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D_nev

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D_nev last won the day on December 29 2018

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About D_nev

  • Birthday 03/06/1998

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    https://www.davidnevillemusic.com

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    Los Angeles, CA

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  1. I feel like it will be one of those scores that gets "discovered" after he is gone. So many absolutely gorgeous and magical moments in that score.
  2. Haha yeah I was looking through everyone else’s after I posted mine and was shocked to only see one other!
  3. 1. E.T. 2. Phantom Menace 3. Last Crusade 4. Saving Private Ryan 5. Philosophers Stone 6. BFG 7. Angela's Ashes 8. War Horse 9. Hook 10. The Terminal I feel like any of these could be put in any spot depending on the day for me, but this is a good list I think. I guess I am more of a fan of his scores from the late 90's onwards! Definitely super hard to narrow it down to 10
  4. I don't know if this has ever been mentioned before but I found it to be pretty glaring: Also this one comes to mind, same inspiration:
  5. I am interested to hear peoples thoughts who have seen the Barbie movie. It sounds like to me that there is a little tad bit of Desplat's music left over in the final film during the scene where Barbie finds Barbra in the Mattel headquarters. There is a bit of what sounds like diagetic music playing from a radio that sounds to me like an orchestral, quirky version of the main theme of the film. From my recollection, it gets quite big and colorful as well. I am curious if anyone else noticed this? If it is his music, it seems odd that they would include it but not credit him, but if it isn't him then it is a very convincing Desalt sound-a-like. It is also curious that the score proper wasn't released in anyway.
  6. An Ailing Monster.wav Here is a mock-up of An Ailing Monster from JP!
  7. The single 6/8 bar is to show the musicians what the click will be doing. You can see it on top of the bars in some places places. In this case they are prepping the players for the switch from 6/4 to 6/8. The treble clef is likely just a mistake, which are bound to happen in any situation:)
  8. Hey guys, Did a quick mock-up/transcription of the opening of Kenobi's Theme yesterday and wanted to see if any of you fine composers had any thoughts on the mock-up/mix/transcription? Would love to hear what you all have to say. Thanks and hope you all are doing swell! I used Cinematic Studio Strings, Cinematic studio brass (horn solo) and woodwinds (clarinet melody doubling), and BBCSO Double basses doubling the CSS ones as well as some BBCSO Bass Clarinet when the strings first come in for some warmth. Other than that, just some EQ's on the strings and reverbs!
  9. I was coming home from work the other day and I heard my neighbor blaring JW's Cello Concerto, I have never met another person that enjoys listening to his concert music so it was quite a shock!
  10. It isn’t pure speculation but I am fairly confident that these sessions were demos only. There were only three days of sessions and you typically need far more than that for a score of this size.
  11. The sessions this week are demo sessions I believe!
  12. A week or so ago via Gordy Haab's Facebook. Still could be anything but the timing is interesting
  13. He actually directly quotes the the fourth movement of his Cello Concerto in this cue from Angela's Ashes:
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