tomsmoviemadness

I wish they'd just made the show a standalone, single season story. Now there's all these unresolved plot threads that will never be closed off.

The second half of this video 100% contains new music from Season 2.
It's fantastic!!!!!!
 
 

I meant new music as in "not heard in S1". The first half has some new arrangements on themes we already new.

The second half of this video 100% contains new music from Season 2.
It's fantastic!!!!!!
 
 

The second half of this video 100% contains new music from Season 2.
It's fantastic!!!!!!
 
 

Nice video on the score.
 
Few takeaways:
- Wallfisch mentioned there was no temp track at all. And they really tried to emulate the silence in the film, by not having too much music 
- There are at least 3 themes: Rain's Theme, Andy's Theme & the Xenomorph theme. All 3 are in some way linked. They're the same notes being played in different order or in reverse for example.
 
 

There's nothing mediocre about Robin Hood!

We need hercules to complete menkens golden age…

According to the MovescoreMedia website Mick Giacchino is also scoring The Penguin
 
https://moviescoremedia.com/newsite/upcoming-film-scores/
 

I think it's a beautiful song and I can imagine what parts of it would accompany scenes with Bombadil. And I think there are many ways and arrangements that McCreary can use it.
 
My favourite part of the song though is when at the last chorus Yara Yarbrough joins Wainwright. Their harmony is gorgeous and really elevates the final moments of the song.
I can't wait to listen to the album next week!

Colin Firth joins the cast

Nice video on the score.
 
Few takeaways:
- Wallfisch mentioned there was no temp track at all. And they really tried to emulate the silence in the film, by not having too much music 
- There are at least 3 themes: Rain's Theme, Andy's Theme & the Xenomorph theme. All 3 are in some way linked. They're the same notes being played in different order or in reverse for example.
 
 

I like the song that Fiona Apple sang, but I'm a fan of her voice to be honest. The song us fantastic.

The line is not dead?
 
The other vague nugget of information I got this year was from Randy Thornton, who gave an hourlong lecture for Mary Poppins entitled The Road to Cherry Tree Lane. We ran into him hanging out at the Disney Music Emporium later, he was kind enough to sign that $300 Mary Poppins LP set that my friend Steve had just purchased. During our talk (mostly me and Aaron fawning over his lecture), I asked if we'd see more Legacy Collection titles get a vinyl like Mary Poppins. He said they're still trying to get more titles out on CD, but didn't say which ones. So, again this is a maybe, but I'd take it as indirect confirmation again that the Legacy Collection line is still active, just very slow going in getting new titles out there. Another Disney Music Emporium cast member there also made an off-hand remark about The Sword in the Stone as if it were already out in The Leagcy Collection, but he might have been confusing it with Robin Hood. Either way, if The Sword in the Stone is coming but not yet announced, that could also be confirmation.
 
https://dvdizzy.com/forum/viewtopic.php?p=776597&sid=794ab2f29f605a323609430bf2df1135#p776597

Nice video on the score.
 
Few takeaways:
- Wallfisch mentioned there was no temp track at all. And they really tried to emulate the silence in the film, by not having too much music 
- There are at least 3 themes: Rain's Theme, Andy's Theme & the Xenomorph theme. All 3 are in some way linked. They're the same notes being played in different order or in reverse for example.
 
 

According to the MovescoreMedia website Mick Giacchino is also scoring The Penguin
 
https://moviescoremedia.com/newsite/upcoming-film-scores/
 

I dunno... 20 seconds into that video seems like Tom to me. I'd like to see more of him cheerfully galivanting around in nature, though. He does seem unusually serious in some of the production material we've seen.

Yavar

I liked this trailer, but I think I liked the recent SDCC trailer even more...
 
 
Yavar

I agree. There are good moments, musically. But a criterion for a score to work in context, at least for me, is some kind of overarching vision or consistency. This score had none of that.

New trailer. Best they've had for this season.
It shows the stakes a lot better. And I love seeing more of the performances. Charlie Vickers & Charles Edwards are doing a fantastic job.
 
 
 

Fantastic cue! Use it when cycling or on the treadmill when I need a bit more energy.