12-Mile Reef

‘Elegy for Cello and Orchestra’ is an adaption of material from the ‘Regaining a Son’ track from ‘Seven Years in Tibet’. It’s one of my very favourite JW concert pieces.

Thanks!

What section of ‘Scarif Antenna Alignment’ do I need to add to the start of the alternate to make it the full cue?

Coincidentally I also caught up on this episode yesterday, a wonderful conversation!

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I just listened to this again on the Dudamel Blu-ray, it's a terrific piece. I'm sure a release would be mentioned here if there was one but I just wanted to double check i hadn't missed a CD or download audio only release of the piece?

Really enjoying this release. Both the Film version and Alternate version of 'The Rescue' are credited to John Frizzell and James Newton Howard while the album version is credited to John Frizzell only. I'm assuming this is an error and all three should be attributed to both Frizzell and Howard?

Is there a way to do this in iTunes? I know I can just rip the section I want to get 'Dinner with Gem' from track 14 but is there any way to rip across the two tracks to get all of 'Never Quaver' in one go? Is there any indication as to where the three extra tracks recorded at the OST sessions where meant to go in the album playlist? Or where they just recorded as alternate options?

Yep, mine arrived with me this morning here in the UK, very impressive!

I've always loved this recording of 'Close Encounters' but my copy has a glitch at 15:33. I've always wondered if this is just my copy, a glitch on the version I have (https://www.discogs.com/John-Williams-4-Charles-Gerhardt-National-Philharmonic-Orchestra-Close-Encounters-Of-The-Third-Kind-/release/13204301) or an issue inherent to the recording. Any help most appreciated!

I've tried the above out and it doesn't work as all of the alternates feature slate numbers and stage chatter. I'm really not a fan of presenting alternates this way as it robs you of the ability to listen to them on purely musical terms. I do like this kind of thing when presented separately (as in the recent 'Along Came a Spider') or when used for context (the take numbers on the 1997 RCA Victor 'Star Wars' main title archive) but I much prefer alternate music to be presented clean.

Hi Yavar, I was wondering if you had a playlist for creating the score as originally intended? This just arrived in the post with 'Along Came a Spider' and I have to admit I'm going a bit crosseyed trying to figure it all out from the back cover... This is what i've come up with: -'What's Up?', replace disc 1 track 2 with disc 2 track 1 -Replace disc 1 track 6 with disc 2 tracks 4-7 -Replace disc 1 track 18 with disc 2 tracks 10-12 -"The Launch", replace disc 1 track 19 with disc 2 track 13 Any help most appreciated!

Perfect, thanks Jay!

I checked his behance this morning, unfortunately it isn't posted there but there is a terrific in depth page on the set: https://www.behance.net/gallery/57863925/Welcome-(Back)-to-Jurassic-Park

Does Anyone have a higher res album art for 'The Lost World' art from this set? The highest I can find is 600 X 600?: HQ covers has a pretty good rebuild (below) but there are some differences and I'd love a good quality version of Jim Titus' work.

They are hoping to have it back in stock in May. https://www.filmscoremonthly.com/board/posts.cfm?threadID=142714&forumID=1&archive=0

There have been some great ones posted at FSM in the last few years. Two complete sets by user Steffromuk https://www.flickr.com/photos/steffromuk/albums/72157664354542528/with/42727876390/ : And some by user raferjanders https://www.flickr.com/photos/171217949@N03/ :

Yes, it's credited in the end credits along with the John Murphy piece. The 'Beautiful Lie' track from 'Batman V Superman' is not credited, I'm not sure if that is because it is already owned by Warner Bros or that it is already a Zimmer composition.

Yes.

FYI, Lola was responsible for the work here on young Luke, not ILM.

Yeah... That might be the stupidest internet petition I've ever seen!

"We cut to it when we were editing... Hans was like 'But I wrote that song for this universe so why aren't we using it? That's what you do with themes.' ...It was so perfect and we cut to the rhythm of it exactly. So then it was just great, you know, it was great. It was true. And it's like, yeah, we're the DC Universe and we should reuse great scenes." Quote from director Patty Jenkins https://thedirect.com/article/wonder-woman-1984-batman-v-superman-song-gal-gadot

I had the same reaction to the series Thor but you should really check out the book that accompanied it. It has complete unedited transcripts of the one on one interview Cameron conducted with Guillermo del Toro, George Lucas, Christopher Nolan, Arnold Schwarzenegger, Ridley Scott and Steven Spielberg and they are absolutely fascinating.