Jump to content

LSH

Members
  • Posts

    717
  • Joined

  • Last visited

  • Days Won

    2

Posts posted by LSH

  1. Interview with Thomas Newman on Leo Maltin’s podcast:

     

    https://maltinonmovies.libsyn.com/
     

    This was really enjoyable to listen to, and occasionally very funny.

     

    A very refreshing composer interview. The hosts aren’t just slathering him with praise… they coax some really good insights and stories out of him.

     

    Thomas is so bloody humble and speaks so articulately about his craft… it makes me admire him even more.

  2. So Thomas’ next project is John Madden’s World War II drama Operation Mincemeat, expected early next year. 
     

    They collaborated previously on The Debt and both The Best Exotic Marigold Hotel films, the latter of which are some of my favourite scores from Newman in the past ten years. They really are lovely.

     

    This new project will probably have more in common with 1917 perhaps? I don’t know. Newman often disappoints but occasionally provides something spectacular.
     

    I’m not sure if the subject matter will offer much opportunity for the sort of thing we’d like to hear from him but DO look up the history of the subject matter… it’s one of the more bizarre yet successful moves from the Allies during the war that, admittedly, has been covered before but not on the big screen. Could be interesting.

  3. Absolutely!

     

    Yes, John Williams wrote some of the themes, but Powell makes them his own in the way he uses them.

     

    It also features some of the best action music I’ve heard in the modern era. The complete Train Heist cue is 10 minutes of the best action music I’ve ever heard. Hands down.

     

    There are very few composers at the moment who can write extended action music that is interesting and, more importantly, melodic at the same time. James Newton Howard can do it when he feels like it but Powell exceeds in this department.

  4. On 6/24/2021 at 2:21 PM, Thor said:

    ab67616d0000b2733a987502643fe2de495614e1

     

    Spurred by someone posting about it over on Maintitles. Haven't listened to it a long time, but it's really a favourite. Shearmur not only blends orchestra and electronics, but taps into these gorgeous New Age/Café del Mar/chillout moments that just make the album stand out. Perfectly sequenced and perfect length too. "Taxi Drive" reminds me of the opening of Leftfield's dub techno classic "Release the Pressure".

     

    Funny you mentioned this one... I was listening to it the other day after re-watching the film, first time in many many years.

     

    Fantastic stuff. Shame Shearmur isn't or hasn't been more prolific because he's clearly very versatile. I love his score for REIGN OF FIRE... brutal dissonant stuff... the complete opposite of K-PAX.

  5. On 5/31/2021 at 3:30 PM, Edmilson said:

    Terminator 2: Judgement Day

     

    This is pretty much the perfect blockbuster movie. It has amazing special effects and stunts (which look great until this day), but it also has memorable characters and a nice script. Edward Furlong delivers one of the best performances by a child actor in an action film. The score isn't something I'd listen outside of the movie, but it works great with the pictures. 

     

    Happy 30th birthday!


    Textbook example of how to make an action film.

  6. I own quite a few pairs of headphones but a family member bought me these last Christmas...

     

    https://www.amazon.co.uk/Sony-WH-CH700N-Bluetooth-Cancelling-Headphones-Black/dp/B078VGQCZ4

     

    Very good 'on the move' headphones when you don't want to take your expensive ones out of the house. Not the best noise cancellation but very good sound quality and comfort; I listen to film scores on them regularly and they are both crisp and deep.

×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.