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tomsmoviemadness

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Posts posted by tomsmoviemadness

  1.  

    On 7/24/2021 at 5:19 PM, Bespin said:

    I can't vote on my own poll here, I'm not familar with any of these....

     

    Well, that's my goal... to discover new music and composers!

    Romeo & Juliet is amazing.

    And although Evil Dead is though listen because it's a horror. That score has so much inventive writing for orchestra and choir. It's terrific.

     

  2. 3 hours ago, MedigoScan said:

    God of Outcasts should be right before Alligator Bite when he motivates the other Lokis

    Lokius plays after Time Looped, when he talks with Mobius

     

    Btw apparently Dangerous Variant plays at the start of episode 4 instead. Or at least most of it does.

     

    edit: also unless I misplaced this track, I feel like Pruned sounds remarkably different in the show.

    Then I believe this is the correct order:

     

    Ep. 4

    5. Time Loop

    6. Lokius

    17. B-15's Memories

    15. Pruned

    3. Pep Talk

     

    Ep. 5

    1. Headless

    10. Secret Hideout

    8. God Of Outcasts

    7. Alligator Bite

    9. Reunion

    11. Goodbyes

    12. Living Storm

    13. Classic Builds

     

    Ep. 6

    14. Time
    2. Temptation
    4. Wild
    18. Ohio, 2018 Part 1
    16. Ravonna's Mission

    21. Be
    19. Fibbed
    18. Ohio, 2018 Part 2
    20. Stop
    22. Back in the TVA
    23. He Who Remains

  3. 9 hours ago, MedigoScan said:

    Well I have episode 6 in my memory the most, so I can cut down your guessing list by about 10 tracks

     

    Which are these in order.

     

    14. Time
    2. Temptation
    4. Wild
    18. Ohio, 2018 Part 1
    16. Ravonna's Mission

    21. Be
    19. Fibbed
    18. Ohio, 2018 Part 2
    20. Stop
    22. Back in the TVA
    23. He Who Remains

     

    This episode is also nearly complete aside from 3 or so minor tracks (one of which is in the end credits)
     

    Great, thanks.

    Only tracks I haven't put in yet then are,

    Lokius

    God Of Outcasts

  4. 46 minutes ago, CrimsonRain96 said:

    Thank you sooooooo much. To be perfectly honest, I didn’t think anyone would actually do it because of how many tracks there are and how difficult it’d be to place every single track over the course of 8 episodes. Much Obliged. 😊

    Did it a year ago when the album came out. I absolutely hate albums not in order of the film. So try to always do it as quick as possible. And I have to say. This might have been the hardest one yet.

  5. On 7/13/2021 at 5:31 AM, Jerry said:

    So after seeing Black Widow again, honestly the album is weird like I think the cues on the album are all in the movie (most all of them), I don't think there is much editing to them but they are really hard to place as the track titles don't really make sense when you read them and try to fit them to the scenes I did figure out a few though I think.

    The Descent is played at the end of the film when the characters fall through the sky 

    Whirlwind is played during the Helicopter sequence at the prison 

    From the Shadows is played during The Bridge Fight near the beginning of the film 

    The Pursuit is the runway sequence right at the beginning 

    Natasha Soars is the first part of the end credits 

    Arise is played during the fight between Natasha and the other Widows

    Natasha's Lullaby is not in the movie 

    I think those are right, all I was able to work out hope it helps and any feed back on these would be very helpful and appreciated  

    Found out that Into The Past is the whole apartment + rooftop chase with the widows.

    In the film it start when Yelena mentions the red room and ends with the shot of the widow lying in the water.

    After that the chase scene on the motorbike starts.

     

    And I believe the whole chase is a mix of Latrodectus and The First Bite Is The Deepest. But both seem to slow for some reason. And there's some choral work in the chase that I can't find anywhere on the album. So if it's on the album it's alternate.

  6. Figured them out myself!

     

    The Boss Baby
    1. Survival Of The Fittest
    2. Cheek To Cheek
    3. Baby Brother
    4. You Can't Get Away From Johnny Law
    5. Welcome To Baby Corp
    6. Super Collosal Big Fat Boss Baby
    7. We Can Buy A Bouncy House
    8. Everytime I Turn Around
    9. Puppy Corp.
    10. Francis Francis
    11. Barfmitzvah
    12. Toilet Head
    13. I Whis You
    14. Arrrgh
    15. You're Fired
    16. Upsies
    17. You Want To Hug Me
    18. Love
    19. Go Get Yourself A Horse
    20. What The World Needs Now Is Love



    The Boss Baby: Family Business
    1. Meet The Templetons
    2. Bedtime
    3. The Attic
    4. Crisis At Babycorp.
    5. Ted Comes Home
    6. She Can Talk
    7. To Baby Corp
    8. The Secret Formula
    9. They're Home
    10. Nightmare Court
    11. We Overslept!
    12. The Chase
    13. Acorn School
    14. School Days
    15. Armstrong
    16. Latchley Kid
    17. Marcos Comes Home
    18. Baby Pep Rally
    19. Family Dinner
    20. If You Want To Sign Out, Sing Out
    21. It's Back On
    22. Mission Planning
    23. Stop The Show
    24. Together We Stand
    25. Shutdown The Server
    26. Yay Templetons
    27. The Greatest Gift

  7. Outstanding Music Composition for a Series (Original Dramatic Score):

    Bridgerton – Kris Bowers

    Lovecraft Country – Laura Karpman & Raphael Saadiq

    The Crown – Martin Phipps

    The Handmaid’s Tale – Adam Taylor

    The Mandalorian – Ludwig Goransson

    This Is Us – Siddhartha Khosla

     

    Outstanding Music Composition for a Limited Series, Movie or a Special (Original Dramatic Score):

    Fargo – Jeff Russo

    Oslo – Jeff Russo & Zoe Keating

    The Queen’s Gambit - Carlos Rafael Rivera

    The Underground Railroad – Nicholas Britell

    WandaVision – Christophe Beck Original

     

    Main Title Theme Music:

    Allen v. Farrow – Michael Abels

    Bridgerton – Kris Bowers & Michel Dean Parsons

    Ted Lasso – Marcus Mumford & Tom Howe

    The Flight Attendant – Blake Neely

    WandaVision – Kristen Anderson-Lopez & Robert Lopez

     

    Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score):

    Allen v. Farrow – Michael Abels

    American Masters - Kathryn Bostic

    David Attenborough: A Life On Our Planet – Steven Price

    The Social Dilemma – Mark Crawford

    Tulsa Burning: The 1921 Race Massacre – Brandford Marsalis

     

    http://filmmusicreporter.com/2021/07/13/2021-emmy-awards-nominations-announced/

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