu said:Sorry if this has been answered already, but do we know if the Sabrina arrangement is the same as the one found on the 1997 Cinema Serenade album with Itzhak Perlman?
The arrangement is the same, the differences are very subtle. Besides, Mutter's style of playing is slightly different than Perlman's.
When I listen to this CD, I can easily imagine how much fun Williams had when he was creating these arrangements. He didn't want to beat the originals, this isn't what this album is about. It's about great art, friendship and time spent together. It's about enjoying music that is able to cross all boundaries.
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I've had this beautiful gem for a few days and I can say that the album is, as expected, phenomenal. I’ll write more in a large article that I’m going to publish before the premiere. Several pieces, like Hedwig’s Theme, Donnybrook Fair and The Duel are very vibrant and virtuoso. Hedwig’s Theme in the extended version is a revelation. Dracula sounds phenomenal and dark. Luke and Leia is beautiful, just like Across The Stars. Sabrina is quite similar to the version that appeared on Cinema Serenade, Schindler's List doesn't differ much from the original either.
I am looking forward to the deluxe version, but even this one is definitely one of the record events of the year. I'm telling you, this ends with at least one Grammy Award
Below are some photos.The booklet has 24 pages. Liner notes are in English and German. There is also short essay by Jon Burlingame, but I don't want to spoil everything here
What can I say more... Well, it's 'Nice to be around' this CD
John Williams & the Vienna Philharmonic: January 18/19 2020
in JOHN WILLIAMS
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Lao Che, Can you confirm that the concerts will be filmed?